What has kept historians and conspiracy theorists puzzled for years? In this vividly dramatic account of the last hours of Abraham Lincoln's life, the events that led up to the night of April 14, 1865, are related as never before. Following the motives, decisions, and actions of both Lincoln and his assassin, John Wilkes Booth, readers will encounter facts and theories rarely taught in any history class. Alan Axelrod's gripping retelling of this national tragedy highlights the numerous details, coincidences, and oddities of the assassination plot. This kit includes a handsome portfolio reproduction of the items Lincoln had in his wallet at the time of his death as well as other artifacts from the period.

Lincoln's Last Days is a gripping account of one of the most dramatic nights in American history—of how one gunshot changed the country forever. Adapted from Bill O'Reilly's bestselling historical thriller, Killing Lincoln, this book will have young readers—and grown-ups too—hooked on history. In the spring of 1865, President Abraham Lincoln travels through Washington, D.C., after finally winning America's bloody Civil War. In the midst of celebrations, Lincoln is assassinated at Ford's Theatre by a famous actor named John Wilkes Booth. What follows is a thrilling chase, ending with a fiery shoot-out and swift justice for the perpetrators. With an unforgettable cast of characters, page-turning action, vivid detail, and art on every spread, Lincoln's Last Days is history that reads like a thriller. This is a very special book, irresistible on its own or as a compelling companion to Killing Lincoln.

Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.

April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford’s Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, “Burn the place down!” This is the untold story of Lincoln’s assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln’s assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history, after the investigation was over—how each one lived their lives after seeing one of America’s greatest presidents shot dead without warning. Backstage at the Lincoln Assassination is an exquisitely detailed look at this famous event from an entirely new angle. It is must reading for anyone fascinated with the saga of Lincoln’s life and the Civil War era.

It is a tale as familiar as our history primers: A deranged actor, John Wilkes Booth, killed Abraham Lincoln in Ford’s Theatre, escaped on foot, and eluded capture for twelve days until he met his fiery end in a Virginia tobacco barn. In the national hysteria that followed, eight others were arrested and tried; four of those were executed, four imprisoned. Therein lie all the classic elements of a great thriller. But the untold tale is even more fascinating. Now, in American Brutus, Michael W. Kauffman, one of the foremost Lincoln assassination authorities, takes familiar history to a deeper level, offering an unprecedented, authoritative account of the Lincoln murder conspiracy. Working from a staggering array of archival sources and new research, Kauffman sheds new light on the background and motives of John Wilkes Booth, the mechanics of his plot to topple the Union government, and the trials and fates of the conspirators. Piece by piece, Kauffman explains and corrects common misperceptions and analyzes the political motivation behind Booth’s plan to unseat Lincoln, in whom the assassin saw a treacherous autocrat, “an American Caesar.” In preparing his study, Kauffman spared no effort getting at the truth: He even lived in Booth’s house, and re-created key parts of Booth’s escape. Thanks to Kauffman’s discoveries, readers will have a new understanding of this defining event in our nation’s history, and they will come to see how public sentiment about Booth at the time of the assassination and ever since has made an accurate account of his actions and motives next to impossible–until now. In nearly 140 years there has been an overwhelming body of literature on the Lincoln assassination, much of it incomplete and oftentimes contradictory. In American Brutus, Kauffman finally makes sense of an incident whose causes and effects reverberate to this day. Provocative, absorbing, utterly cogent, at times controversial, this will become the definitive text on a watershed event in American history.

On the evening of April 14,1865, when President Abraham Lincoln was assassinated in Ford's Theatre, an entire audience was witness to the tragedy. From diaries, letters, depositions, affidavits, and periodicals, here is a collection of accounts from a variety of theatergoers—who by chance saw one of the truly pivotal events in US history. Providing minute firsthand details recorded over a span of ninety years, We Saw Lincoln Shot explores a subject that will forever be debated. With a sharp focus upon the circumstances reported by one hundred actual witnesses, We Saw Lincoln Shot provides vivid documentation of a momentous evening and exposes errors that have been perpetuated as the assassination has been rendered into written histories.

Think You Know Everything about the Lincoln Assassination? Think Again. After 150 years, many unsolved mysteries and enduring urban legends still surround the assassination of Abraham Lincoln by the popular stage actor John Wilkes Booth. In a new look at the case, award-winning history author Robert J. Hutchinson (The Politically Incorrect Guide to the Bible) explores what we know, and don’t know, about what really happened at Ford’s Theatre on the night of April 14, 1865. In addition, he argues that the deep-seated political hatreds that roiled Washington, D.C., in the final weeks of the Civil War are particularly relevant to our own polarized age. Among the tantalizing questions Hutchinson explores are: * Did the Confederacy have a hand in the assassination plot? * Who were Booth’s secret accomplices, and why did he change the plan from kidnapping to assassination? * Why was it so easy for Booth to walk into the president’s box to shoot him? Where were the guards? * How did Booth evade the largest manhunt in U.S. history for nearly two weeks despite being unable to walk? * Who gave the order to shoot Booth in the Garrett barn—and what happened to his body? Drawing upon both primary sources and the best recent historical research, What Really Happened: The Lincoln Assassination separates established facts from mere conjectures—and is the one book to own if you want to know “what really happened.”

Now an Apple TV+ Series “A terrific narrative of the hunt for Lincoln’s killers that will mesmerize the reader from start to finish.”—Doris Kearns Goodwin The murder of Abraham Lincoln set off the greatest manhunt in American history--the pursuit and capture of John Wilkes Booth. From April 14 to April 26, 1865, the assassin led Union cavalry troops on a wild, 12-day chase from the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia, while the nation, still reeling from the just-ended Civil War, watched in horror and sadness. Based on rare archival materials, obscure trial transcripts, and Lincoln’s own blood relics Manhunt is a fully documented, fascinating tale of murder, intrigue, and betrayal. A gripping hour-by-hour account told through the eyes of the hunted and the hunters, it is history as it’s never been read before.

The American Civil War claimed the lives of 750,000 Americans. Death and mourning defined the four wrenching years between 1861 and 1865, leaving an indelible imprint on the nation at large. During these years, photography became a powerful tool of reportage and remembrance: "the field of photography is extending itself to embrace subjects of strange and sometimes of fearful interest," wrote Oliver Wendell Holmes in reference to a haunting series of Civil War views. Drawing on more than 200 works from the superb Civil War collections at the Huntington Library, many never published before, A Strange and Fearful Interest explores how photography and other media were used to describe, explain and perhaps come to terms with a national trauma on an unprecedented scale. The volume focuses on the Battle of Antietam (not only the bloodiest day in the nation's history, but also the first in which photographs of American battlefield dead were made); the assassination of Abraham Lincoln, the national mourning that ensued and the execution of the conspirators; and the establishment of Gettysburg National Monument as part of larger attempts at reconciliation and healing.

"Of the crucial men close to President Lincoln, Secretary of War Edwin Stanton (1814-1869) was the most powerful and controversial. Stanton raised, armed, and supervised the army of a million men who won the Civil War. He organized the war effort. He directed military movements from his telegraph office, where Lincoln literally hung out with him ... Now with this worthy complement to the enduring library of biographical accounts of those who helped Lincoln preserve the Union, Stanton honors the indispensable partner of the sixteenth president"--