A rich and riveting record of both literary and social value. Frank Sargeson is one of New Zealand's best-loved and most important writers. Besides the ground-breaking short stories, he wrote memoirs, novels, and plays. He encouraged at least three generations of younger writers and, for most of his adult life, the famous bach behind the hedge at 14 Esmonde Road was at the heart of New Zealand's artistic and literary world. Sargeson was also a prolific letter writer, and this selection of 500 of the most fascinating ranges over half a century, from 1927 to 1981. The letters are immensely readable, vividly capturing his life and times, his milieu and his personality. Frank loved gossip, could be bitchy and peevish, but also kind, affectionate, funny, ribald, astute. This collection, selected, edited and annotated by Sarah Shieff, is a document of extraordinary significance for all those interested in New Zealand's literary and social history.

Metafiction and the Postwar Novel is a full-length reassessment of one of the definitive literary forms of the postwar period, sometimes known as 'postmodern metafiction'. In the place of large-scale theorizing, this book centres on the intimacies of writing situations - metafiction as it responds to readers, literary reception, and earlier works in a career. The emergence of archival materials and posthumously published works helps to bring into view the stakes of different moments of writing. It develops new terms for discussing literary self-reflexivity, derived from a reading of Don Quixote and its reception by J.L. Borges - the 'self of writing' and the 'public author as signature'. Across three comprehensive chapters, Metafiction and Postwar Fiction shows how some of the most highly-regarded postwar writers were motivated to incorporate reflexive elements into their writing - and to what ends. The first chapter, on South African novelist J. M. Coetzee, shows with a new clarity how his fictions drew from and relativized academic literary theory and the conditions of writing in apartheid South Africa. The second chapter, on New Zealand writer Janet Frame, draws widely from her fictions, autobiographies, and posthumously published materials. It demonstrates the terms in which her writing addresses a readership seemingly convinced that her work expressed the interior experience of 'madness'. The final chapter, on American writer Philip Roth, shows how his early reception led to his later, and often explosive, reconsiderations of identity and literary value in postwar America.

The late Michael King was one of New Zealand's most respected and popular historians. The author of the bestselling The Penguin History of New Zealand and many other significant works, he was a writer of remarkable skill, sensitivity and importance. The Silence Beyond is a wide-ranging and often personal collection of King's writings – many in print for the first time or no longer available – including essays, talks and eulogies for friends. Introduced by his daughter, Rachael King, The Silence Beyond is a timely and fitting tribute to one of New Zealand's greatest modern thinkers.

The story of the generation of New Zealand writers who came of age in the 1930s and who deliberately and decisively changed the course of literature is told in this book, shedding important new light on the key participants, including Allen Curnow, Denis Glover, and Robin Hyde. The movement is traced through small circulation magazines and small press publications from 1932 to 1941. The repudiations and loyalties by which the movement defined itself are explored, including its opposition to the literary establishment and to late Georgian verse, its naming of its precursors and allies from the 1920s, and its choice of overseas models such as the British Moderns and the new American short-story writers for the creation of a new literature. oppose the cultural myths supported by the literary establishment and the writers' responses to the world-wide social upheavals of the period -- the Depression, the international crises of 1935 to 1939, and World War II.

Outlining the career of one of New Zealand's most distinguished fiction writers and sharpest critics, this fascinating narrative details the life and work of Bill Pearson. Beginning with his difficult childhood in a society dominated by the New Zealand working man, this gripping biography follows Pearson through his long and distinguished academic career, the penning of his one major and celebrated novel, and his momentous decision to trade a dental career for World War II combat. Touching on his time in London and the native &“fretful sleepers,&” this engrossing account is emblematic of the intellectual culture, left-wing politics, and growing acceptance of both homosexual identity and Maori and Pacific Island culture in 20th-century New Zealand.

Janet Frame, born in 1924, is New Zealand's most celebrated and least public author. Her early life in small South Island towns seemed, at times, engulfed in a tide of doom: one brother still-born, another epileptic; two sisters dead of heart failure while swimming; Frame herself committed to mental hospitals for the best part of a decade. Later, her surviving sister was temporarily felled in adulthood by a stroke, an uncle cut his throat and a cousin shot his lover, his lover's parents and then himself. This, then, is an inspiring biography of a woman who climbed out of an abyss of unhappiness to take control of her life and become one of the great writers of her time. And to enable her biographer to write this book scrupulously and honestly, Janet Frame spoke for the first time about her whole life. She also made available her personal papers and directed her family and friends to be equally communicative. The result is a biography of astonishing intimacy and frankness, written by multi-award-winning author, Dr Michael King.

Antipodean soldiers and writers, meat carcasses and moa, British films and Kiwi tourists—throughout the last 150 years, people, objects and ideas have gone back and forth between New Zealand and London, defining and redefining the relationship between this country and the colonial center that many New Zealanders once called home. Exploring the relationship between a colony and its metropolis from Wakefield to the Wombles, it answers questions, including How did New Zealanders define themselves in relation to the center of British culture? and How did New Zealanders view London when they walked through King's Cross or saw the city in movies? By focusing on particular themes—from agricultural marketing to expatriate writers—this discussion develops a larger story about the construction of colonial and national identities.

Letters of Frances Hodgkins is a generous selection of letters written by New Zealand's most internationally well-known artist. It shows that Hodgkins deserves not only her considerable reputation as a painter, but also that of a brilliant and engaging writer. The letters reveal Hodgkins' changing moods, impressions and fortunes and provide vivid sketches of the people and landscapes she came across. Spanning from colonial Dunedin to her travels across Europe and North Africa, the letters continue through her final flowering in her 60s and 70s. Linda Gill's careful scholarship and sensitive appreciation of Hodgkins' talents and personality make her introduction and notes the perfect framework for the artist's own words. A chronology, an in-depth bibliography and an index of letter recipients complement the work. Extensively illustrated, with eight pages of color reproductions of Hodgkins' paintings, Letters of Frances Hodgkins is central to understanding Hodgkins as artist and woman.

Frank Sargeson wrote fiction for over half a century as well as occasional criticism in many forms and on many topics. Writers considered include D. H. Lawrence, Sherwood Anderson, Henry Lawson and Olive Schreiner besides fellow New Zealanders such as Katherine Mansfield, Janet Frame, Dan Davin, James Courage, Bill Pearson, and Ronald Hugh Morrieson. He was particularly concerned with societies which grew on the nineteenth-century European colonial frontiers, and with the writers they produced. A comprehensive bibliography of Sargeson's non-fiction prose is included.