Om livet på de russiske godser indtil revolutionen

Russia’s country estates were fulcrums of culture, learning and socio-administration under the imperial state. Only a fraction of the original numbers of these structures survives today, and yet even today several of the most famous of these buildings have uncertain futures. At risk is the survival of this fascinating remnant of Russia’s cultural history. This matter is especially salient as post-Soviet Russia has participated in a struggle over means of its own self-representation. Historic landmarks enter the political arena during periods of drastic change. The struggle over monuments reveals notable adjustments and continuities over a nation’s historical narrative; the study of the treatment of certain monuments provides insight to the language, symbols and memory of a people in transition. This book examines links between two seemingly divergent spheres of human interaction, those of politics and culture. The aim of this book is not to analyse the artistic and architectural merits of Russia’s country estates, as a plethora of works already address this subject. Rather, the objective is to look at the underlying attitudes and circumstances which affect the survival of this integral feature of Russia’s pre-revolutionary secular past. A variety of factors come into play in estate preservation, such as: privatization, restitution, taxation, legislation, actions of governmental and non-government organizations, tourism, and others. This book analyzes Russia’s institutions and actors that continually compete for shifting and scarce resources in the sphere of culture, often to the detriment of physical cultural artefacts themselves. More than just Russia’s estates are subject to these forces although estates serve as an excellent lens with which to view these destructive processes at work.

Russian Houses offers an unprecedented look at the architecture and interiors of Ostankino, the Menshikov Palace, and other homes of the princes and czars. The rough-hewn beauty of traditional peasant homes--with their samovars, stoves, and ornate exteriors--is portrayed with knowledgeable and insightful authority. The breathtaking photographs and evocative text guide the reader through the homes of Pasternak, Gorky, Dostoevsky, and other artists and intellectuals. Over 300 full color photographs.

Alison K. Smith examines changing attitudes, behaviors, and beliefs about the production and consumption of food in Russia from the late eighteenth century through the mid-nineteenth century. She focuses on the way that competing ideas based either in "traditional" Russian practice or in new practices from the "rational" West became the basis for Russians' understanding of themselves and their society. The Russians who participated in the process of self-definition were variously private authors and reformers or public servants of the Russian imperial state. Some had great success in creating a sense of themselves as ultimate authorities on a given topic. For example, a series of cookbook authors developed a system of writing Russian cookbooks in ways that borrowed from, but were still quite different from, foreign sources. Others found the process of mediating these ideas more difficult; agricultural reformers, in particular, sometimes found traditional practices, now deemed irrational, hard to eliminate. Recipes for Russia looks at the process of nation-building within the framework of the modern world—that is, it looks at the way individuals sought to define their nationality not only against outside influences but also by incorporating those outside influences into some coherent, yet national, whole. While Smith looks at food as part of Russian culture, she also connects it with the social, legal, and economic background that formed the culture, while examining the pre-reform period in significant detail. As a result, Recipes for Russia illuminates the great changes of this period, both in the food habits of Russians and in their views of themselves and of their nation.

The dacha is a sometimes beloved, sometimes scorned Russian dwelling. Alexander Pushkin summered in one; Joseph Stalin lived in one for the last twenty years of his life; and contemporary Russian families still escape the city to spend time in them. Stephen Lovell's generously illustrated book is the first social and cultural history of the dacha. Lovell traces the dwelling's origins as a villa for the court elite in the early eighteenth century through its nineteenth-century role as the emblem of a middle-class lifestyle, its place under communist rule, and its post-Soviet incarnation. A fascinating work rich in detail, Summerfolk explores the ways in which Russia's turbulent past has shaped the function of the dacha and attitudes toward it. The book also demonstrates the crucial role that the dacha has played in the development of Russia's two most important cities, Moscow and St. Petersburg, by providing residents with a refuge from the squalid and crowded metropolis. Like the suburbs in other nations, the dacha form of settlement served to alleviate social anxieties about urban growth. Lovell shows that the dacha is defined less by its physical location"usually one or two hours" distance from a large city yet apart from the rural hinterland—than by the routines, values, and ideologies of its inhabitants. Drawing on sources as diverse as architectural pattern books, memoirs, paintings, fiction, and newspapers, he examines how dachniki ("summerfolk") have freed themselves from the workplace, cultivated domestic space, and created informal yet intense intellectual communities. He also reflects on the disdain that many Russians have felt toward the dacha, and their association of its lifestyle with physical idleness, private property, and unproductive use of the land. Russian attitudes toward the dacha are, Lovell asserts, constantly evolving. The word "dacha" has evoked both delight in and hostility to leisure. It has implied both the rejection of agricultural labor and, more recently, a return to the soil. In Summerfolk, the dacha is a unique vantage point from which to observe the Russian social landscape and Russian life in the private sphere.

In Family Memory: Practices, Transmissions and Uses in a Global Perspective, researchers from five different continents explore the significance of family memory as an analytical tool and a research concept. Family memory is the most important memory community. This volume illustrates the range and power of family memories, often neglected by memory studies dealing with larger mnemonic entities. This book highlights the potential of family memory research for understanding societies’past and present and the need for a more comprehensive and systematic use of family memories. The contributors explain how family memories can be a valuable resource across a range of settings pertaining to individual and collective identities, national memories, intergenerational transmission processes and migration, transnational and diasporic studies. This volume presents the past, present and future of family memory as a prospective field of memory studies and the role of family memory in intergenerational transmission of social and political values. Family memory of violent events and genocide is also looked at, with discussions of the Armenian Genocide, Russian Revolution and Rwandan Genocide. This book will be an important read for cultural and oral historians; family historians; public historians; researchers in narrative studies, psychology, politics and international studies.

Award-winning journalist Fen Montaigne brings together Russia, fly-fishing, and history in this dynamic narrative.

What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.

This companion comprises 28 essays by international scholars offering an analytical overview of the development of Russian history from the earliest Slavs through to the present day. Includes essays by both prominent and emerging scholars from Russia, Great Britain, the US, and Canada Analyzes the entire sweep of Russian history from debates over how to identify the earliest Slavs, through the Yeltsin Era, and future prospects for post-Soviet Russia Offers an extensive review of the medieval period, religion, culture, and the experiences of ordinary people Offers a balanced review of both traditional and cutting-edge topics, demonstrating the range and dynamism of the field

"After a humiliating defeat in the Crimean War, the Russian Empire struggled to reassert its position as a global power. A small noble family returned from the siege of Sevastopol and joined the rulers' efforts to advance Russian standing in the decades before 1917. Leaving Home tells the story of the Mansurovs, who were known to nineteenth-century observers as resourceful imperial agents and staunch supporters of Orthodoxy. In close interplay with scholarship and the media, they built churches and pilgrim hostels to increase Russian dominance within its borders and in the Ottoman Empire. They facilitated communication between the Russian Empire and the wider Orthodox world and expanded its institutional infrastructure in areas of religion and scholarship outside Russia. Some of the family's achievements stand to this day: the Russian complex in Jerusalem and an impressive Orthodox convent in Riga. When the Revolution came, they faced stigmatization as former nobles, believers, and monarchists. Impoverishment and arrests became part of their daily lives in Soviet Russia. Leaving Home is a study of the momentous role played by elite families in Russia's international involvement in the age of empire. It shows how three generations of a mobile noble family advanced the intertwined causes of the Russian Empire and Orthodoxy, using family resources and tools of intimacy. Women were crucial for the family's efforts, both behind the scenes and in public. Russia, Orthodoxy, and noble family life emerge as part of the European trans-imperial scene." --