Excerpt from Letters, Speeches and Tracts on Irish Affairs Who now reads Bolingbroke? Burke once asked; and if the same question were at this day asked in respect to Burke himself, what would be the answer? Certainly not that he is read anything like as much as he deserves to be read. We English make far too little use of our prose classics, - far less than the French make of theirs. The place which a writer like Pascal, for instance, fills in French education, and in the minds of cultivated Frenchmen in general, how different is it from the place which Burke fills in our reading and thoughts, and how much larger! Shakespeare and Milton we are all supposed to know something of; but of none of our prose classics, I think, if we leave stories out of the account, such as are the Pilgrim's Progress and the Vicar of Wakefield, are we expected to have a like knowledge. Perhaps an exception is to be made for Bacon's Essays, but even of this I do not feel sure. Our grandfathers were bound to know their Addison, but for us the obligation has ceased; nor is that loss, indeed, a very serious matter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Irish Writers and Politics R explores a variety of responses, the essays in this collection (the third in the IASAIL-Japan series) dealing with Irish writers past and present, such as Swift, Burke, Ferguson, Yeats, Lady Gregory, Joyce, Shaw, O'Casey, Stewart Parker, and Desmond Egan as well as Northern Irish poets and playwrights. CONTENTS INTRODUCTION. Masaru Sekine; ENGLISH READERS: THREE HISTORICAL 'MOMENTS'. Vivian Mercier; SWIFT: ANATOMY OF AN ANTI-COLONIALIST. A. Norman Jeffares; EDMOND BURKE: A VOICE CRYING IN THE WILDERNESS. Lorna Reynolds; THE ENIGMA OF SAMUEL FERGUSON. Maurice Harmon; W. B. YEATS: POLITICS AND HISTORY. Donna Gerstenberger; ASCENDENCY NATIONALISM, FEMINIST NATIONALISM AND STAGECRAFT IN LADY GREGORY'S REVISION OF R KINCORA, Maureen S. G. Hawkins; THE FIFTH BELL: RACE AND CLASS IN YEATS'S POLITICAL THOUGHT. John S. Kelly; JAMES JOYCE AND POLITICS. Heather Cook Callow; SAINT JOAN. Declan Kiberd; THE 'MIGHT OF DESIGN' IN R THE PLOUGH AND THE STARS. Christopher Murray; THE WILL TO FREEDOM: POLITICS AND PLAY IN THE THEATRE OF STEWART PARKER. Elmer Andrews; TOO LITTLE PEACE: THE POLITICAL POETRY OF DESMOND EGAN. Brian Arkins; WHO WE ARE: PROTESTANTS AND POETRY IN THE NORTH OF IRELAND. David Burleigh; THEATRE WITH ITS SLEEVES ROLLED UP. Emelie Fitzgibbon; NOTES; NOTES ON CONTRIBUTORS; INDEX R. Irish Literary Studies Series No. 36.