William Hickling Prescott (1796-1859) was one of those rare historians who effectively melded history and literature in an elegant, compelling writing style that appealed to the casual reader, while still meeting the strict criteria of the scholar. Prescott was the first American historian to achieve international recognition with his critically acclaimed History of the Reign of Ferdinand and Isabella. Plagued by poor vision and chronic health issues, he was determined to make his mark as a historian. His follow-up work, The History of the Conquest of Mexico, is considered his masterpiece. Prescott went on to write A History of the Conquest of Peru, History of the Reign of Philip II and a 200-page addendum to William Robertson's History of the Reign of the Emperor Charles V. Drawing on correspondence and journal entries, this book traces the life of one of America's most celebrated historians.

This book contains a substantial extract from William H. Prescott's major work A History of the Conquest of Mexico. Prescott lived from 1796-1859 and his book was a pioneering view of the Aztec civilization. The country of the ancient Mexicans or Aztecs, as they were known, formed but a very small part of the extensive territories, which make up modern Mexico. The story of the life of Hernando Cortes, the Conqueror and the tragic story of Moctezuma the Aztec king are essential to this history. In his fascinating introduction J.H. Elliott sets Prescott's work against the background of the growth of historical research. .

Setting aside the pastiche of bullfighters and flamenco dancers that has dominated the U.S. image of Spain for more than a century, this innovative volume uncovers the roots of Spanish studies to explain why the diversity, vitality, and complexity of Spanish history and culture have been reduced in U.S. accounts to the equivalent of a tourist brochure. Spurred by the complex colonial relations between the United States and Spain, the new field of Spanish studies offered a way for the young country to reflect a positive image of itself as a democracy, in contrast with perceived Spanish intolerance and closure. Spain in America investigates the political and historical forces behind this duality, surveying the work of the major nineteenth-century U.S. Hispanists in the fields of history, art history, literature, and music. A distinguished panel of contributors offers fresh examinations of the role of U.S. writers, especially Washington Irving and Henry Wadsworth Longfellow, in crafting a wildly romantic vision of Spain. They examine the views of such scholars as William H. Prescott and George Ticknor, who contrasted the "failure" of Spanish history with U.S. exceptionalism. Other essays explore how U.S. interests in Latin America consistently colored its vision of Spain and how musicology in the United States, dominated by German émigrés, relegated Spanish music to little more than a footnote. Also included are profiles of the philanthropist Archer Mitchell Huntington and the pioneering art historians Georgiana Goddard King and Arthur Kingsley Porter, who spearheaded U.S. interest in the architecture and sculpture of medieval Spain. Providing a much-needed look at the development and history of Hispanism, Spain in America opens the way toward confronting and modifying reductive views of Spain that are frozen in another time.

This biography of a distinguished historian and man of letters is the first study of William Hickling Prescott (1796–1859) to be written by a historian who has worked with the very themes explored by Prescott. And it is the first to treat him not only as creative historian but also as family man, as traveler and clubman, as investor and humanitarian, and as private citizen with strong political preferences. Prescott the socialite and Prescott the introvert writer emerge in the round as the magnificent amateur who helped establish canons that have enriched American historical scholarship ever since. Blending history and literature, his multivolume works won Prescott the first significant international reputation to be accorded to an American historian. Working despite persistent obstacles of health and against a penchant for society and leisure that was always part of his personality, Prescott came to be considered the finest interpreter of the Hispanic world produced by the Anglo-Saxon world. His Conquest of Mexico and Conquest of Peru were pronounced classics. C. Harvey Gardiner takes the reader back to the nineteenth century in style and in subject to present William Hickling Prescott, gentleman and scholar, firmly fixed in relationship to his community and his times. But Gardiner's Victorian stance and respect for nineteenth-century historiography do not prevent his presenting Prescott as a whole man, viewed in retrospect, stripped of myth, and evaluated for moderns.