An essential addition to any collection of Western art and Americana, The Life and Times of Jo Mora provides an in-depth biography of this gifted illustrator, painter, writer, cartographer, and sculptor. Jo Mora (1876–1947) lived the Western life he depicted in his prolific body of visual art, comprising sculpture, paintings, architectural adornments, dioramas, and maps. He explored California Missions, the natural glories of Yosemite, California’s ranch life, and eventually the culture of the Hopi and Navajo in Arizona. During his travels, Mora documented observations that became the source material and inspiration for much of his later artwork. The magnitude of Mora’s insights into his life and work, as described in his own words—many presented here in this book—cannot be underestimated. Jo Mora’s many diaries, journals, and literary efforts reveal an intellectual discernment, originality, and humor that enhance our appreciation of his work. Remarkably, throughout his life Mora supported his family solely through a series of art commissions that ranged from restaurant murals to heroic-scale sculpture. He welcomed risks and challenges, was unafraid of hard work, and did nearly everything well, from writing children’s stories to commanding an army battalion-in-training to shooting mountain lions. Ever modest, he seemed to think that this versatility was nothing extraordinary. Peter Hiller’s thoughtful presentation of Jo Mora’s life is seen here in all of its creative glory.

An essential addition to any collection of Western art and Americana, The Life and Times of Jo Mora provides an in-depth biography of this gifted illustrator, painter, writer, cartographer, and sculptor.

Budgee goes out into the world where he has many adventures before he returns to his home.

Born in Uruguay in 1876, Jo Mora worked with and observed cowboys and vaqueros from Canada to the tierra caliente for more than half a century. In Trail Dust and Saddle Leather he presents in authentic lingo and detailed drawings the real-life cowboy's daily chores and chow, clothing and equipment, and ways with critters and steeds.

A “vivid and extremely interesting” novel of an upper-class Chinese wife’s quest for freedom, from the Nobel Prize–winning author of The Good Earth (The New Yorker). At forty, Madame Wu is beautiful and much respected as the wife of one of China’s oldest upper-class houses. Her birthday wish is to find a young concubine for her husband and to move to separate quarters, starting a new chapter of her life. When her wish is granted, she finds herself at leisure, no longer consumed by running a sixty-person household. Now she’s free to read books previously forbidden her, to learn English, and to discover her own mind. The family in the compound are shocked at the results, especially when she begins learning from a progressive, excommunicated Catholic priest. In its depiction of life in the compound, Pavilion of Women includes some of Buck’s most enchanting writing about the seasons, daily rhythms, and customs of women in China. It is a delightful parable about the sexes, and of the profound and transformative effects of free thought. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.

Called the “Fighting Cock of the Sioux” by U.S. soldiers, Hunkpapa warrior Gall was a great Lakota chief who, along with Sitting Bull and Crazy Horse, resisted efforts by the U.S. government to annex the Black Hills. It was Gall, enraged by the slaughter of his family, who led the charge across Medicine Tail Ford to attack Custer’s main forces on the other side of the Little Bighorn. Robert W. Larson now sorts through contrasting views of Gall, to determine the real character of this legendary Sioux. This first-ever scholarly biography also focuses on the actions Gall took during his final years on the reservation, unraveling his last fourteen years to better understand his previous forty. Gall, Sitting Bull’s most able lieutenant, accompanied him into exile in Canada. Once back on the reservation, though, he broke with his chief over Ghost Dance traditionalism and instead supported Indian agent James McLaughlin’s more realistic agenda. Tracing Gall’s evolution from a fearless warrior to a representative of his people, Larson shows that Gall contended with shifting political and military conditions while remaining loyal to the interests of his tribe. Filling many gaps in our understanding of this warrior and his relationship with Sitting Bull, this engaging biography also offers new interpretations of the Little Bighorn that lay to rest the contention that Gall was “Custer’s Conqueror.” Gall: Lakota War Chief broadens our understanding of both the man and his people.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn

"Lively photographs celebrate both individuality and community"--Amazon.com.