Limelight Larry is delighted when he finds an empty book - he can be the star of the story! Then a whole host of storybook characters arrive and Larry - much to his outrage - is pushed out of the limelight . . .This book is illustrated with style and sparkle by Leigh, and will delight readers time and time again with its cast of funny, friendly characters. Praise for Limelight Larry:'A book that's full of fun.' - Glasgow Herald; 'A funky and flamboyantly illustrated story. A good life lesson on the joys of sharing.' - Junior 'A perfect blend of art, story, humour . . . I love it.' - Bookbag

Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.

Prismatics: Larry Levis & Contemporary American Poetry is a collection of the full-length transcriptions of the extended interviews Gregory Donovan and Michele Poulos conducted with a group of America’s most notable poets—including two U.S. Poet Laureates—in making the documentary film A Late Style of Fire: Larry Levis, American Poet. These discussions cover not only their relationships with Levis and his poetry, but also more wide-ranging commentaries on a broad spectrum of American literary life. Prismatics reflects the multiple angles of perception provided by its fourteen participating poets, including David St. John (who also contributed the foreword), Philip Levine, Charles Wright, Norman Dubie, Gerald Stern, Carolyn Forché, Stanley Plumly, Colleen McElroy, David Wojahn, Carol Muske-Dukes, Kathleen Graber, Peter Everwine, Charles Hanzlicek, and Gail Wronsky. The book’s title points out that Levis’s personal and professional life as a writer provides a prism which leads these discussions to range broadly into a wider portrait of a highly influential era of poets and poetics, personified not only in Levis, but in each of the poets interviewed. In these lively, spontaneous conversations, Prismatics provides an informed and intimate portrait of the risks and triumphs of a life in poetry, a discussion of distinct intellectual, practical, and historical value that’s also emotionally involving—and quite entertaining. Advance Praise Should some Hollywood biopic ever be inspired by Michele Poulos’ stupendous documentary and these marvelous interviews, the great problem will be finding someone to play the inimitable Larry Levis. These transcriptions double as oral histories, flash memoirs, and spontaneous poetics essays not only about Levis, but about contemporary American poetry in the years spanning his larger-than-life life: 1946-1996. In one interview Carolyn Forché says, “Larry’s poems are suffused with an awareness of human presence.” The same must be said of this rich and spirited collection. —Terrance Hayes, author of American Sonnets for My Past and Future Assassin Larry Levis was the genius of our generation; he was the star risen out of a constellation of poets coming from Fresno. In Prismatics, many of our most notable poets offer insightful, personal, and detailed responses to and assessments of Larry’s life and work. Especially touching and salient are the interviews with Philip Levine, Peter Everwine, C.G. Hanzlicek, and David St. John, Fresno poets and friends who knew him best and who knew Larry from the start. They testify to his talent, humanity, and unmatched originality and voice. For lovers of Larry’s poetry, of contemporary poetry, this is an invaluable collection. —Christopher Buckley, author of A Condition of the Spirit As I read through the interviews in Prismatics, I found myself pausing in the middle of chapters, rather than between them, so as to savor the feeling of always being immersed in a rich and rewarding conversation. I love the cumulative warmth of this book, of so many poets speaking affectionately and thoughtfully about one of the great American poets of the 20th century—as friend, colleague, lover, co-conspirator, and cynosure. But more than a commemoration of Larry Levis, Prismatics offers meditations on passion, creativity, self-destruction, ambition, and the nature of literary legacy. It’s a book as capacious and complex as the poetry of Levis itself. —Nicky Beer, author of The Octopus Game and The Diminishing House

On the court and on the field they are the world?s winners, exhibiting a natural grace and prowess their adoring fans can only dream about. Yet so often, off the field our sports heroes lose their perspective, their balance, and ultimately their place. In a work as timely as the latest fracas on the basketball court or the most recent drug-induced scandal in the dugout, Stanley H. Teitelbaum looks into the circumstances behind many star athletes? precipitous fall from grace. ø In his psychotherapy practice, Teitelbaum has worked extensively with professional athletes and sports agents?work he draws on here for insight into the psyche of sports figures and the off-the-field challenges they face. Considering both historical and current cases, he shows how, in many instances, the very factors that elevate athletes to superstardom contribute to their downfall. An evenhanded and honest look at athletes who have faltered, Teitelbaum?s work helps us see past our sports stars? exalted images into what those images?and their frailty?say about our society and ourselves.

