While helping convert their home into a bed and breakfast, Sara and Sam uncover some old letters that change their family's fortunes.

Dark myths, medieval secrets, intrigue, and romance populate the pages of the first-ever teen series from #1 bestselling author of The Other Boleyn Girl. Italy, 1453. Seventeen-year-old Luca Vero is brilliant, gorgeous--and accused of heresy. Cast out of his religious order for using the new science to question old superstitious beliefs, Luca is recruited into a secret sect: The Order of the Dragon, commissioned by Pope Nicholas V to investigate evil and danger in its many forms, and strange occurrences across Europe, in this year--the end of days. Isolde is a seventeen-year-old girl shut up in a nunnery so she can't inherit any of her father's estate. As the nuns walk in their sleep and see strange visions, Isolde is accused of witchcraft--and Luca is sent to investigate her, but finds himself plotting her escape. Despite their vows, despite themselves, love grows between Luca and Isolde as they travel across Europe with their faithful companions, Freize and Ishraq. The four young people encounter werewolves, alchemists, witches, and death-dancers as they head toward a real-life historical figure who holds the boundaries of Christendom and the secrets of the Order of the Dragon. The first in a series, this epic and richly detailed drama is grounded in historical communities and their mythic beliefs. It includes a medieval map of Europe that will track their journey; and the interior will include relevant decorative elements as well as an interior line illustration. And look for a QR code that links to a note from the author with additional, detailed information about the setting and the history that informed the writing. With Philippa Gregory's trademark touch, this novel deftly brings the past--and its salacious scandals--vividly and disturbingly to life.

The imagined histories of twenty-five architectural drawings and models, told through reminiscences, stories, conversations, letters, and monologues. Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In Stories from Architecture, Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.

This New York Times bestseller from “one of the great storytellers of our time” (San Francisco Book Review) turns from the glamour of the royal courts to tell the story of an ordinary woman, Alinor, living in a dangerous time for a woman to be different. A country at war A king beheaded A woman with a dangerous secret On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom. Alinor’s suspicious neighbors are watching each other for any sign that someone might be disloyal to the new parliament, and Alinor’s ambition and determination mark her as a woman who doesn’t follow the rules. They have always whispered about the sinister power of Alinor’s beauty, but the secrets they don’t know about her and James are far more damning. This is the time of witch-mania, and if the villagers discover the truth, they could take matters into their own hands. “This is Gregory par excellence” (Kirkus Reviews). “Fans of Gregory’s works and of historicals in general will delight in this page-turning tale” (Library Journal, starred review) that is “superb… A searing portrait of a woman that resonates across the ages” (People).

By the #1 New York Times bestselling author, a novel of passion and power at the court of a medieval killer, a riveting new Tudor tale featuring King Henry VIII’s sixth wife Kateryn Parr. Kateryn Parr, a thirty-year-old widow in a secret affair with a new lover, has no choice when a man old enough to be her father who has buried four wives—King Henry VIII—commands her to marry him. Kateryn has no doubt about the danger she faces: the previous queen lasted sixteen months, the one before barely half a year. But Henry adores his new bride and Kateryn’s trust in him grows as she unites the royal family, creates a radical study circle at the heart of the court, and rules the kingdom as Regent. But is this enough to keep her safe? A leader of religious reform and the first woman to publish in English, Kateryn stands out as an independent woman with a mind of her own. But she cannot save the Protestants, under threat for their faith, and Henry’s dangerous gaze turns on her. The traditional churchmen and rivals for power accuse her of heresy—the punishment is death by fire and the king’s name is on the warrant... From the bestselling author who has illuminated all of Henry’s queens comes a deeply intimate portrayal of the last: a woman who longed for passion, power, and education at the court of a medieval killer.

Robert W. Chambers (1865-1933), author of a seminal work of supernatural fiction, The King in Yellow, offers a change of pace in this historical romance set during World War I.

She’s capable of many things—including driving him mad. At the start of their London Season, Philippa Clavering discovers her friend Susan is being pursued by the wrong gentleman and decides to turn Susan’s head to a worthier suitor. Not one to shrink from what she views as her duty and gift, Philippa sets plans in motion to bring about the happy ending her friend deserves. What she does not expect is to have Susan’s older brother watching—and criticizing—her every move. After a respectable number of years on the town, Jack Blythefield is at last contemplating the idea of settling down. What he seeks is a compliant wife to provide him an heir or two and make his home comfortable while he spends his evenings at the club where a man can get some peace. What he does not need is a termagant who sets his life on end with madcap schemes which invariably involve his unwilling assistance. However, when the reputation of Jack’s family is threatened, Philippa is the one he turns to. And as her most determined suitor grows assured of his conquest, Jack must decide if a comfortable and docile wife is truly what he seeks, or if he should throw down the gauntlet of his heart before Philippa closes court.