These works by Sister Bartolomea Riccoboni offer an intimate portrait of the women who inhabited the Venetian convent of Corpus Domini, where they shared a religious life bounded physically by the convent wall and organized temporally by the rhythms of work and worship. At the same time, they show how this cloistered community vibrated with news of the great ecclesiastical events of the day, such as the Great Western Schism and the Council of Constance. While the chronicle recounts the history of the nuns' collective life, the necrology provides highly individualized biographies of nearly fifty women who died in the convent between 1395 and 1436. We follow the fascinating stories that led these women, from adolescent girls to elderly widows, to join the convent; and we learn of their cultural backgrounds and intellectual accomplishments, their ascetic practices and mystical visions, their charity and devotion to each other and their fortitude in the face of illness and death. The personal and social meaning of religious devotion comes alive in these texts, the first of their kind to be translated into English.

These works by Sister Bartolomea Riccoboni offer an intimate portrait of the women who inhabited the Venetian convent of Corpus Domini, where they shared a religious life bounded physically by the convent wall and organized temporally by the rhythms of work and worship. At the same time, they show how this cloistered community vibrated with news of the great ecclesiastical events of the day, such as the Great Western Schism and the Council of Constance. While the chronicle recounts the history of the nuns' collective life, the necrology provides highly individualized biographies of nearly fifty women who died in the convent between 1395 and 1436. We follow the fascinating stories that led these women, from adolescent girls to elderly widows, to join the convent; and we learn of their cultural backgrounds and intellectual accomplishments, their ascetic practices and mystical visions, their charity and devotion to each other and their fortitude in the face of illness and death. The personal and social meaning of religious devotion comes alive in these texts, the first of their kind to be translated into English.

This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.

Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world. Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon

This book focuses on the identity and public personae of the dogaressa, wives of the elected doges of medieval and early modern Venice. The study traces the evolution of the public functions of the group of quasi-royal wives, rare for their visibility, during Venice's development into a regional economic and political power.

Despite the large number of monumental Last Supper frescoes which adorn refectories in Quattrocento Florence, until now no monograph has appeared in English on the Florentine Last Supper frescoes, nor has any study examined the perceptions of the original viewers. This study examines the rarely considered effect of gender on the profoundly contextualized perceptions of the male and female religious who viewed the Florentine Last Supper images in surprisingly different physical and cultural refectory environments. In addition to offering detailed visual analyses, the author draws on a broad spectrum of published and unpublished primary materials, including monastic rules, devotional tracts and reading materials, the constitutions and ordinazioni for individual houses, inventories from male and female communities and the Convent Suppression documents of the Archivio di Stato in Florence. By examining the original viewers? attitudes to images, their educational status, acculturated pieties, affective responses, levels of community, degrees of reclusion, and even the types of food eaten in the refectories, Hiller argues that the perceptions of these viewers of the Last Supper frescoes were intrinsically gendered.

In The Anxieties of a Citizen Class: The Miracles of the True Cross of San Giovanni Evangelista, Venice 1370-1480 Kiril Petkov identifies the socio-psychological preoccupations accompanying the formation of the leading commoner group of early Renaissance Venice, the cittadini originarii, as revealed in a cycle of miracles performed by a fragment of the True Cross owned by the brotherhood of San Giovanni Evangelista. The study’s principal contention is that the miracles trace the evolution of the citizen elite from members of a large, fluid group of men of affairs to community managers to state servants. Each miracle highlights a stage of that process and the social anxieties engendered in the acquisition of a specific social identity.

Praise for the first edition: 'It is difficult to imagine another book in which one could find all this diverse material, and no doubt Amt's collection, in its richness, and in its genuine clarity and simplicity will takes prominent place in our expanded, diversified medieval curriculum, a curriculum that takes class, gender, and ethnicity as central to an understanding of world cultural history.' - The Medieval Review Long considered to be a definitive and truly groundbreaking collection of sources, Women’s Lives in Medieval Europe uniquely presents the everyday lives and experiences of women in the Middle Ages. This indispensible text has now been thoroughly updated and expanded to reflect new research, and includes previously unavailable source material. This new edition includes expanded sections on marriage and sexuality, and on peasant women and townswomen, as well as a new section on women and the law. There are brief introductions both to the period and to the individual documents, study questions to accompany each reading, a glossary of terms and a fully updated bibliography. Working within a multi-cultural framework, the book focuses not just on the Christian majority, but also present material about women in minority groups in Europe, such as Jews, Muslims, and those considered to be heretics. Incorporating both the laws, regulations and religious texts that shaped the way women lived their lives, and personal narratives by and about medieval women, the book is unique in examining women’s lives through the lens of daily activities, and in doing so as far as possible through the voices of women themselves.

This collection offers readers a guide to analyzing historical texts and objects using a diverse selection of sources in early modern medicine. It provides an array of interpretive strategies while also highlighting new trends in the field. Each chapter serves as a study of a different type of source, including the benefits and limitations of that source and what it can reveal about the history of medicine. Contributors provide practical strategies for locating and interpreting sources, putting texts and objects into conversation, and explaining potential contradictions. A wide variety of sources, including account books, legal records, and personal letters, provide new opportunities for understanding early modern medicine and developing skills in historical analysis. Together, the chapters highlight emerging methodologies and debates, while covering a range of themes in the field, from reproductive health to hospital care to household medicine. With wide geographical breadth, this book is a valuable resource for students and researchers looking to understand how to better engage with primary sources, as well as readers interested in early modern history and the history of medicine.