This volume provides the first English translation of all the known correspondence to and from S ren Kierkegaard, including a number of his letters in draft form and papers pertaining to his life and death. These fascinating documents offer new access to the character and lifework of the gifted philosopher, theologian, and psychologist. Kierkegaard speaks often and openly about his desire to correspond, and the resulting desire to write for a greater audience. He consciously recognizes letter-writing as an opportunity to practice composition. Unlike most correspondence, Kierkegaard's letters expressly "do not require a reply"--he insists on this as a principle, while he clearly and earnestly yearns for a response to his efforts. Among his other principles are purposefulness, directness, and the equality of a letter to a visit with a friend (Kierkegaard preferred the former to the latter). Perhaps more than anything else in print, Kierkegaard's Letters and Documents reveal his love affair with the written word.

‘I send you fondest thoughts on your birthday. On this day I will think a lot of all the beautiful things which were, and are contained in our work together, and which now always stand so beautifully before my inner eye when I describe them. Let me assure you that I write this description with love.’ – Rudolf Steiner to Marie Steiner, 13 March 1925 Containing all the correspondence between Rudolf and Marie Steiner to be found in their respective estates, this volume provides unique insight into the couple’s pivotal relationship. The years 1901-25 were a time of struggle, as Rudolf Steiner – faithfully supported by the young Marie von Sivers (later to become Marie Steiner in 1914) – endeavoured to build a completely new spiritual movement on earth. Their letters cover everything from the esoteric view of evolution and human advancement to dealing with organizational details, challenging personalities and, of course, their own relationship. In addition to the correspondence, a number of documents have been inserted chronologically throughout the text. The famous ‘notes’ written by Rudolf Steiner for Edouard Schure, for example, provide a unique introduction to the volume, giving profound insights into the development of the anthroposophical movement. Also included are the many versions of Rudolf Steiner’s will. Comprehensive notes are provided, as well as an index of persons and an itinerary giving dates of relevant lectures and eurythmy performances.

This book is the ultimate, single-source guide for writing clear, effective business documents. A comprehensive, easy-to-use reference book packed with valuable information, useful techniques, practical tips and guidelines.

Discusses the art of manuscript, document, and antiquity forgery, and explains how such fakes can be detected

This volume collects the most substantial correspondence and documents relating to Wittgenstein's long association with Cambridge between the years 1911 and his death in 1951, including the letters he exchanged with his most illustrious Cambridge contemporaries Russell, Keynes, Moore, and Ramsey (and previously published as Cambridge Letters). Now expanded to include 200 previously unpublished letters and documents, including correspondence between Wittgenstein and the economist Piero Sraffa, and between Wittgenstein and his pupils Includes extensive editorial annotations Provides a fascinating and intimate insight into Wittgenstein's life and thought

Heinrich Schütz (1585-1672) was the most important and influential German composer of the seventeenth century. In A Heinrich Schütz Reader, the composer and his times are brought to life through the translation of more than 150 documents by or about the composer, each complemented with richly detailed annotations and commentary.

"The Blindings is a description of a group of works and performances made between spring 1993 and winter 1994, revisiting them after the event in order to reconfigure them for the printed page as a modulated sequence of handwriting, description and print. The texts for The Blindings are handwritten: each of which contains a pronouncement that a fluid, gas, suspension or extract has been injected into the eye; manipulated photographs are used to corroborate the truth of this fiction. A solid sans-serif type is used for the sections of the books that were actually spoken whilst a lighter serif is used to describe the performances and the intentions behind them." [Publisher's description].