After Libby's parents get divorced, a rumor begins that her dad said he was going to shoot her mom with a gun.

Do you believe in the magic of imagination? Hi! I am Libby the Little Leprechaun. I can t wait to tell you about my adventures. I have an imagination that runs as wild as a mountain lion, friendships that are more precious than kittens, and resilience stronger than any alley cat. Come along with me to see how I overcome bullies, go after my dreams, and learn to love myself unconditionally. In Libby s third adventure she travels with her best friend to unchartered territory. Join Libby and Hannah as they discover majestic animals, mysterious sights, and thoughtful insights.

Can grace and love be found amongst coffee grounds? Sonja Parker is about to find out. Excited to leave her stale life in the big city behind, Sonja takes the money her grandmother left her and purchases Libby’s Cuppa Joe, a thriving coffee shop in a small community in Wisconsin’s Door County. Sonja may have business sense, but is she ready to face the world on her own? Sonja soon discovers owning a business requires more than offering a good cup of coffee. She must make major repairs to the building as well as major repairs to her heart. Do the former owners, Libby and Joe hold the answer? As Sonja seeks to make Libby’s Cuppa Joe a viable business, can she also find herself and the God she has abandoned? Libby’s Cuppa Joe is a riveting tale of second chances, forgiveness, and not living on borrowed faith.

Attractive, single Libby Morrison lives to care for her aging parents, but when she meets handsome Reese Reynolds, paralyzed by a gunshot wound, her friends Jenny and Tia help her to learn the power of love and faith.

A media executive and working mother provides a step-by-step blueprint for the transition to a stay-at-home-dad family, and includes tips for creating a business plan, overcoming gender stereotypes, maintaining a healthy work-family balance, and more.

Charming Libby is a people pleaser who is slow at making decisions. She has to learn how to say no, stand up for herself, and feel more confident about her choices. All of the Star Darling roommates have received beautiful bouquets of sparkly flowers welcoming them to Star Academy. The band tryouts begin and many different girls show up to audition. Meanwhile, the Star Darlings are dealing with their personal conflicts and issues. Libby's mission: Libby finds a flower in the Wish Caves, but her only clue as to whom it belongs is a ballot with two names on it. When Libby goes down to Wishworld, she identifies the wisher and exhausts herself, thinking she has to help grant all the wishes. Libby's friends come down to help her get back on track.

For the first time, Anika, Benny, and Libby turn their inquisitive gazes on themselves, exploring the questions: Where are our families from? Why and how did they come to the United States? As they learn their families’ histories and receive upsetting news about Anika’s stay in the country, they vow to cherish what brings them together.

NEW YORK TIMES EDITORS’ CHOICE • An “extraordinary” (The New York Times Book Review) tender and vivid memoir about the radical grace we discover when we consider ourselves bound together in community, and a moving account of one woman’s attempt to answer the essential question Who are we to one another? “Your heart will be altered by this book.”—Gregory Boyle, S.J., New York Times bestselling author of Tattoos on the Heart Liz Hauck and her dad had a plan to start a weekly cooking program in a residential home for teenage boys in state care, which was run by the human services agency he co-directed. When her father died before they had a chance to get the project started, Liz decided she would try it without him. She didn’t know what to expect from volunteering with court-involved youth, but as a high school teacher she knew that teenagers are drawn to food-related activities, and as a daughter, she believed that if she and the kids made even a single dinner together she could check one box off her father’s long, unfinished to-do list. This is the story of what happened around the table, and how one dinner became one hundred dinners. “The kids picked the menus, I bought the groceries,” Liz writes, “and we cooked and ate dinner together for two hours a week for nearly three years. Sometimes improvisation in kitchens is disastrous. But sometimes, a combination of elements produces something spectacularly unexpected. I think that’s why, when we don’t know what else to do, we feed our neighbors.” Capturing the clumsy choreography of cooking with other people, this is a sharply observed story about the ways we behave when we are hungry and the conversations that happen at the intersections of flavor and memory, vulnerability and strength, grief and connection. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SHE READS

'This important, disturbing and frequently heartbreaking book should be read by every politician in Westminster.' Adrian Tempany, Observer 'In a few weeks' time, it would be thirty-five years to the day since those men and women had walked 340 miles to try to save their communities and their culture, and thirty-five years since I had turned down Pete's invitation to join them. I called work and booked some time off. Then I bought a one-way train ticket to Liverpool.' In 1981, Mike Carter's dad, Pete, organised the People's March for Jobs, which saw 300 people walk from Liverpool to London to protest as the Thatcher government's policies devastated industrial Britain and sent unemployment skyrocketing. Just before the 2016 EU referendum, Mike set off to walk the same route in a quest to better understand his dad and his country. As he walked, Mike found many echoes of the early eighties: a working class overlooked and ignored by Westminster politicans; communities hollowed out but fiercely resistant; anger and despair co-existing with hope and determination for change. And he also found that he and Pete shared more in common than he might have thought. All Together Now? maps the intricate, overlapping path of one man's journey and that of an entire country. It is a book about belonging, about whether to stay or go, and about the need to write new stories for our communities and ourselves.

Libby Henry unabashedly tells her story in this lively memoir set in central Kentucky. She rides her pony rough-shod through the lives of Earl and Beal, her parents, singing The Little Orange Bird. All Earl wants is some "peace," hard to find with a daughter some fifty years his junior, with a croaky voice and coke bottle glasses perparing for a song and dance career, with a dash of fashion. Beal lives vicariously through Libby's short-lived modeling career, her romances, and connections, pleased when she approves, and tending to the unhinged wihen not so pleased. Earl is still looking for "peace," while weathering the car wrecks, the vacatons, and the unexpected in his home-life. And then there's those trips to Lincoln county where Libby's maternal grandfather is a big man in the community, a man of property who also owns the stockyard and is a deputy sheriff, though he hasn't qutie caught up to the times and modernized his house with running water. There's the little old lady who "shot me a dog once," Davy Crockett and Sam Houston make an appearance, and that "bad man" who got his head knocked into a wall by Earl. And darker times too, times of illness, loss, mortgage fraud and divorce. Libby shares all with an enduring sense of humor and a welcoming voice that draw you near and keep you turning pages.