"Flora and fauna of the wilderness is captured in this artistic alphabet book by author Michelle E. Walch and artist John Maddin. Filled with a variety of landscape marvels, Letters of the West invites younger readers to learn their ABCs through delightfully bold and whimsical illustrations."--

From the time that George Bernard Shaw remarked that “Rebecca West could handle a pen as brilliantly as ever I could and much more savagely,” West’s writings and her politics have elicited strong reactions. This collection of her letters—the first ever published—has been culled from the estimated ten thousand she wrote during her long life. The more than two hundred selected letters follow this spirited author, critic, and journalist from her first feminist campaign for women’s suffrage when she was a teenager through her reassessments of the twentieth century written in 1982, in her ninetieth year. The letters, which are presented in full, include correspondence with West’s famous lover H. G. Wells and with Shaw, Virginia Woolf, Emma Goldman, Noel Coward, and many others; offer pronouncements on such contemporary authors as Norman Mailer, Nadine Gordimer, and Arthur Schlesinger, Jr.; and provide new insights into her battles against misogyny, fascism, and communism. West deliberately fashions her own biography through this intensely personal correspondence, challenging rival accounts of her groundbreaking professional career, her frustrating love life, and her tormented family relations. Engrossing to read, the collection sheds new light on this important figure and her social and literary milieu.

After they met in 1922, Vita Sackville-West and Virginia Woolf began a passionate relationship that lasted until Woolf's death in 1941. Their revealing correspondence leaves no aspect of their lives untouched. This volume, which features over 500 letters spanning 19 years, includes the writings of both of these literary icons.

Letters that the New Englander Ogden wrote to his brother. It isn't that Ogden traveled so widely, but that he gives very detailed descriptions of the states he goes to.

"Letters From The West; Or A Caution To Emigrants, written by John S. Wright and published in 1819, presents the impressions of the author about opportunities for settlement in the Ohio Valley. Having just completed a six month trip there, where he had gone "as a plain practical farmer, to judge for myself, the merits of a country so highly extolled," Wright came back profoundly disillusioned. He believed his own experience demonstrated that before any man removed his family to a distant country, he ought first to visit it and judge of it himself. Wright's collection of letters serves as a forceful reminder that not everyone found the West to his liking"--Foreward.

"It is like a fairyland." So Laura Ingalls Wilder described her 1915 voyage to San Francisco to visit her daughter, Rose Wilder Lane. Laura's husband, Almanzo, was unable to leave their Missouri farm and it is her faithful letters home, vividly describing every detail of her journey, that have been gathered here. Includes 24 pages of exciting photographs and completely redesigned jacket art.

In 1912, at age 24, Georgia O’Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. Amy Von Lintel brings to readers the collected O’Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist’s life she characterizes as “some of the least appreciated in the vast O’Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O’Keeffe that support the narrative are featured, this work focuses on O’Keeffe’s words. By doing so, Von Lintel aims to allow the artist’s voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity.