Sir Robert Moray (1608-1673) was one of the most active of the twelve founding members of the Royal Society, and as a close friend of King Charles, was a key figure in obtaining the royal patronage that was crucial to its status and growth. Whilst not an active or original researcher, Moray's role as enthusiastic and widely read participant in, and inspirer of, the Society's activities, place him at the centre of the seventeenth-century British scientific scene. As well as being an active member of the Royal Society, Moray was a prolific letter writer, sending a steady stream of news and correspondence to his friend Alexander Bruce, Earl of Kincardine, whose ill-health often kept him away from events. Providing a complete modern edition of the letters written between 1657 and 1673, this collection offers a unique insight into the attitudes and aspirations of the early scientific community. Ranging widely across a broad range of subjects, including medicine, magnetism, horology, politics, current affairs, the coal and salt industries, fishing, freemasonry, literature, heraldry and symbolism, the letters display Moray's knowledge of a formidable range of subjects and authors. As well as being a lively example of the letter writers art, they are a rich source for anyone with an interest in early modern medical and scientific history, as well as those investigating the broader social and cultural milieu of Restoration society.

Sir Robert Moray (1608-1673) was one of the most active of the twelve founding members of the Royal Society, and as a close friend of King Charles, was a key figure in obtaining the royal patronage that was crucial to its status and growth. Whilst not an active or original researcher, Moray's role as enthusiastic and widely read participant in, and inspirer of, the Society's activities, place him at the centre of the seventeenth-century British scientific scene. As well as being an active member of the Royal Society, Moray was a prolific letter writer, sending a steady stream of news and correspondence to his friend Alexander Bruce, Earl of Kincardine, whose ill-health often kept him away from events. Providing a complete modern edition of the letters written between 1657 and 1673, this collection offers a unique insight into the attitudes and aspirations of the early scientific community. Ranging widely across a broad range of subjects, including medicine, magnetism, horology, politics, current affairs, the coal and salt industries, fishing, freemasonry, literature, heraldry and symbolism, the letters display Moray's knowledge of a formidable range of subjects and authors. As well as being a lively example of the letter writers art, they are a rich source for anyone with an interest in early modern medical and scientific history, as well as those investigating the broader social and cultural milieu of Restoration society.

This study represents a significant reinterpretation of literary networks during what is often called the transition from manuscript to print during the early modern period. It is based on a survey of 28,000 letters and over 850 mainly English correspondents, ranging from consumers to authors, significant patrons to state regulators, printers to publishers, from 1615 to 1725. Correspondents include a significant sampling from among antiquarians, natural scientists, poets and dramatists, philosophers and mathematicians, political and religious controversialists. The author addresses how early modern letter writing practices (sometimes known as letteracy) and theories of friendship were important underpinnings of the actions and the roles that seventeenth- and early eighteenth-century authors and readers used to communicate their needs and views to their social networks. These early modern social conditions combined with an emerging view of the manuscript as a seedbed of knowledge production and humanistic creation that had significant financial and cultural value in England’s mercantilist economy. Because literary networks bartered such gains in cultural capital for state patronage as well as for social and financial gains, this placed a burden on an author’s associates to aid him or her in seeing that work into print, a circumstance that reinforced the collaborative formulae outlined in letter writing handbooks and friendship discourse. Thus, the author’s network was more and more viewed as a tightly knit group of near equals that worked collaboratively to grow social and symbolic capital for its associates, including other authors, readers, patrons and regulators. Such internal methods for bartering social and cultural capital within literary networks gave networked authors a strong hand in the emerging market economy for printed works, as major publishers such as Bernard Lintott and Jacob Tonson relied on well-connected authors to find new writers as well as to aid them in seeing such major projects as Pope’s The Iliad into print.

