Jacques Rancière's first major work, Althusser's Lesson appeared in 1974, just as the energies of May 68 were losing ground to the calls for a return to order. Rancière's analysis of Althusserian Marxism unfolds against this background: what is the relationship between the return to order and the enthusiasm which greeted the publication of Althusser's Reply to John Lewis in 1973? How to explain the rehabilitation of a philosophy that had been declared 'dead and buried on the barricades of May 68'? What had changed? The answer to this question takes the form of a genealogy of Althusserianism that is, simultaneously, an account of the emergence of militant student movements in the '60s, of the arrival of Maoism in France, and of how May 68 rearranged all the pieces anew. Encompassing the book's distinctive combination of theoretical analysis and historical description is a question that has guided Rancière's thought ever since: how do theories of subversion become the rationale for order?

In the international renaissance of Marxist theory during the 1960s and early 1970s few projects generated as much excitement or controversy as Louis Althusser's 'return to Marx'. One of the most ambitious enterprises in the post-war history of Marxism, Althusser's reconstruction of Marx's doctrine was heralded as a new start in some quarters, dismissed as a refurbished Stalinism in others. Today, more than twenty years after the appearance of his major works and amidst the profound contemporary crisis of Marxism, Althusser is the victim, rather than the beneficiary, of philosophical fashion. Paradoxically, the oblivion into which he has now fallen affords the opportunity fora return to Althusser: a reassessment that advances beyond the unconsidered responses that Marxist commentators have often given to his work. In this first full-scale study in English of Althusser's career, Gregory Elliott draws on a wide range of untranslated material, surveying the political and intellectual context of Althusser's initiative in For Marx and Reading Capital. He analyses the nature of the Marxism developed in these works and charts their author's subsequent evolution, concluding with a balance-sheet of the French Marxist's contribution to historical materialism. At once sympathetic and critical Althusser: The Detour of Theory will establish itself as the standard introduction to its subject.

The contributors to this volume address themselves to the growth, behavior, and prospects of the two largest Communist parties in Western Europe. The book deals in particular with the adaptation of the French and Italian Communist parties to the secular changes in their advanced societies. It emphasizes the different attempts made by each party's leaders to participate actively and fruitfully in parliamentary political systems. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Religion has always been an object of philosophical analysis, as well as a platform for political practice. One cannot imagine a form of philosophical thinking without its relation to a religion, whether it negates or affirms the latter. In different philosophical orientations, religion also serves as a condition for philosophy. Althusser and Theology intends not so much to fill a gap in Althusser scholarship as to make an important contribution to the contemporary radical left movement. In this regard, Althusser and Theology is of significant importance in the current debates on the Left concerning its relation to theology. It will also contribute to the ongoing debate on Althusser, as well as opening up a new perspective on his philosophical project. Contributors are: Roland Boer, Stanislas Breton, Isa Blumi, Geoff Pfeifer, Agon Hamza, Warren Montag, Vittorio Morfino, Knox Peden, Panagiotis Sotiris, Ted Stolze, Jana Tsoneva, and Gabriel Tupinambá.

Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser’s philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini’s most important films. There is a philosophical, religious, and political relationship between Althusser’s philosophy and Pier Paolo Pasolini’s films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and Žižek to complete his study. Pasolini’s films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini’s film from the perspective of the filmmaker’s own thought and Althusser’s theses.

The volumes in this set, originally published between 1969 and 2001, is comprised of original books published in conjunction with the British Sociological Association. The set draws together original research by leading academics based on study groups and conference papers, in the areas of youth, race, the sociology of work, gender, social research, urban studies, class, deviance and social control, law, development, and health. Each volume provides a rigorous examination of related key issues. This set will be of particular interest to students and academics in the field of sociology, health and social care, gender studies and criminology respectively.

Set against the collapse of social theory into a theory of ideological discourse, Geoff Boucher sets to work a rigorous mapping of the contemporary field, targeting the relativist implications of this new form of philosophical idealism. Offering a detailed and immanent critique, Boucher concentrates his critical attention on the 'postmarxism' of Laclau and Mouffe, Butler and Žižek. In response Boucher points to 'intersubjectivity' as an exit from postmarxist theory's charmed circle of ideology.

Mike Gane provides an introduction to Baudrillard's cultural theory: the conception of modernity and the complex process of simulation. He examines Baudrillard's literary essays: his confrontation with Calvino, Styron, Ballard and Borges. Gane offers a coherent account of Baudrillard's theory of cultural ambience, and the culture of consumer society. And it provides an introduction to Baudrillard's fiction theory, and the analysis of transpolitical figures. The book also includes an interesting and provocative comparison of Baudrillard's powerful essay against the modernist Pompidou Centre in Paris and Frederic Jameson's analysis of the Bonaventure Hotel in Los Angeles. An interpretation of this encounter leads to the presentation of a very different Baudrillard from that which figures in contemporary debates on postmodernism.