True Acting Tips leads stage and screen actors on a journey of passion, intimacy, and personal investment. This isn't to say that there will not be heavy demands and a high cost, but ultimately, this book is designed to offer the clarity and encouragement to become an actor who makes a difference in the lives of the audience members. “True Acting” is not a reproduction of anything that has come before and True Acting Tips is not a book concerned primarily with the technical demands of acting. Instead, it is an in-depth examination and invitation to see and experience acting as a momentous burst of creation – new, surprising, and deeply human. It includes inspirational quotes, more than 200 acting tips, and images that reveal a powerful philosophy to assist in the most difficult moments. Reading this book, actors will find the joy of true communion with their acting partners and, through this encounter, give the audience an uplifting experience by reminding them that we are all, in fact, human beings.

The heavyweight boxing scene may have enjoyed its most competitive time period in the decades 1960 to 1980. Champions like Patterson, Liston, Ali, Frazier, Foreman and Holmes roamed the landscape. There were also many legitimate contenders who were more than willing to meet each other to earn a title shot. This led to many entertaining and unforgettable wars that shaped the division. The book Gloves Gone By has focused on the boxers of this era and why they were so much a part of its memorable success.

The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.

Globalisierung war zu keinem Zeitpunkt ohne staatliches Handeln möglich. Aber es macht für Demokratien einen Unterschied, ob der Staat versucht, in sozialen und ökologischen Fragen aktiv zu intervenieren - oder ob er, als illiberaler Staat, abseits der politischen Öffentlichkeit lediglich die Rahmenbedingungen für die Ausweitung globaler Märkte schafft. Die hier versammelten Beiträge richten einen historisch vergleichenden Blick auf die anhaltende, zentrale Rolle des US-amerikanischen Staats in der Smart Economy.

A funny, charming story about the magic of books from the co-creator of the hit Cbeebies series, Olobob Top. 'Leigh Hodgkinson’s delightful picture book about the very real perils of being a much loved and re-read book is both hilarious and adorable.' BookTrust Have you ever wondered what it's like to BE a book? The BEST bits are getting to hang our with your friends and tell amazing stories, but sometimes a good book can end up in the wrong place at the wrong time... And then they might get scribbled on, nibbled on or even lose their last and most important page... And when that happens, it's time to go to... Book Hospital! This funny, reassuring story is a celebration of books and the magic of reading. Because when you love your books, when you're kind to your books and when you read your books, they will take you on a magical journey that you'll never forget... Other books by Leigh Hodgkinson: Pencil Dog Goldilocks and Just the One Bear Troll Swap Goldilocks and the Three Potties Colin and the Snoozebox Limelight Larry

Dive into the 1990s New York club scene with never-before-seen photos by its most prolific photographer, Steve Eichner. Eichner was a fixture of 1990s New York City nightlife and served as both its official and unofficial photographer in an era before cellphones and selfies. In this book, readers go beyond the velvet ropes and into the spaces that witnessed some of the decade's most incredible and sought-after parties. Previously unpublished, these intoxicating full-color photographs capture the over-thetop costumes, non-stop dancing, glitter, confetti, sex, drugs, and music that made 90s New York unlike any other place. Celebrities abound, from Leonardo DiCaprio, Dennis Hopper, and Tupac to Joan Rivers, Michael Musto, and Donald Trump. Eichner takes you to many of the city's hot spots, including the Limelight, the Tunnel, Webster Hall, Club Expo, and Club USA. Texts by famous club owner Peter Gatien and BuzzFeed photo essay editor Gabriel H. Sanchez offer a historic and cultural perspective on an era when New York City was more affordable and every night saw artists, bankers, drag queens, musicians, and poets reveling together.