This collection of essays identifies a neglected but significant component of Britain's maritime and labour history, that of ethnic labour drawn from Britain's colonies in West Africa, the Middle East and Asia. The interdisciplinary nature of the volume raises a number of important issues: race and ethnicity, colonialism and migration, social class and the complex nature of racial hostility meted out by organized white labour.

This book examines the character and composition of the black population of Britain between 1780 and 1830, previous studies of which have been hampered by a lack of demographic evidence. Drawing heavily from data collected from parish registers, contemporary newspapers and journals, parliamentary papers and the records of merchants involved in the slave trade, the author ventures beyond existing research to examine the age structure and sex ratios of the black population; family marriage patterns; and the occupations of black men and women.

This book examines the character and composition of the black population of Britain between 1780 and 1830, previous studies of which have been hampered by a lack of demographic evidence. Drawing heavily from data collected from parish registers, contemporary newspapers and journals, parliamentary papers and the records of merchants involved in the slave trade, the author ventures beyond existing research to examine the age structure and sex ratios of the black population; family marriage patterns; and the occupations of black men and women.

Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.

Point of Arrival (1975) examines the experiences of the various immigrant groups – the Huguenots, Irish, Jews, Pakistanis – who have made their home in the East End of London. This was their point of arrival in a new country, and for many it was the only England they were to know.

Literary Tourism and the British Isles: History, Imagination, and the Politics of Place explores literary tourism’s role in shaping how locations in the British-Irish Isles have been seen, historicized, and valued. Within its chapters, contributors approach these topics from vantage points such as feminism, cultural studies, geographic and mobilities paradigms, rural studies, ecosystems, philosophy of history, dark tourism, and marketing analyses. They examine guidebooks and travelogues; oral history, pseudo-history, and absent history; and literature that spans Renaissance drama to contemporary popular writers such as Dan Brown, Diana Gabaldon, and J.K. Rowling. Places discussed in the collection include “the West;” Wordsworth Country and Brontë Country; Stowe and Scotland; the Globe Theatre and its environs; Limehouse, Rosslyn Chapel, and the imaginary locations of the Harry Potter series. Taken as a whole, this collection illuminates some of the ways by which “the British Isles” have been created by literary and historical narratives, and, in turn, will continue to be seen as places of cultural importance by visitors, guidebooks, and site sponsors alike.

In the early twentieth century, Chinese immigration became the focal point for racial panic in Britain. Fears about its moral and economic impact - amplified by press sensationalism and lurid fictional portrayals of London's original 'Chinatown' as a den of vice and iniquity - prompted mass arrests, deportations, and mob violence. Even after the neighborhood was demolished and its inhabitants dispersed, the stereotype of the Chinese criminal mastermind and other 'yellow peril' images remained as permanent aspects of British culture. This painstakingly researched study traces the historical evolution of Chinese communities in Britain during this period, revealing their significance in the development of race as a category in British culture, law, and politics.