"A brilliant, riveting, funny, terrifying journey into the beating heart of Trumpland." —Liza Mundy, author of Code Girls In this daring work of immersive journalism, based on hundreds of hours of reporting, Carl Hoffman journeys deep inside Donald Trump’s rallies, seeking to understand the strange and powerful tribe that forms the president’s base. Hoffman, who has written about the most dangerous and remote corners of the world, pierced this alternate society, welcomed in and initiated into its rites and upside-down beliefs, and finally ushered to its inner sanctum. Equally freewheeling and profound, Liar’s Circus tracks the MAGA faithful across five thousand miles of the American heartland during a crucial arc of the Trump presidency stretching from the impeachment saga to the dawn of the coronavirus pandemic that ended the rallies as we know it. Trump’s rallies are a singular and defining force in American history—a kind of Rosetta stone to understanding the Age of Trump. Yet while much remarked upon, they are, in fact, little examined, with the focus almost always on Trump’s latest outrageous statement. But who are the tens of thousands of people who fill these arenas? What do they see in Trump? And what curious alchemy—between president and adoring crowd—happens there that might explain Trump’s rise and powerful hold over both his base and the GOP? To those on the left, the rallies are a Black Mass of American politics at which Trump plays high priest, recklessly summoning the darkest forces within the nation. To the MAGA faithful, the rallies are a form of pilgrimage, a joyous ceremony that like all rituals binds people together and makes them feel a part of something bigger than themselves. Both sides would acknowledge that this traveling roadshow is the pressurized, combustible core of Trump’s political power, a meeting of the faithful where Trump is unshackled and his rhetoric reaches its most extreme, with downstream consequences for the rest of the nation. To date, no reporter has sought to understand the rallies as a sociological phenomenon examined from the bottom up. Hoffman has done just this. He has stood in line for more than 170 hours with Trump's most ardent superfans and joined them at the very front row; he has traveled from Minnesota to Texas, Louisiana, Mississippi, and New Hampshire immersing himself in their culture. Liar’s Circus is a revelatory portrait of Trump’s America, from one of our most intrepid journalists.

From the author of A Witch in Time comes a magical story spanning from Jazz Age Paris to modern-day America of family secrets, sacrifice, and lost love set against the backdrop of a mysterious circus. Paris, 1925: To enter the Secret Circus is to enter a world of wonder—a world where women weave illusions of magnificent beasts, carousels take you back in time, and trapeze artists float across the sky. Bound to her family's circus, it's the only world Cecile Cabot knows until she meets a charismatic young painter and embarks on a passionate affair that could cost her everything. Virginia, 2004: Lara Barnes is on top of the world until her fiancé disappears on their wedding day. When her desperate search for answers unexpectedly leads to her great-grandmother’s journals, Lara is swept into a story of a dark circus and ill-fated love. Soon secrets about Lara’s family history begin to come to light, revealing a curse that has been claiming payment from the women in her family for generations. A curse that might be tied to her fiancé’s mysterious disappearance Praise for The Ladies of the Secret Circus: "At times decadent and macabre, The Ladies of the Secret Circus is a mesmerizing tale of love, treachery, and depraved magic percolating through four generations of Cabot women." —Luanne G. Smith, author of The Vine Witch "Fans of Erin Morgenstern’s The Night Circus will love this page-turning story of dark magic, star-crossed love, and familial sacrifice." —Publishers Weekly (starred review) "Ambitious and teeming with magic, Sayers creates a fascinating mix of art, The Belle Époque, and more than a little murder.” —Erika Swyler, author of The Book of Speculation For more from Constance Sayers, check out A Witch in Time.

NATIONAL BESTSELLER • From the bestselling author of The Night Circus, a timeless love story set in a secret underground world—a place of pirates, painters, lovers, liars, and ships that sail upon a starless sea. Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues—a bee, a key, and a sword—that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library hidden far below the surface of the earth. What Zachary finds in this curious place is more than just a buried home for books and their guardians—it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also of those who are intent on its destruction. Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly soaked shores of this magical world, discovering his purpose—in both the mysterious book and in his own life.

This is the tale of Mark Horrell’s not-so-nearly ascent of Gasherbrum in Pakistan, of how one man’s boredom and frustration was conquered by a gutsy combination of exhaustion, cowardice, and sheer mountaineering incompetence. He made not one, not two, but three intrepid assaults, some of which got quite a distance beyond Base Camp, and overcame many perilous circumstances along the way. The mountaineer Joe Simpson famously crawled for three days with a broken leg, but did he ever have to read Angels and Demons by Dan Brown while waiting for a weather window? But that’s enough about Mark’s attempt; there were some talented climbers on the mountain as well, and this story is also about them. How did they get on? Heroes, villains, oddballs and madmen – 8,000m peaks attract them all, and drama, intrigue and cock-ups aplenty were inevitable.

Alice in the Country of Joker is an all-new manga series that reimagines Lewis Carroll's Alice in Wonderland in a sly, sexy shoujo style. This new series is a follow-up to QuinRose's bestselling Alice in the Country of Hearts and Alice in the Country of Clover, but can be read independently. Alice in the Country of Joker: Circus and Liar's Game continues the adventures of Alice as she goes deeper down the rabbit hole to the country of Joker. Each volume features impressive artwork by Mamenosuke Fujimaru, the same artist for Alice in the Country of Clover, and includes color pinups. Alice Liddel has now entered a new realm—the country of Joker—where she is reunited with old friends. Yet new challenges abound, as Alice must unravel the mystery of the Circus and the Prison Realm, and deal with the enigmatic Jokers.

Respectable and Disreputable describes how Montgomerians spent their increasing leisure time during the four decades preceding the Civil War. Everyday activities included gambling, drinking, sporting, hunting, and voluntary associations--military, literary, self-improvement, fraternal, and civic. The book also includes seasonal activities--religious and national holidays, fairs, balls, horse racing, and summering at mineral springs. Commercial entertainment, which became more prominent in the late antebellum period, included theater, opera, circuses, and minstrel shows. Historian Jeffrey Benton describes not only those everyday, seasonal, and commercial activities, but also shows how antebellum society debated the moral and philosophical questions of how leisure time should be spent. Woven throughout the book are comparisons between Montgomery and other cities and towns in antebellum America. Although the United States may have been increasingly divided economically, on rural-urban experiences, and of course on the issue of slavery, it seems that antebellum Americans--at least those living in or with easy access to urban areas--shared very similar leisure time activities.

This novel is a work of fiction, and the characters are all fictional—that is, they come out of my imagination. But if they bear any resemblance to specific judges, lawyers, and cops, it is not a matter of coincidence. It is because I chose to use such names for them to get mad, the same way I am mad about the injustice done to me by three judges for a crime I cried and swore I did not commit. I was charged and found guilty even though I was the one who was assaulted and battered—an assault and battery that has now partially left me deaf and, above all, has left me with only one testicle, while the judges and the attorneys have played their games right. I also created this fictional event of the court. I have used names that came out of my imagination to represent all the players in this book, and I put them in chapters where they are meant to serve my purpose the same way three notorious judges all served their purpose against me. But I should make it clear, though, that the names of the noncourtroom players whom I have used here are products of my imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. Therefore, the actions and motivations of these players are entirely my idea. Again, simply put, there is no connection in the manner I brought them into the book. If I have caused embarrassment to anyone other than some judges I have directed my anger to or the attorneys, the security men of Circus Circus Hotel & Casino, and the cops, in any manner, I wish, here and now, to apologize openly and sincerely. And bear in mind that without the humanities—with the novelists, playwrights, poets, and actors of our world, let alone the comedians to express the First Amendment or mock those who wrong us or who rule the world—we would not have movies or theaters. Therefore, all the movies we might think we have would be worth nothing. Ogbebor K. Ogbesia November 8, 2001

In the Paris village of Montmartre in 1904, fourteen-year-old Brigitte works long hours in her aunt's cafe, where she serves such regular customers as the young artist Pablo Picasso, encounters Russian revolutionaries, and longs to attend the exciting circus nearby. Includes author's note on the Picasso painting "Family of Saltimbanques."

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

NATIONAL BESTSELLER • Three wildly different sisters reunite for a destination wedding at an English castle in this heartfelt and rollicking novel from the New York Times bestselling author of The Jetsetters. “The sort of novel that simultaneously tempts you to devour it in one greedy gulp and begs you to slow down and savor each page.”—Jenny Jackson, author of Pineapple Street Once upon a time, the Peacock sisters were little girls who combed each other’s tangled hair. But decades of secrets have led them to separate lives—and to telling lies, to themselves and to one another. Sylvie is getting married. Again. A librarian and widow who soothes her grief by escaping into books (and shelving them perfectly), Sylvie has caught the attention of an unlikely match: Simon Rampling, a mysterious, wealthy man from Northern England. Sylvie allows herself to imagine a life beside him—one filled with the written word, kindness, and companionship. She’s ready to love again . . . or is she? Cleo is the golden child. A successful criminal defense lawyer with the perfect boyfriend, she is immediately suspicious of Simon. Is he really who he says he is? Cleo heads to Mumberton Castle with a case of investigative files, telling herself she will expose Simon and save her sister from more heartbreak . . . but who is she really trying to save? Emma is living a lie. She can’t afford this fancy trip—and she definitely can’t tell her husband and sons why. She once dreamed of a line of her own perfumes. Fragrances allowed her to speak in silence. Now, that tendency for silence only worsens her situation. Will she emerge with her dignity and family intact? When their toxic mother shows up, the sisters assume the roles they fell into to survive their childhood . . . but they just might find the courage to make new choices. Set over a spectacularly dramatic weekend, in the grand halls of a sprawling castle estate—amid floor-to-ceiling libraries, falconry lessons, and medieval meals—Lovers and Liars is the unforgettable story of a family’s ability to forgive and to find joy in one another once again.