Is it sport or is it entertainment? As presented by World Wrestling Entertainment, Inc., the most well-known promoter of professional wrestling, it is hard for the uninitiated to tell. A refuge for the very athletic, and often a breeding ground for the highly dysfunctional, professional wrestling is, in the truest sense, life on the fringes. Headlocks and Dropkicks: A Butt-Kicking Ride through the World of Professional Wrestling chronicles sportswriter Ted A. Kluck's effort to become a professional wrestler at a popular wrestling school in the suburbs of Chicago. In training to become a wrestler, Kluck was able to delve into the traveling-circus elements of the sport and talk to the people who make it work—promoters, bookers, and the wrestlers themselves. Wrestling has weathered manifold changes in American taste to survive and thrive as it does today. Kluck examines the tension between the good vs. evil tales that permeated wrestling in the early to mid 1980s, along with the seamy soap opera storylines that seem to drive it today. He also takes time to catch up with the biggest stars the sport has produced—some of whom have parlayed their fame into financial security and others who are currently looking to reclaim their past glory.

Do you know what 'park your jam on the frog' means? Fancy some ognib? What rhymes with 'circus'? ...plus many more amazing things you never knew about words. Have hours of fun wixing up your murds with this hilarious book, packed full of rhymes, puns, games, jokes, gibberish and more.

A remarkable Pocket Poets anthology of poems from around the world and across the centuries about illness and healing, both physical and spiritual. From ancient Greece and Rome up to the present moment, poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing gathers a treasury of such poems, tracing the many possible journeys of physical and spiritual illness, injury, and recovery, from John Donne’s “Hymne to God My God, In My Sicknesse” and Emily Dickinson’s “The Soul has Bandaged moments” to Eavan Boland’s “Anorexic,” from W.H. Auden’s “Miss Gee” to Lucille Clifton’s “Cancer,” and from D.H. Lawrence’s “The Ship of Death” to Rafael Campo’s “Antidote” and Seamus Heaney’s “Miracle.” Here are poems from around the world, by Sappho, Milton, Baudelaire, Longfellow, Cavafy, and Omar Khayyam; by Stevens, Lowell, and Plath; by Zbigniew Herbert, Louise Bogan, Yehuda Amichai, Mark Strand, and Natalia Toledo. Messages of hope in the midst of pain—in such moving poems as Adam Zagajewski’s “Try to Praise the Mutilated World,” George Herbert’s “The Flower,” Wisława Szymborska’s “The End and the Beginning,” Gwendolyn Brooks’ “when you have forgotten Sunday: the love story” and Stevie Smith’s “Away, Melancholy”—make this the perfect gift to accompany anyone on a journey of healing. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Poet Laith Biltaji began writing songs and limericks in his head as a child, only committing them to paper later, as a teen. While he draws his inspiration for his poetry from everyday occurrences in his life, it was after reading Michael Crichtons book Travels that he decided to compile a collection of his poems and divide them into four categories: journeys, love, people, and songs. Biltajis poetry is the product of his personality, which stems from both Middle Eastern roots and global exposure. It is a deconstructed, chronological documentation of his journey through early teenage years, adolescence, and adulthood, documenting influences, people, and his never-ending search for the understanding of life and the supernatural experience of love. His new poetry collection, Inspirations, takes a peek at the inspirations that have shaped his life from his teen years to the present. The poems capture and crystallize the different levels of awareness that he has experienced over a period of twenty-five years. It is that distant region within him and in this world that he has endeavored to uncover and that comes alive in Inspirations.

A sparkling biography of the poet and artist Edward Lear by the award-winning biographer Jenny Uglow Edward Lear, the renowned English artist, musician, author, and poet, lived a vivid, fascinating life, but confessed, “I hardly enjoy any one thing on earth while it is present.” He was a man in a hurry, “running about on railroads” from London to country estates and boarding steamships to Italy, Corfu, India, and Palestine. He is still loved for his “nonsenses,” from startling, joyous limericks to great love poems like “The Owl and the Pussy Cat” and “The Dong with a Luminous Nose,” and he is famous, too, for his brilliant natural history paintings, landscapes, and travel writing. But although Lear belongs solidly to the age of Darwin and Dickens—he gave Queen Victoria drawing lessons, and his many friends included Tennyson and the Pre-Raphaelite painters—his genius for the absurd and his dazzling wordplay make him a very modern spirit. He speaks to us today. Lear was a man of great simplicity and charm—children adored him—yet his humor masked epilepsy, depression, and loneliness. Jenny Uglow’s beautifully illustrated biography, full of the color of the age, brings us his swooping moods, passionate friendships, and restless travels. Above all, Mr. Lear shows how this uniquely gifted man lived all his life on the boundaries of rules and structures, disciplines and desires—an exile of the heart.