For the generation coming of age in the years from 1987 to 1994, RIP magazine was every bit as crucial as Rolling Stone. Life on Planet Rock describes how Friend, the editor of RIP, became the Zelig-like chronicler of the biggest musical moments of that time—from introducing Guns N’ Roses (in nothing but a top hat, underwear, and cowboy boots) to sitting in during the making of Metallica’s "Black Album." Life on Planet Rock provides revealing portraits of artists as varied as Kurt Cobain, Gene Simmons, Alice Cooper, Axl Rose, James Hetfield, Steven Tyler, and many more. Part oral history, part candid and humorous memoir, it is a wormhole back to a fast-moving time in music that saw tastes flash from new wave to hair metal to grunge, told as only someone who was there through it all could tell it.

In his first book, Life on Planet Rock, author Lonn Friend shared his ringside view of rocks decade of decadence. Now, in Sweet Demotion, the veteran rock scribe takes off the gloves and battles himself. Lonn was enjoying a six-figure multi-media career in 1998 when, at the end of a four-year run as a record company VP, he was bitch slapped by the Universe; his professional ride came to a crashing pause. But instead of hiring headhunters or putting a resume together to find another gig, Lonn hit the rock-and-roll road less traveled. The result is a brutally transparent, shamelessly self-deprecating mid-life memoir of a writer who stopped making money and started seeking truth. Sweet Demotion chronicles a thirteen-year period of personal deconstruction, spiritual madness, and bizarre anecdotal wordplay where faith was lost in everything but the moment and the music. Lonns intimate adventure invites the reader to a porn burial in the desert, a Janis Joplin ghost sighting, a Dallas meditation on the anniversary of JFKs assassination following the interview of a heavy metal legend, and the sharing of sacred space on a northeast lake with the lead singer of Aerosmith. Sweet Demotion is a sojourn to near-enlightenment that no one but Lonn Friend could have possibly experienced.

In Rock | Water | Life Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa's history of racial oppression and environmental exploitation. Green analyzes conflicting accounts of nature in environmental sciences that claim neutrality amid ongoing struggles for land restitution and environmental justice. Offering in-depth studies of environmental conflict in contemporary South Africa, Green addresses the history of contested water access in Cape Town; struggles over natural gas fracking in the Karoo; debates about decolonizing science; the potential for a politics of soil in the call for land restitution; urban baboon management; and the consequences of sending sewage to urban oceans.

Bill McKibben meets Bill Bryson in this seriously engaging look at one man's decision to put his money where his mouth is and go off the grid for one year—while still living in New York City—to see if it's possible to make no net impact on the environment. In No Impact Man, a guilty liberal finally snaps, swears off plastic, goes organic, becomes a bicycle nut, turns off his power, and generally becomes a tree-hugging lunatic who tries to save the polar bears and the rest of the planet from environmental catastrophe while dragging his baby daughter and Prada-wearing, Four Seasons–loving wife along for the ride. And that's just the beginning. In other words, no trash, no toxins in the water, no elevators, no subway, no products in packaging, no air-conditioning, no television . . . What would it be like to try to live a no-impact lifestyle? Is it possible? Could it catch on? Is living this way more satisfying or less satisfying? Harder or easier? Is it worthwhile or senseless? Are we all doomed or can our culture reduce the barriers to sustainable living so it becomes as easy as falling off a log? These are the questions at the heart of this whole mad endeavor, via which Colin Beavan hopes to explain to the rest of us how we can realistically live a more "eco-effective" and by turns more content life in an age of inconvenient truths.

Explores the Supercontinent Cycle from the earliest recorded time to the geological discoveries of today including the drifting of the continents and the evolution of dinosaurs.

Why Earth’s life-friendly climate makes it exceptional—and what that means for the likelihood of finding intelligent extraterrestrial life We have long fantasized about finding life on planets other than our own. Yet even as we become aware of the vast expanses beyond our solar system, it remains clear that Earth is exceptional. The question is: why? In Lucky Planet, astrobiologist David Waltham argues that Earth’s climate stability is what makes it uniquely able to support life, and it is nothing short of luck that made such conditions possible. The four billion year-stretch of good weather that our planet has experienced is statistically so unlikely that chances are slim that we will ever encounter intelligent extraterrestrial others. Citing the factors that typically control a planet’s average temperature—including the size of its moon, as well as the rate of the Universe’s expansion—Waltham challenges the prevailing scientific consensus that Earth-like planets have natural stabilizing mechanisms that allow life to flourish. A lively exploration of the stars above and the ground beneath our feet, Lucky Planet seamlessly weaves the story of Earth and the worlds orbiting other stars to give us a new perspective of the surprising role chance plays in our place in the universe.

Molly Webster has always followed the rules. After an ugly scandal tore apart her childhood and made her the focus of the media's harsh spotlight, she vowed to live an ordinary life. No fame. No impropriety. No pain. Then she meets Zachary Fox, a tattooed bad boy rocker with a voice like whiskey and sin, and a touch that could become an addiction.

The #1 New York Times Bestseller * Named one of Variety's Best Music Books of 2021 * Included in Audible's Best of The Year list * A Business Insider Best Memoirs of 2021 * One of NME's Best Music Books of 2021 So, I've written a book. Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

Earth is truly amazing! It has giant glaciers, gorgeous canyons, and it's the only planet we know of with intelligent life. Ian is exploring Earth with his tour guide, Dr. Sally. Join them as they study ocean animals, the African savanna, and the chilly South Pole. Find out more about the planet we call home.

The essential oral history of hip-hop, from its origins on the playgrounds of the Bronx to its reign as the most powerful force in pop culture—from the award-winning journalist behind All the Pieces Matter, the New York Times bestselling oral history of The Wire “The Come Up is Abrams at his sharpest, at his most observant, at his most insightful.”—Shea Serrano, #1 New York Times bestselling author of Hip-Hop (And Other Things) ONE OF THE BEST BOOKS OF THE YEAR: The Boston Globe, The Guardian, Spin The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language. And yet, the stories of many hip-hop pioneers and their individual contributions in the pre-Internet days of mixtapes and word of mouth are rarely heard—and some are at risk of being lost forever. Now, in The Come Up, the New York Times bestselling author Jonathan Abrams offers the most comprehensive account so far of hip-hop’s rise, a multi-decade chronicle told in the voices of the people who made it happen. In more than three hundred interviews conducted over three years, Abrams has captured the stories of the DJs, executives, producers, and artists who both witnessed and themselves forged the history of hip-hop. Masterfully combining these voices into a seamless symphonic narrative, Abrams traces how the genre grew out of the resourcefulness of a neglected population in the South Bronx, and from there how it flowed into New York City’s other boroughs, and beyond—from electrifying live gatherings, then on to radio and vinyl, below to the Mason-Dixon Line, west to Los Angeles through gangster rap and G-funk, and then across generations. Abrams has on record Grandmaster Caz detailing hip-hop’s infancy, Edward “Duke Bootee” Fletcher describing the origins of “The Message,” DMC narrating his role in introducing hip-hop to the mainstream, Ice Cube recounting N.W.A’s breakthrough and breakup, Kool Moe Dee recalling his Grammys boycott, and countless more key players. Throughout, Abrams conveys with singular vividness the drive, the stakes, and the relentless creativity that ignited one of the greatest revolutions in modern music. The Come Up is an exhilarating behind-the-scenes account of how hip-hop came to rule the world—and an essential contribution to music history.