This professional primer provides the blueprint to help you create a school library program, covering all aspects of library management such as budgeting, eBook use, purchasing, and teacher collaboration. Advice and strategies from experts in the field will help you master collection development, library administration, recruitment, and staffing. This handbook is the perfect introduction to school library management for both novice and seasoned professionals. The authors—both experienced school librarians—provide basic guidelines for overseeing an effective library program, practical examples that can be used to implement quality lessons, comprehensive coverage of key topics including daily tasks and human resource management, and ideas for the future of school library management. The provided strategies make setting up and running a program easy for professionals at any level. The second edition includes updated information on the latest trends, terminology, and technologies current in the field. The book is organized into three sections: focusing on daily operations; your role as a teacher collaborator and visionary; and methods for managing a collection. Included resource lists, sidebars, charts, and pictures offer tips and ideas for successfully implementing your plans.

Vols. for 1971- include annual reports and statistical summaries.

Created by and for a specific American Indian community and offering special materials related to the tribe itself, a tribal library may also serve as homework center, a reading room, a tribal archive or a community center. Entries offer information on each tribe's ethnology, language and history, location and contact details, as well as a description of collections, services and access policies. Input from library staff and patrons about what makes their libraries unique and important to their communities is also included. Maps are included to show the locations of the libraries in each state.

The Survey of Library Furniture Acquisitions Practices gives highly detailed data for public and academic libraries on their furniture purchasing policies including use of consortium purchases, online purchases, use of auctions and buying and selling of used furniture. The study gives highly detailed data on product choices, views on favored vendors, sources of information on best deals, and the impact of design, price, safety, durability, environmental impact and other considerations in the purchase decision. Survey participants tell of their best furniture purchases, and what they look for in a vendor of particular types of furniture. The survey gives data on buying plans for a broad range of furniture types including children's furniture, carrels, wall hangings, flooring and carpeting, shelves, desks, computer-related furniture and many other types of library furniture. Data is broken out for public and academic libraries and by library overall budget and furniture budget. The study is designed to help librarians answer questions such as: where do I find the best possible furniture and the best possible price? What are our peers buying and what are they satisfied with?

Maker learning spaces in schools and public libraries are made real through the narratives of professional librarians around the world, comprising the collaborative activities, experiences, and perspectives of librarians as they have implemented makerspaces for students of all ages. School Library Makerspaces in Action is for any librarian looking for inspiration for their own makerspaces, hackerspaces, fablabs, or DIY locations and how to use these spaces in libraries and educational settings. Contributions from authors around the world address the needs of most all readers, including how to provide the staff training necessary for a successful makerspace. Each chapter is written from an author's personal experience, and with only a little fine-tuning and imagination, many of these ideas can be used throughout all levels, disciplines, and subjects in K–12 education and carry over into higher education. The successes and optimism shared in this collection will inspire librarians and educators to think positively about how to implement maker learning locations, train staff, and use makerspaces in their libraries and classrooms to promote and share new ideas.

Which are the oldest public libraries in the world? In what years were the first books printed in French, Thai, Japanese, Arabic, Turkish? What are the oldest extant texts written in Chinese, English, Russian, Spanish? When was the first major computer database used in libraries? What are the titles of the largest, smallest or most expensive books ever published? Where is the world's busiest public library? Which three books were the first to contain photographs? In its updated and expanded third edition, this reference work provides hundreds of fascinating facts about libraries, books, periodicals, reference databases, specialty archives, bookstores, catalogs, technology, information science organizations and library buildings.

Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.