The focus of this work has been almost exclusively on deterosexual women, albeit not necessarily constructed as in the first instance sexual beings. Cairn's study focuses on realist texts that appeared after 1968. The importance of that date as a cultural watershed for contemporary France is now a matter of record whereas the concentration on realist fiction goes in some degree against the strongly theoretical and conceptual strain of most of what, especially in France, goes by the name of women's writing.

With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.

The Cambridge Companion to Lesbian Literature examines literary representations of lesbian sexuality, identities, and communities, from the medieval period to the present. In so doing, it delivers insight into the variety of traditions that have shaped the present landscape of lesbian literature.

An enlightening, entertaining look at what the term lesbian really meansand what it means to be a lesbian Twenty-First Century Lesbian Studies focuses on the field’s institutionalization into the humanities and social sciences, examining how the term lesbian is used in activist, community, and cultural contexts, and how its use impacts the lives of women who have chosen it as an identity. The book’s contributors include many of the world’s foremost experts in lesbian studies, as well as scholars whose primary research is in bisexuality, transsexuality and transgender, intersex, and queer theory. The innovative essays touch on five individual themesGenealogies, Readings, Theories, Identities, and Locationsas they explore the past, present, and future of lesbian studies. Twenty-First Century Lesbian Studies places the term lesbian at the center of analysis, whether as a concept, a category, an identity, a political position, or an object choice. The book’s cutting-edge essays examine the various meanings of lesbian; the risks taken by women who live and/or act, write, and speak as lesbians; current genealogical myths; and the lives, studies, and activism of lesbians who represent a range of geographical and historical contexts. The book presents research produced outside the United States/United Kingdom, two places which tend to dominate the field, and essays that focus on areas, such as medieval studies, that are often ignored in theoretical discussions. Twenty-First Century Lesbian Studies considers these questions: does the term lesbian still have relevance as an identity descriptor or political position? who does lesbian include and/or exclude? how does intersectional thinking impact the way we formulate lesbian identities? are we now post-lesbian? what, if anything, defines the field of lesbian studies? what is the current state of the field? what is the possible future of the field? what current topics should be most important to practitioners? how is work that falls under the lesbian studies umbrella connected to efforts in the areas of feminism, LGBT, intersex, and queer straight studies? and many more Twenty-First Century Lesbian Studies is an enlightening, entertaining, and essential read for academics and students working in all disciplines in the social sciences and humanities, and for the lesbian/queer population, in general.

The Encyclopedia introduces both scholars and general readers to the cultural, political, scientific, juridical, and historical practices of international queer culture.

Despite an outpouring of scholarship on the Holocaust, little work has focused on what happened to Europe’s Jewish communities after the war ended. And unlike many other European nations in which the majority of the Jewish population perished, France had a significant post‑war Jewish community that numbered in the hundreds of thousands. Post-Holocaust France and the Jews, 1945–1955 offers new insight on key aspects of French Jewish life in the decades following the end of World War II. How Jews had been treated during the war continued to influence both Jewish and non-Jewish society in the post-war years. The volume examines the ways in which moral and political issues of responsibility combined with the urgent problems and practicalities of restoration, and it illustrates how national imperatives, international dynamics, and a changed self-perception all profoundly helped to shape the fortunes of postwar French Judaism.Comprehensive and informed, this volume offers a rich variety of perspectives on Jewish studies, modern and contemporary history, literary and cultural analysis, philosophy, sociology, and theology. With contributions from leading scholars, including Edward Kaplan, Susan Rubin Suleiman, and Jay Winter, the book establishes multiple connections between such different areas of concern as the running of orphanages, the establishment of new social and political organisations, the restoration of teaching and religious facilities, and the development of intellectual responses to the Holocaust. Comprehensive and informed, this volume will be invaluable to readers working in Jewish studies, modern and contemporary history, literary and cultural analysis, philosophy, sociology, and theology.

This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot's Quai des orfevres (1947), Louis Malle's Milou en mai (1989), Claude Chabrol's La Ceremonie (1995), Andre Techine's Les Voleurs (1995), and Francois Ozon's Huit femmes (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts.

The impetus behind this collection of essays was a curiosity shared by the editors concerning the relation between the flesh and the text in French and francophone literature. This subject is explored here in readings of works by, among others, Rabelais, Diderot, Sade, Proust, Beckett, Djebar, Nothomb, Delvig and Nobécourt.

Women's Writing in Twenty-First Century France is the first book-length publication on women-authored literature of this period, and comprises a collection of challenging critical essays that engage with the themes, trends and issues, and with the writers and their texts, of the first decade of the twenty-first century. PART ONE: Women’s Writing in Twenty-First-Century France: Trends and Issues 1. Women’s writing in twenty-first-century France: introduction, Amaleena Damlé and Gill Rye 2. What ‘passes’?: French women writers and translation into English, Lynn Penrod 3. What women read: contemporary women’s writing and the bestseller, Diana Holmes PART TWO: Society, Culture, Family 4. Vichy, Jews, enfants cachés: French women writers look back, Lucille Cairns 5. Wives and daughters in literary works representing the harkis, Susan Ireland 6. (Not) seeing things: Marie NDiaye, (negative) hallucination and ‘blank’ métissage, Andrew Asibong 7. Rediscovering the absent father, a question of recognition: Despentes, Tardieu, Lori Saint-Martin 8. Babykillers: Véronique Olmi and Laurence Tardieu on motherhood, Natalie Edwards PART THREE: Body, Life, Text 9. The becoming of anorexia and text in Amélie Nothomb’s Robert des noms propres and Delphine de Vigan’s Jours sans faim, Amaleena Damlé 10. The human-animal in Ananda Devi’s texts: towards an ethics of hybridity?, Ashwiny O. Kistnareddy 11. Embodiment, environment and the re-invention of self in Nina Bouraoui’s life-writing, Helen Vassallo 12. Irreverent revelations: women’s confessional practices of the extreme contemporary, Barbara Havercroft 13. Contamination anxiety in Annie Ernaux’s twenty-first-century texts, Simon Kemp PART FOUR: Experiments, Interfaces, Aesthetics 14. Experience and experiment in the work of Marie Darrieussecq, Helena Chadderton 15. Interfaces: verbal/visual experiment in new women’s writing in French, Shirley Jordan 16. ‘Autofiction + x = ?’: Chloé Delaume’s experimental self-representations, Deborah B. Gaensbauer 17. Beyond Antoinette Fouque (Il y a deux sexes) and beyond Virginie Despentes (King Kong théorie)? Anne Garréta’s sphinxes, Owen Heathcote 18. Amélie the aesthete: art and politics in the world of Amélie Nothomb, Anna Kemp 19. Conclusion, Amaleena Damlé and Gill Rye