A World War II novel of combat aviation.

Following the material turn in the humanities, this book brings perspectives from science and ecology into dialogue with children's fiction written and published in the UK and the USA in the 21st century. It develops the concept of entanglement, which originated in 20th-century quantum physics but has been applied to cultural critique, through a reading of Fantastika literature. Surveying a wide-ranging scope of literary texts, this book covers the gothic, fantasy, the Weird, and other forms of speculative fiction to argue that Fantastika positions entanglement as an ethical imperative that transforms our imaginative relationship with materiality. In so doing, it synthesizes perspectives from a similarly diverse range of areas, including ecology, physics, anthropology, and literary studies, to examine the storied matter of children's Fantastika as ground from which we might begin to imagine an as-yet-unrealised future that addresses the problems of our present.

Leigh Bardugo's Six of Crows meets Kristin Cashore's Graceling, with a dash of Winter is Coming, in this showstopping debut YA fantasy--and recipient of FOUR starred reviews! A Morris Award Finalist for best debut young adult novel! A Kirkus Best Book of the Year! A Tor.com Best YA SFF/Horror Book of the Year! "One of the most stunning debuts of the year." —Seventeen The Age of Darkness approaches. Five lives stand in its way. Who will stop it . . . or unleash it? For generations, the Seven Prophets guided humanity. Using their visions of the future, they ended wars and united nations—until the day, one hundred years ago, when the Prophets disappeared. All they left behind was one final, secret prophecy, foretelling an Age of Darkness and the birth of a new Prophet who could be the world’s salvation . . . or the cause of its destruction. With chaos on the horizon, five souls are set on a collision course: A prince exiled from his kingdom. A ruthless killer known as the Pale Hand. A once-faithful leader torn between his duty and his heart. A reckless gambler with the power to find anything or anyone. And a dying girl on the verge of giving up. One of them—or all of them—could break the world. Will they be savior or destroyer? Perfect for fans of Throne of Glass, Children of Blood and Bone, and An Ember in the Ashes. Praise for There Will Come a Darkness “A can’t miss debut from an exciting new talent.” –Kiersten White, New York Times bestselling author of Slayer “Even in a world filled with graces and prophets, the real magic of There Will Come a Darkness is in how Pool has crafted her heroes—messy, flawed, and so beguilingly human. I dare you not to fall madly in love with all of them.” —Laura Sebastian, New York Times bestselling author of Ash Princess * "A well-crafted, surprising, and gripping start to a new trilogy." —Kirkus Reviews, STARRED review

Could it be that the more we know about the world, the less we understand it? Could it be that, while everything has been explained, nothing has meaning? Extending the ideas presented in his book In The Dust of This Planet, Eugene Thacker explores these and other issues in Starry Speculative Corpse. But instead of using philosophy to define or to explain the horror genre, Thacker reads works of philosophy as if they were horror stories themselves, revealing a rift between human beings and the unhuman world of which they are part. Along the way we see philosophers grappling with demons, struggling with doubt, and wrestling with an indifferent cosmos. At the center of it all is the philosophical drama of the human being confronting its own limits. Not a philosophy of horror, but a horror of philosophy. Thought that stumbles over itself, as if at the edge of an abyss. Starry Speculative Corpse is the second volume of the "Horror of Philosophy" trilogy, together with the first volume, In The Dust of This Planet, and the third volume, Tentacles Longer Than Night.

Explores Divine regulation of the world. With Rabbi Yosef Begun's marginal notes. Vowelized, facing Hebrew and English texts.

Robert Penn Warren's reputation as a poet, though always considerable, has soared in the last decade, as indicated by his recent selection as America's first poet laureate. The Braided Dream is one of the first book-length studies of the poetry that has led to Warren's recent rise to eminence and the first to consider his final collection, Altitudes and Extensions. In a communicable, jargon-free style that will appeal to the nonacademic reader as well as the serious scholar, Randolph Paul Runyon provides a detailed and illuminating guide to a body of poetry that, despite its greatness, has until now seemed resistant to full understanding. Every poem of Warren's last four sequences—Now and Then, Being Here, Rumor Verified, and Altitudes and Extensions—is given a close reading, with a precise laying-out of words, phrases, and recurring images that not only enrich the texture of the poetry but are themselves the texture. Runyon demonstrates the relevance of Freud's concept of the dream work of the unconscious to a reading of this tightly interwoven poetry. He shows how Warren's poems assume additional meanings by the poet's very arrangement of them, deepening his thesis by arguing that "poems eat poems" as each reuses and reconceptualizes the imagery of its predecessor, frequently with ironic or parodic effect.