John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music

In Across the German Sea: Early Modern Scottish Connections with the Wider Elbe-Weser Region Zickermann analyses the commercial, maritime and military relations between Scotland and the German cities (Hamburg, Bremen) and territories (Bremen and Verden, Holstein, Braunschweig-Lüneburg) located alongside the lower parts of the rivers Elbe and Weser. Based on a wealth of British, German and Scandinavian archival material, the study demonstrates the importance of the region for Scottish commodity exchange and network building across political borders, whilst contributing significantly to our understanding of the formation of Scottish communities abroad. It also shows that Scottish commercial, political, military and religious activities within the region – which featured a Danish-Norwegian and Swedish dimension - were intertwined and cannot be studied in isolation.

Sir Robert Dudley, the handsome ‘base born’ son of Elizabeth I’s favourite, was born amidst scandal and intrigue. The story of his birth is one of love, royalty and broken bonds of trust. He was at Tilbury with the Earl of Leicester in 1587; four years later he was wealthy, independent and making a mark in Elizabeth’s court; he explored Trinidad, searched for the fabled gold of El Dorado and backed a voyage taking a letter from the queen to the Emperor of China. He took part in the Earl of Essex’s raid on Cadiz and was implicated in the earl’s rebellion in 1601 but what he wanted most was to prove his legitimacy. Refusing to accept the lot Fate dealt him after the death of the Queen, he abandoned his family, his home and his country never to return. He carved his own destiny in Tuscany as an engineer, courtier, shipbuilder and seafarer with the woman he loved at his side. His sea atlas, the first of its kind, was published in 1646. The Dell’Arcano del Mare took more than twelve years to write and was the culmination of a lifetime’s work. Robert Dudley, the son Elizabeth never had, is the story of a scholar, an adventurer and Elizabethan seadog that deserves to be better known.

Thomas Vaughan’s challenging books on alchemy, magic, and other esoterica make better sense in the context of the Rosicrucian ideas he introduced to English readers in the seventeenth century. This is the first scholarly book on his life, sources, writings, and subsequent influence.

This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.

The intertwined stories of the great English 'Varsity' universities have many colourful aspects in common, yet each also boasts elements of true distinctiveness. So while the histories of Oxford and Cambridge are both characterised by seething town and gown rivalries, doctrinal conflicts and heretical outbursts, shifts of political and religious allegiance and gripping stories of individual heroism and defiance, they are also narratives of difference and distinctiveness. G R Evans explores the remarkable and unique contribution that Cambridge University has made to society and culture, both in Britain and right across the globe, and will subsequently publish her history of Oxford University to complete a major new history of the two universities. Ranging across 800 years of vivid history, packed with incident, Evans here explores great thinkers such as John Duns Scotus - the 13th century Franciscan Friar who gave his name his name to 'dunces' - and celebrates the extraordinary molecular breakthroughs of Watson and Crick in the 20th century. Moving from the radical new thinking of the Cambridge Platonists and the brilliant scientific discoveries of Isaac Newton to the discovery of the Double Helix and the notorious 'Garden House Hotel Riot' of 1970, the book is published to co-incide with the 800th anniversary of the University's foundation in 1209. The first short history of its kind, it will be a lasting and treasured resource for all Cambridge alumni/ae.

The University of Oxford was a medieval wonder. After its foundation in the late 12th century it made a crucial contribution to the core syllabus of all medieval universities - the study of the liberal arts law, medicine and theology - and attracted teachers of international calibre and fame. The ideas of brilliant thinkers like innovative translator of Greek Robert Grosseteste, pioneering philosopher Roger Bacon and reforming Christian humanist John Colet redirected traditional scholasticism and helped usher in the Renaissance. In her concise and much-praised new history, G R Evans reveals a powerhouse of learning and culture. Over a span of more than 800 years Oxford has nurtured some of the greatest minds, while right across the globe its name is synonymous with educational excellence. From dangerous political upheavals caused by the radical and inflammatory ideas of John Wyclif to the bloody 1555 martyrdoms of Hugh Latimer and Nicholas Ridley; and from John Ruskin's innovative lectures on art and explosive public debate between Charles Darwin and his opponents to gentler meetings of C. S. Lewis, J. R. R.Tolkien and the Inklings in the 'Bird and Baby', Evans brings Oxford's revolutionary events, as well as its remarkable intellectual journey, to vivid and sparkling life.