There are many Lhasas. One is a grid of uniform boulevards lined with plush hotels, all-night bars, and blue-glass-fronted offices. Another is a warren of alleyways that surround a seventh-century temple built to pin down a supine demoness. A web of Stalinist, rectangular blocks houses the new nomenklatura. Crumbling mansions, once home to noble ministers, famous lovers, nationalist spies, and covert revolutionaries, now serve as shopping malls and faux-antique hotels. Each embodiment of the city partakes of the others' memories, whispered across time and along the city streets. In this imaginative new work, Robert Barnett offers a powerful and lyrical exploration of a city long idealized, disregarded, or misunderstood by outsiders. Looking to its streets and stone, Robert Barnett presents a searching and unforgettable portrait of Lhasa, its history, and its illegibility. His book not only offers itself as a manual for thinking about contemporary Tibet but also questions our ways of thinking about foreign places. Barnett juxtaposes contemporary accounts of Tibet, architectural observations, and descriptions by foreign observers to describe Lhasa and its current status as both an ancient city and a modern Chinese provincial capital. His narrative reveals how historical layering, popular memory, symbolism, and mythology constitute the story of a city. Besides the ancient Buddhist temples and former picnic gardens of the Tibetan capital, Lhasa describes the urban sprawl, the harsh rectangular structures, and the geometric blue-glass tower blocks that speak of the anxieties of successive regimes intent upon improving on the past. In Barnett's excavation of the city's past, the buildings and the city streets, interwoven with his own recollections of unrest and resistance, recount the story of Tibet's complex transition from tradition to modernity and its painful history of foreign encounters and political experiment.

In 1959 the Dalai Lama emerged in India, where he set up his government in exile. Soon after he left Lhasa the Chinese People's Liberation Army pummeled the city in the "Battle of Lhasa." The Tibetans were forced to capitulate, putting Mao in a position to impose Communist rule over Tibet

Born in 1941, Tubten Khétsun is a nephew of the Gyatso Tashi Khendrung, one of the senior government officials taken prisoner after the Tibetan peoples' uprising of March 10, 1959. Khétsun himself was arrested while defending the Dalai Lama's summer palace, and after four years in prisons and labor camps, he spent close to two decades in Lhasa as a requisitioned laborer and "class enemy." In this eloquent autobiography, Khétsun describes what life was like during those troubled years. His account is one of the most dispassionate, detailed, and readable firsthand descriptions yet published of Tibet under the Communist occupation. Khétsun talks of his prison experiences as well as the state of civil society following his release, and he offers keenly observed accounts of well-known events, such as the launch of the Cultural Revolution, as well as lesser-known aspects of everyday life in occupied Lhasa. Since Communist China continues to occupy Tibet, the facts of this era remain obscure, and few of those who lived through it have recorded their experiences at length. Khétsun's story will captivate any reader seeking a refreshingly human account of what occurred during the Maoists' shockingly brutal regime.

An artist in every sense of the word, Lhasa de Sela wowed audiences around the globe with her multilingual songs and spellbinding performances, mixing together everything from Gypsy music to Mexican rancheras, Americana and jazz, chanson française, and South American folk melodies. In Canada, her album La Llorona won the Juno Award and went gold, and its follow-up, The Living Road, won a BBC World Music Award. Tragically, de Sela succumbed to breast cancer in 2010 at the age of thirty-seven after recording her final album, Lhasa. Tracing de Sela’s unconventional life and introducing her to a new generation, Why Lhasa de Sela Matters is the first biography of this sophisticated creative icon. Raised in a hippie family traveling between the United States and Mexico in a converted school bus, de Sela developed an unquenchable curiosity, with equal affinities for the romantic, mystic, and cerebral. Becoming a sensation in Montreal and Europe, the trilingual singer rejected a conventional path to fame, joining her sisters’ circus troupe in France. Revealing the details of these and other experiences that inspired de Sela to write such vibrant, otherworldly music, Why Lhasa de Sela Matters sings with the spirit of this gifted firebrand.

William Montgomery McGovern was an American adventurer, anthropologist and journalist. He was possibly an inspiration for the character of Indiana Jones. McGovern claims he had to sneak into the Tibet disguised as a local porter. As Time reported in 1938: With a few Tibetan servants, he climbed through the wild, snowy passes of the Himalayas. There, in the bitter cold, he stood naked while a companion covered his body with brown stain, squirted lemon juice into his blue eyes to darken them. Thus disguised as a coolie, he arrived in the Forbidden City without being detected, but disclosed himself to the civilian officials. A fanatical mob led by Buddhist monks stoned his house. Bill McGovern slipped out through a back door and joined the mob in throwing stones. The civil government took him into protective custody, finally sent him back to India with an escort.--Wikipedia.

A boy and his yak persevere along the difficult way to the holy city of Lhasa and succeed where others fail.

Lhasa, the ancient capital of Tibet, is the most impressive of the few surviving traditional towns. This guide presents its unique architecture and building culture, topography, environment, historical development and townscape, as well as introducing future plans and issues concerning the safeguarding of Lhasa in the face of urban development.

Some go to Tibet seeking inspiration, others for adventure. The award-winning journalist, Claire Scobie, found both when she left her ordinary life in London and went to the Himalayas in search of a rare red lily. Her journey took her to Pemako, where few Westerners have set foot and where the myth of Shangri-la was born. It was here she became friends with Ani, an unusual Tibetan nun who was to change her life. Through seven journeys in Tibet, Claire chronicles a rapidly changing world - where monks talk on mobiles and Lhasa's sex industry thrives. But it is Ani, a penniless wanderer with a rich heart, who leaves an indelible impression. Together, in a culture where freedom of expression is forbidden, they risk arrest. And they forge an abiding friendship, based on intuition and deep respect. Evoking the luminous landscape of snow peaks and wild alpine gardens, Claire Scobie captures the paradoxes of contemporary Tibet, a land steeped in religion, struggling against oppression and galloping towards modernity. Last Seen in Lhasa is a unique story of insight and adventure that can touch us all.

First published in 1906, this volume emerged three years after the British expedition across the Alps to Lhasa, in which the author took part, and provided a first-hand British account of the mission. The expedition (also known as the British Invasion of Tibet) was intended to counter perceived Russian Imperial interests in access to India through Tibet. Its leaders did not anticipate the intention of Tibetans to resist the mission. The expedition allowed L. Austine Waddell, who had the opportunity to learn of Tibet during a previous posting at Darjeeling, to provide a first-hand account of Central Tibet, its capital at Lhasa, its Grand Lama religious hierarchy and its culture through following the narrative of the controversial British expedition. Despite the region’s historic relations with Asia, Europeans had previously had more difficulty accessing the country and its culture. This volume was the third edition in two years, having been made more accessible to accommodate for its favourable reception by the British public.