In early nineteenth century England, a woman’s worth was rarely appreciated, and among the aristocracy (the ton) that especially applied to an intelligent woman. Lady Lily Maxwell, daughter to the earl and countess of Townsend, fit this category all too well. In the first ball of her first season, Lily sought refuge from the inane talk of her counterparts and the gentlemen around her by stepping outside. Unfortunately for her, this would lead to her ruin among the ton and even in the eyes of her parents, yet she had done nothing wrong. While most women would have borne their ruination in silence, Lily resolved otherwise. Angry at the ton’s unfair treatment, she left London for the countryside where she could begin constructing her revenge. With a convenient death in the family, and a chance meeting with others equally furious with the ton, she had all the tools she needed.

The literary response to the dawning cult of wakefulness A turn-of-the-century influx of new technologies and the enormous impact of the electric light transformed not only individual sleeping habits but the ways American culture conceived and valued sleep. Hannah L. Huber analyzes the works of Henry James, Edith Wharton, Charles Chesnutt, and Charlotte Perkins Gilman to examine the literary response to the period’s obsession with wakefulness. As these writers blurred the separation of public and private space, their characters faced exhaustion in a modern world that permeated every moment of their lives with artificial light, traffic noise, and the social pressure to remain active at all hours. The implacable cultural clock and constant stress over physical limitations had an even greater impact on marginalized figures. Huber pays particular attention to how these writers rebutted Americans’ confidence in the body’s ability to conquer sleep with vivid portraits of the devastating consequences of sleep disruption and deprivation. The author also provides a website and text visualization tool that offers readers an interdisciplinary, deconstructed analysis of the book’s primary texts. The website can be found at: https://sleepfictions.org/sleep/scalar/index

This is a father's tribute to a remarkable daughter who stood up against all odds.

A sexy Scot, his big, lumpy sheepdog, and an English bluestocking who steals both their hearts. Enjoy this hilarious, bestselling Regency series. London is never the same once the Farthingales move onto Chipping Way, one of the loveliest streets in Mayfair. With five beautiful daughters in residence, the street has become a trap for unwary bachelors. Who will be next to fall? Ewan Cameron has no intention of falling in love with the delectable, bookish Lily Farthingale. He is the estranged grandson of the Duke of Lotheil and has come to London because of a deathbed promise to his father. He has no intention of staying beyond his three month obligation. Nothing can tempt him to remain, not even Lily, the beautiful bluestocking determined not only to restore relations between him and his grandfather, but to turn Ewan into a proper gentleman. It doesn't matter that his big lump of a sheepdog is madly in love with her. Nor is it significant that Ewan can always tell Lily apart from her identical twin sister. Always. Lily Farthingale, the scholarly twin, dreams of becoming the first female member of the Royal Society. She grabs at the chance when the elderly Duke of Lotheil approaches her with a proposition - he'll admit her into the Royal Society, if she helps him to establish a relation with his estranged grandson, Ewan Cameron, a very rough-around-the-edges Scotsman who hates everything English. Between shootings, explosions, and Lily's abduction, will Ewan fall in love with Lily in this Pygmalion-inspired story? Enjoy the entire series: The Viscount’s Rose A Midsummer’s Kiss Rules for Reforming a Rake My Fair Lily The Duke I’m Going To Marry Earl of Hearts Capturing the Heart of a Cameron

The Lily Theater is a strikingly original debut novel-an international literary sensation-based on the author's experience growing up in China during the Cultural Revolution. When twelve-year-old Lian Shui accompanies her mother to reeducation camp, no one imagines that Lian will receive an education. But detained along with her mother are some of China's greatest thinkers and they take an interest in young Lian. She in turn delivers lectures of her own to the creatures inhabiting a pond she dubs "The Lily Theater." These ideas inform her life when she returns to school and reunites with her best friend Kim, a peasant girl through whom Lian ultimately learns about the painful failings of Mao's teachings-and of life.

The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.

For those who like to see God in nature and who understand that the church's year is based on nature's cycles, this gardening guide covers the period from Ash Wednesday to Easter Sunday and features one plant each day to illuminate Lenten themes such as prayer, fasting, and almsgiving.

In Oxford, Mississippi, three outcast teenagers seek sanctuary in William Faulkners attic as they wreak vengeance on the town that has shunned them.

A historical saga of one strong woman’s journey from poverty and servitude in New York City to a new life in turn-of-the-century San Francisco. At ten, Lily Malone watched her mother die in their shabby apartment on Mulberry Street. Ma’s last wish was for Lily to keep an eye on her wild, rebellious brother—but after the two children move into the Catholic orphanage, she’s helpless to stop Fergy from abandoning her and heading out west to find gold in California. With the last of her family gone, Lily has little choice but to eventually accept a position in another family’s household. They’re Irish like her, but far wealthier—and it is here that the innocent girl begins to understand that she has little to bargain with aside from her beauty. This is the story of a young woman fighting her way out of hardship, as she learns to sell her body at an elegant brothel; becomes a mother desperately trying to keep the truth from her daughter; and finally is forced by love to return to the city of her shame and seek to conquer it. Moving from tenement squalor to the Fifth Avenue splendor of old New York, from the rolling decks of a great clipper ship to the brawling streets and magnificent Nob Hill mansions of San Francisco, through storm and earthquake and fire, Lily Cigar is a breathless saga of love, intrigue, and illicit passion.

Anna Bradley, author of A Wicked Way to Win an Earl, continues her Sutherland Scandals series with a tantalizing Regency romance filled with opulence, elegance, and forbidden desire... Lily Somerset’s plan for the London season is simple: courtship, marriage to a respectable gentleman, then the comfortable existence of a proper Lady. That is, until one tiny misstep leaves Lily on the edge of social ruin, forcing her to depend on a wicked rogue to save her reputation. Robyn Sutherland doesn’t save reputations—he sullies them. He'd rather be drawn and quartered than find himself spending the season as Lily's escort. But he has no choice but to stay until her tattered standing is mended. What begins as a ruse to deceive London soon flames into an uncontrollable passion. Robyn calls to the wild spirit that lurks beneath Lily’s prim exterior, and Lily awakens the hero’s heart within Robyn. But can these unlikely lovers trust themselves enough to let desire overrule reason?