Light: The Shape of Space Designing with Space and Light Lou Michel Every design professional who touches a space shapes the light and the feeling of that space. Architect, lighting engineer, interior designer, lighting or home furnishing manufacturer: each contributes an aesthetic layer, sometimes yielding unexpected results. All too often the best laid plans of one professional are unintentionally subverted by another. Removing surprises and guess work from design, Lou Michel, honored architectural lighting educator, has created Light: The Shape of Space, showing how to design with the effects of light rather than light itself. The book is a revolutionary resource for all design professionals and manufacturers of surfacing materials. Drawing on over fifteen years’ experience of research and teaching in the architectural Space and Light Laboratory at The University of Kansas, Michel masterfully examines the interrelationship of lighting and the design of architectural space as perceived not in architectural photos or paint chips and fabric swatches, but by human vision — the gateway to emotional response. The book was written for professionals who care about how people feel in the spaces they design, and focuses on the humanization of architecture. Taking a non-stylistic approach to design, Michel analyzes architecture from the perspective of how the users see their surroundings as they move through space. The reader will learn what pleases and what disturbs people based on how the human visual system responds to color, texture, pattern, and brightness. The book features principles of design for the student and professional, and is generously supported by illustrations and research. Michel also provides a method for evaluating the visual effectiveness of building materials and lighting systems, including those that will appear on the market long after this book is dog-eared. Michel unveils a groundbreaking luminance brightness rating system (LBR) and a nine-zone brightness scale to aid designers in previsualizing the appearance of surfacing materials at every stage of the design process, from schematics to development to refinement. Among the topics treated are: the interaction of lighting and spatial design color theory for space and light the luminance relationships between free-standing objects and the surrounding spatial boundaries against which they are seen the appearance of building materials in color and brightness when modified by light and spatial location lighting spatial connections, including the perception of rooms adjacent to the observer lighting and perception of spaces screened by architectural grilles creating lighted space Designing with the effects of light is both an art and a science. No other book on the market bridges that gap as successfully as Light: The Shape of Space.

Maintaining the standard of excellence set by the previous edition, this textbook covers the basic geometry of two- and three-dimensional spaces Written by a master expositor, leading researcher in the field, and MacArthur Fellow, it includes experiments to determine the true shape of the universe and contains illustrated examples and engaging exercises that teach mind-expanding ideas in an intuitive and informal way. Bridging the gap from geometry to the latest work in observational cosmology, the book illustrates the connection between geometry and the behavior of the physical universe and explains how radiation remaining from the big bang may reveal the actual shape of the universe.

Maintaining the standard of excellence set by the previous edition, this textbook covers the basic geometry of two- and three-dimensional spaces Written by a master expositor, leading researcher in the field, and MacArthur Fellow, it includes experiments to determine the true shape of the universe and contains illustrated examples and engaging exercises that teach mind-expanding ideas in an intuitive and informal way. Bridging the gap from geometry to the latest work in observational cosmology, the book illustrates the connection between geometry and the behavior of the physical universe and explains how radiation remaining from the big bang may reveal the actual shape of the universe.

What Shape is Space? is a question with surprisingly far-reaching implications for our understanding of the very nature of reality and our place within it. The concepts involved may be sophisticated, but Giles Sparrows effortless prose style easily renders them understandable, allowing readers to get to grips with the overarching debates at the cutting edge of cosmology today. Infographics, diagrams and astronomical visualizations illustrate and clarify the various astonishing implications of a universe of infinite space.

The leading mind behind the mathematics of string theory discusses how geometry explains the universe we see. Illustrations.

How did a single "genesis event" create billions of galaxies, black holes, stars and planets? How did atoms assemble -- here on earth, and perhaps on other worlds -- into living beings intricate enough to ponder their origins? What fundamental laws govern our universe?This book describes new discoveries and offers remarkable insights into these fundamental questions. There are deep connections between stars and atoms, between the cosmos and the microworld. Just six numbers, imprinted in the "big bang," determine the essential features of our entire physical world. Moreover, cosmic evolution is astonishingly sensitive to the values of these numbers. If any one of them were "untuned," there could be no stars and no life. This realization offers a radically new perspective on our universe, our place in it, and the nature of physical laws.

An instant New York Times Bestseller! “Unreasonably entertaining . . . reveals how geometric thinking can allow for everything from fairer American elections to better pandemic planning.” —The New York Times From the New York Times-bestselling author of How Not to Be Wrong—himself a world-class geometer—a far-ranging exploration of the power of geometry, which turns out to help us think better about practically everything. How should a democracy choose its representatives? How can you stop a pandemic from sweeping the world? How do computers learn to play Go, and why is learning Go so much easier for them than learning to read a sentence? Can ancient Greek proportions predict the stock market? (Sorry, no.) What should your kids learn in school if they really want to learn to think? All these are questions about geometry. For real. If you're like most people, geometry is a sterile and dimly remembered exercise you gladly left behind in the dust of ninth grade, along with your braces and active romantic interest in pop singers. If you recall any of it, it's plodding through a series of miniscule steps only to prove some fact about triangles that was obvious to you in the first place. That's not geometry. Okay, it is geometry, but only a tiny part, which has as much to do with geometry in all its flush modern richness as conjugating a verb has to do with a great novel. Shape reveals the geometry underneath some of the most important scientific, political, and philosophical problems we face. Geometry asks: Where are things? Which things are near each other? How can you get from one thing to another thing? Those are important questions. The word "geometry"comes from the Greek for "measuring the world." If anything, that's an undersell. Geometry doesn't just measure the world—it explains it. Shape shows us how.

Mack looks at five ways the universe could end, and the lessons each scenario reveals about the most important concepts in cosmology. --From publisher description.

In recent years, a long-established view of the Roman Empire during its great age of expansion has been called into question by scholars who contend that this model has made Rome appear too much like a modern state. This is especially true in terms of understanding how the Roman government ordered the city--and the world around it--geographically. In this innovative, systematic approach, Daniel J. Gargola demonstrates how important the concept of space was to the governance of Rome. He explains how Roman rulers, without the means for making detailed maps, conceptualized the territories under Rome's power as a set of concentric zones surrounding the city. In exploring these geographic zones and analyzing how their magistrates performed their duties, Gargola examines the idiosyncratic way the elite made sense of the world around them and how it fundamentally informed the way they ruled over their dominion. From what geometrical patterns Roman elites preferred to how they constructed their hierarchies in space, Gargola considers a wide body of disparate materials to demonstrate how spatial orientation dictated action, shedding new light on the complex peculiarities of Roman political organization.