Un anonimo narratore ci racconta del suo amore perduto Ligeia, una donna alta, dai capelli neri, estremamente intelligente, che credeva che la morte potesse essere sconfitta con la forza di volontà. Inoltre era innamorata in maniera ossessiva del marito, lo idolatrava, ricambiata. Quando lei muore lui è affranto. Qualche tempo dopo decide di andare avanti con la sua vita e si risposa. Strane cose cominciano ad accadere mentre il narratore continua a pensare sempre di più al suo primo amore, Ligeia…

I cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid caste of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive, that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! Buried in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia I cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid caste of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive, that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! Buried in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone—by Ligeia Ligeia by Edgar Allan Poe: Immerse yourself in the eerie and captivating world of Edgar Allan Poe's "Ligeia." This Gothic short story weaves a dark and mysterious tale of love, obsession, and the supernatural. Key Aspects of the Book "Ligeia": Gothic Literature: Experience the classic elements of Gothic literature, including gloomy settings, enigmatic characters, and a pervasive sense of dread. Psychological Depth: Dive into the complexities of human emotions and obsessions as Poe explores the boundaries between life and death. Suspense and Horror: Brace yourself for a chilling narrative that keeps you on the edge of your seat, with Poe's masterful storytelling and vivid imagery. Edgar Allan Poe was an American writer known for his contributions to the horror and Gothic genres. "Ligeia" is a testament to his skill in crafting tales that continue to enthrall readers to this day.

A Study Guide for Edgar Allan Poe's "Ligeia", excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

This Combo Collection (Set of 4 Books) includes All-time Bestseller Books. This anthology contains: Ligeia The Narrative of Arthur Gordon Pym of Nantucket : Edgar Allan Poe's Best Classic Horror Thrillers The Crow Greatest Stories of Edgar Allan Poe

Suggests that the understanding of American literature can be expanded through an examination of the universal symbolic pattern that underlies the Adamic myth -- the pattern of separation from and reparation with the boundless.

Over 170 years after his death, Edgar Allan Poe remains a figure of enduring fascination and speculation for readers, scholars, and devotees of the weird and macabre. In Fallen Angel, acclaimed novelist and poet Robert Morgan offers a new biography of this gifted, complicated author. Focusing on Poe’s personal relationships, Morgan chronicles how several women influenced his life and art. Eliza Poe, his mother, died before he turned three, but she haunted him ever after. The loss of Elmira Royster Shelton, his first and last love, devastated him and inspired much of his poetry. Morgan shows that Poe, known for his gothic and supernatural writing, was also a poet of the natural world who helped invent the detective story, science fiction, analytical criticism, and symbolist aesthetics. Though he died at age forty, Poe left behind works of great originality and vision that Fallen Angel explores with depth and feeling.

Taking up works by Samuel Richardson, James Fenimore Cooper, Sir Walter Scott, and Catharine Maria Sedgwick, among others, Jennifer B. Camden examines the role of secondary heroines in early British and American novels. By showing that they are a site for the displaced anxieties produced by the national ideals proffered in the novel, Camden offers an important intervention into the ways in which early novels use character to further ideologies of race, class, sex, and gender.