This selection comprises the most influential works written or printed by the Iberian Jews in the major centers of the Western Sephardi Diaspora (e.g., the Netherlands, France, Italy, Germany, England); it includes all genres and reflects both their religious and their secular culture. Many of the editions included in Meyer Kayserling's bibliography are exceedingly rare and are available only in specialized collections of Judaica. The aim of the present selection is to make the Sephardi heritage generally available in order to meet the needs of modern scholarship.

This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L’ouvrage analyse les relations entre l’ésotérisme et la musique de l’Antiquité au 20ème siècle étudiant comment la magie, l’astrologie, l’alchimie, la divination et la cabale ont interagit avec la musique. Il vise à dépasser les frontières entre l’histoire de l’art, l’histoire de la musique et l’histoire des sciences et des idées afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques précis. L’ouvrage offre une première synthèse sur les rapports entre ésotérisme et musique ainsi que diverses pistes de recherche à poursuivre.

The role of poetry in the transmission and shaping of knowledge in late medieval France.

Given the outstanding popularity of Ovid in Europe throughout the Middle Ages, disappointingly few translations of his works into French have survived and even fewer have been carefully studied. This edition is an attempt to remedy this situation in two ways. First, it presents a hitherto unpublished version of the Remedia amoris, thus expanding the corpus of materials available to students of the transmission of Ovid in the Middle Ages. Second, it provides, for the first time, a detailed survey of the existing versions of the Remedia and their principal characteristics. Against this background the version published comes closest to what can be called a translation and is thus significant for understanding the techniques of translation in the medieval period.

Preliminary Material -- INTRODUCTION: UN REGARD GLACE: L'AVENTURE CHEVALERESQUE COMME «JUSTIFICATION» DE CLASSE -- CHAPITRE PREMIER: L'EFFET DE ROMAN LA FASCINATION DU MODELE ROMANESQUE -- CHAPITRE II: UN 'PILIER DU MONDE' -- CHAPITRE III: LE RITUEL SYMBOLIQUE DE L'ADOUBEMENT -- CHAPITRE IV: LA PASSION DU TOURNOI ET SES INTERDITS -- CHAPITRE V: LE PLAISIR DES ARMES -- CHAPITRE VI: LA PERSPECTIVE DE LA MIMESIS -- CHAPITRE VII: JEUX D'AMOUR, JEUX D'ECHECS -- CHAPITRE VIII: LE CEREMONIAL DU JEU -- CHAPITRE IX: LES «MISTERES» DU PAS DE L'ARBRE D'OR ET LE CHEVALIER PRISONNIER -- CHAPITRE X: JEU ET RITUEL -- CHAPITRE XI: 'ENTRE SOMMEILLANT ET ESVEILLE' -- D'UNE TECHNIQUE CHEVALERESQUE A UNE EXPERIENCE POETIQUE -- CHAPITRE XII: L'EMPRISE DU VISUEL -- CHAPITRE XIII: LE HERAUT D'ARMES ET LA TRADITION LITTERAIRE CHEVALERESQUE -- CHAPITRE XIV: LA FETE CHEVALERESQUE -- CHAPITRE XV: LE TROUBLE-FETE -- CHAPITRE XVI: LE GOTHIQUE FLAMBOYANT ET L'ESPRIT BAROQUE: ESQUISSE THEORIQUE D'UNE EXPERIENCE ESTHETIQUE -- CHAPITRE XVII: LE PARADOXE DU JEU CHEVALERESQUE -- CONCLUSION -- BIBLIOGRAPHIE -- INDEX DES AUTEURS ET DES OEUVRES.

Mediaevalia Lovaniensia 39Communication leads to an evolution of knowledge, and the free exchange of knowledge leads to fresh findings. In the Middle Ages things were no different. The inheritance of ancient knowledge deeply influenced medieval thought. The writings of ancient Greek philosophers such as Aristotle reached medieval readers primarily through translations. Translators made an interpretation of the source-text, and their translations became the subject of commentaries. An understanding of the complex web of relations among source-texts, translations, and commentaries reveals how scientific thinking evolved during the Middle Ages. Aristotle's Problemata, a text provoking various questions about scientific and everyday topics, amply illustrates the communication of ideas during the transition between antiquity and the Renaissance.

This book, first published in 2003, examines the relationship between poetry and music in medieval France.