Accompanying catalogue of an exhibition at Gagosian Gallery, Paris. The catalogue includes a fully illustrated, comprehensive listing of the paintings, drawings, and prints in Lichtenstein’s Expressionism series. Among the styles and movements appropriated by Lichtenstein, his borrowing of Expressionist motifs—from Alexei Jawlensky’s close-up, pensive faces to Ernst Ludwig Kirchner’s jagged, feline figures—strikes the clearest irony. Including key paintings, sculpture, drawings, and woodcuts, this catalogue demonstrates the bold paradox that Lichtenstein posed by translating Expressionist subjects into the primary colors and pop flatness of his signature style.

Roy before he was Lichtenstein: the path to becoming a Pop Art titan began with Lichtenstein's cycling through a provocative range of visual culture, from fairy tales and children's and folk art to mythic forms of Americana, such as cowboys and Disney. Roy Lichtenstein: History in the Making, 1948-1960 is the first major museum exhibition to investigate the early work of one of the best-known American artists of the twentieth century. Co-organized by Colby College Museum of Art and Nasher Museum of Art at Duke University, the exhibition will include approximately ninety works from the artist's fruitful and formative early career, many never before seen by the public. The show and accompanying catalog will include paintings, drawings, sculptures, and prints which reveal an artist, even in the earliest stages of his career, with a keen interest in visual culture, culling--with a critical eye--from a wide range of sources. These inspirations were the essential but little-known precursors to the artist's later sourcing of comic books and advertisements. Likewise, his exploration of abstraction, just before the artist's abrupt turn to Pop Art in 1961, straddles the line between unabashed lyricism and wry critique of second-generation Abstract Expressionism. The catalog, with new scholarship by leading experts in the field, provides a new understanding of Lichtenstein's influential techniques of appropriation and offers the opportunity to more fully assess the artistic and cultural dynamism of postwar America.

One of America's leading Pop artists, Roy Lichtenstein was a master of stereotype. He had a little-known but deep appreciation for the objects and images of American Indian culture. This book explores in detail and illustrates a collection of his paintings and works on paper that were influenced by his encounters with Native American subjects.

A Penguin Special on Roy Lichtenstein by Alastair Sooke - read in 2 hours or less 'Why, Brad darling, this painting is a masterpiece! My, soon you'll have all of New York clamoring for your work!' Roy Lichtenstein - architect of Pop art, connoisseur of the comic strip, master of irony and prophet of popular culture. From exhilarating images of ice-cool jet pilots in dog fights, to blue-haired Barbie dolls drowning in scenes of domestic heartache, Lichtenstein's instantly recognisable paintings, with their Ben-Day dots and witty one-liners, defined the art of a generation. But how did a jobbing, unassuming painter of the Fifties become a world-famous Pop artist whose work today sells for millions? What do his paintings really tell us? And what is his legacy? This book, by art critic and broadcaster Alastair Sooke, is a perfect introduction to the artist and his work. Spanning Lichtenstein's career, and explaining his unique style, it is a journey through the life of one of the twentieth century's greatest artists. Published in time for a major new retrospective of the work of Roy Lichtenstein. 'Sooke is an immensely engaging character. He has none of the weighty self-regard that often afflicts art experts and critics; rather he approaches his subjects with a questioning, open, exploratory attitude' Sarah Vine, The Times 'His shows are excellent - clever, lively, scholarly, but not too lecturey; he's very good at linking his painters with the world outside the studio, and at how these artists have affected the world today' Sam Wollaston reviewing 'Modern Masters', Guardian Alastair Sooke is deputy art critic of the Daily Telegraph. He has written and presented documentaries on television and radio for the BBC, including Modern Masters, an acclaimed BBC One series that chronicled modern art in the twentieth century. Since 2009 he has reported regularly for The Culture Show on BBC Two. He was educated at Christ Church, Oxford, and at the Courtauld Institute of Art, London.

Examines all periods in Lichtenstein's career, going well beyond his brushstrokes and the classic Pop romance and war cartoon paintings that made him famous. Gives special consideration to Lichtenstein's historical influences, from Picasso and Cubism through Surrealism, Futurism, and British Pop. Examines the various styles and subjects featured in paintings created throughout his lifetime and includes a complete chronology of his life and work.

The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.

The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces. Roy Lichtenstein's popular appeal—and his influence on pop culture, seen in everything from greeting cards to sitcoms—at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting—while remaining committed to the most traditional procedures and goals of the medium. (He once said, “The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.”) This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s. Contributors Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel

Showcasing "settings in which daily life and private acts can only be imagined," Roy Lichtenstein: Interiors presents (mostly previously unpublished) work from an exhibit at Chicago's Museum of Contemporary Art curated by museum director Robert Fitzpatrick and Dorothy Lichtenstein. The book features works from the artist's nudes series of the '90s and other work from the last decade. Continuing to borrow images and ideas from pop culture, Lichtenstein recast them in his inimitable, humorous, comic-strip style characterized by oversize pixels, flat light and primary colours. Also included are sketches, drawings, clippings from his scrapbook and photos of his sculptures. Essays by the two curators, the late Leo Castelli and others cover biography, reception and reminiscence. ILLUSTRATIONS: 112 colour & 12 b/w

The arts: general issues.

This is the first general study in English on the German Expressionist writer Walter Hasenclever (1890-1940) and the first that draws upon new materials found in his collected works, which were completed in 1997. It draws additionally on the author's archival research in eastern Germany. Spreizer's work deals with the life and writings of this major figure in the Expressionist literary movement, first known for his volume of Expressionist poetry Der Jungling (1913), and best known today for his groundbreaking Expressionist drama Der Sohn (1914).