“Funny, unpredictable, and abounding with strange beauty . . . a fierce new voice of the American West.”—Outside Exploding with an unsettling exuberance, Brady Udall’s stories traverse a geography of lost love, fragmented lives, and satisfying revenge. From the night a six-foot-three Apache Indian holding a goat steps into a moonlit Arizona backyard in "Midnight Raid" to the pivotal moment when a man, delirious from a dental extraction, gets rescued by a stranger in the title story, Udall injects his stories and characters with equal parts darkness and humor. These are sad and sweet stories, moving from the familiar to surprising destinations. But even when disaster looms, Udall's fine comic sense sustains his men and women in their sometimes extravagant efforts to connect and cope. Plunged in the moment, these stories have velocity; they spray gravel as they take off.

Eleven stories featuring men protagonists. The story, The Ballad of Ball and Chain, is one man's idea of marriage, Midnight Raid is a man's confrontation with his ex-wife and her new husband, and in The Opposite of Loneliness, a man finds the answer to loneliness in service to the less fortunate.

Half Apache and mostly orphaned, the adventures of Edgar Presley Mint begin on an Arizona reservation at the age of seven, when the mailman's jeep accidentally runs over his head. Shunted from the hospital to a reform school to a Mormon foster family, comedy and trouble accompany Edgar - the irresistible innocent who never truly loses heart, and whose quest for the mailman leads him to an unexpected home. This riveting picaresque novel has become an international best-seller.

A New York Times bestseller: "Udall masterfully portrays the hapless foibles and tragic yearnings of our fellow humans." —San Francisco Chronicle Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family’s future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.

An Oprah's Book Club Pick A #1 New York Times Bestseller A National Bestseller Beautifully written and elegantly paced, The Story of Edgar Sawtelle is a coming-of-age novel about the power of the land and the past to shape our lives. It is a riveting tale of retribution, inhabited by empathic animals, prophetic dreams, second sight, and vengeful ghosts. Born mute, Edgar Sawtelle feels separate from the people around him but is able to establish profound bonds with the animals who share his home and his name: his family raises a fictional breed of exceptionally perceptive and affable dogs. Soon after his father's sudden death, Edgar is stunned to learn that his mother has already moved on as his uncle Claude quickly becomes part of their lives. Reeling from the sudden changes to his quiet existence, Edgar flees into the forests surrounding his Wisconsin home accompanied by three dogs. Soon he is caught in a struggle for survival—the only thing that will prepare him for his return home.

Compelling stories have the power to generate infinite wonder: It's nearly impossible to imagine how the author began, and yet we sense there's much more beyond the final word. It's this mystery–a combination of inspiration and craft, smoke and mirrors–that makes writing feel momentous. But it can also feel overwhelming, causing us to become small, scared, not quite ready for the "big" rides, such as finishing that story, that novel, and finding the courage to share it with the world. In You Must Be This Tall to Ride, you'll find 20 works of fiction and nonfiction by acclaimed contemporary authors, each offering fresh perspective on ''coming of age'' (a story to which we can all relate), as well as exclusive personal essays and practical exercises.In their own words, these writers grant you a guided tour of craft with unparalleled access to the process behind their creation, including how to: • grow a story from the seed of an image or sentence • allow experiments with language to lead you to plot • turn even the most unlikely characters into heroes • transform raw anecdotes from your own life into compelling fiction and essay Join 20 writers as we grow up and down, taking a rollercoaster ride in stories. You'll not only begin to understand what makes the wheels of a story turn, you'll also gain the tools and strategies to transform lost characters and runaway plots into the greatest show on earth. So go ahead, step right up. Listen for the calliope music, and take your place in line. Your ride has just begun.CONTRIBUTORS: • Steve Almond • Aimee Bender • Kate Bernheimer • Ryan Boudinot • Judy Budnitz • Dan Chaon • Brock Clarke • Michael Czyzniejewski • Stuart Dybek • Michael Martone • Antonya Nelson • Peter Orner • Jack Pendarvis • Benjamin Percy • Andrew Porter • Chad Simpson • George Singleton • Brady Udall • Laura van den Berg • Ryan Van Meter

Dispensation: Latter-Day Fiction anthologizes the best Mormon short stories written near the turn of the twenty-first century. Each of the extraordinary twenty-eight stories in this volume represents a potent individual voice, from popular and nationally acclaimed authors Brady Udall and Orson Scott Card, to well-respected Mormon literature veterans Douglas Thayer and Margaret Blair Young, to talented up-and-coming writers Lisa Madsen Rubilar and Todd Robert Petersen, and many more. Taken individually, each story is an example of the surprise and power and even joy readers can find in a finely wrought piece of short fiction. Considered collectively, these stories herald a new era of excellence in Mormon literature. As Margaret Blair Young writes in her introduction, "In Dispensation, Angela Hallstrom has assembled twenty-eight gems—each a star in a brilliant constellation. This particular collection is a pinnacle." The following authors have stories appearing in this landmark 482-page volume: Lee Allred Matthew James Babcock Phyllis Barber Orson Scott Card Mary Clyde Arianne Cope Darin Cozzens Lisa Torcasso Downing Brian Evenson Angela Hallstrom Jack Harrell Lewis Horne Helen Walker Jones Bruce Jorgensen Laura McCune-Poplin Larry Menlove Coke Newell Todd Robert Petersen Levi Peterson Paul Rawlins Karen Rosenbaum Lisa Madsen Rubilar Eric Samuelsen Darrell Spencer Douglas Thayer Stephen Tuttle Margaret Blair Young Brady Udall

“Will make many readers smile with recognition.”—The New Yorker “Readaholics, meet your new best friend.”—People “This book is bliss.”—The Boston Globe Sometimes subtle, sometimes striking, the interplay between our lives and our books is the subject of this unique memoir by well-known publishing correspondent and self-described “readaholic” Sara Nelson. The project began as an experiment with a simple plan—fifty-two weeks, fifty-two books—that fell apart in the first week. It was then that Sara realized the books chose her as much as she chose them, and the rewards and frustrations they brought were nothing she could plan for. From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

This book explores the ways in which a range of recent American novelists have handled the genre of the 'coming-of-age' novel, or the Bildungsroman. Novels of this genre characteristically dramatise the vicissitudes of growing up and the trials and tribulations of young adulthood, often presented through depictions of immediate family relationships and other social structures. This book considers a variety of different American cultures (in terms of race, class and gender) and a range of contemporary coming-of-age novels, so that aesthetic judgements about the fiction might be made in the context of the social history that fiction represents. A series of questions are asked:* Does the coming-of-age moment in these novels coincide with an interpretation of the 'fall' of America?* What kind of national commentary does it therefore facilitate?* Is the Bildungsroman a quintessentially American genre?* What can it usefully tell us about contemporary American culture? Although the focus is on the conte