Contains scholarly evaluations of books and book chapters as well as conference papers and articles published worldwide in the field of Latin American studies. Covers social sciences and the humanities in alternate years.

From the archives of the Library of Congress: “An irresistible treasury for book and library lovers.” —Booklist (starred review) The Library of Congress brings book lovers an enriching tribute to the power of the written word and to the history of our most beloved books. Featuring more than two hundred full-color images of original catalog cards, first edition book covers, and photographs from the library’s magnificent archives, this collection is a visual celebration of the rarely seen treasures in one of the world’s most famous libraries and the brilliant catalog system that has kept it organized for hundreds of years. Packed with engaging facts on literary classics—from Ulysses to The Cat in the Hat to Shakespeare’s First Folio to The Catcher in the Rye—this is an ode to the enduring magic and importance of books. “The Card Catalog is many things: a lucid overview of the history of bibliographic practices, a paean to the Library of Congress, a memento of the cherished card catalogs of yore, and an illustrated collection of bookish trivia . . . . The illustrations are amazing: luscious reproductions of dozens of cards, lists, covers, title pages, and other images guaranteed to bring a wistful gleam to the book nerd’s eye.” —The Washington Post

Francis Marion Beynon’s autobiographical novel Aleta Dey is increasingly recognised as a small classic of early twentieth-century fiction. Beynon was a journalist and feminist much involved in public affairs in early twentieth-century Manitoba. In 1917, aged 33, she was forced to leave her job as a result of her open pacifism, and she soon moved to New York where she dropped out of the public eye. Aleta Dey, first published in 1919, tells in plain and affecting prose the story of a girl growing up in Manitoba, becoming politically conscious, and falling in love with McNair, a man of much more conventional views. The First World War brings a crisis for them both after McNair enlists as a soldier. Though Beynon was a Canadian, her spare, emotionally open prose may have less in common with that of other Canadian writers of the time than it does with the style of contemporaneous western American women writers such as Willa Cather and Laura Ingalls Wilder. Like Cather’s My Antonia, Beynon’s Aleta Dey resonates with prairie simplicity, passion, and strength.

Provides a list of subject headings for use in smaller libraries.