Les Cleveland is one of New Zealand's finest photographers... This book surveys six decades of Cleveland's work, with 60 stunning images printed in large-format duotone. His work from the 1950s and 60s documents a way of life in Westland that has now largely disappeared as well as distinctive and culturally important buildings in Wellington.--From book flap.

#2 in the Milan Jacovich mystery series. Milan hunts for a con man who scammed the Mob. He's shadowed by mob flunky Buddy Bustamente, who sports a polyester leisure suit, white patent leather shoes, and matching white belt—that 1970s fashion statement once unkindly dubbed the “full Cleveland.”

In this book, renowned anthropologist Michael Jackson draws on philosophy, biography, ethnography, and literature to explore the meanings and affordances of friendship--a relationship just as significant as, yet somehow different from, kinship and love. Beginning with Aristotle's accounts of friendship as a political virtue and Montaigne's famous essay on friendship as a form of love, Jackson examines the tension between the political and personal resonances of friendship in the philosophy of Hannah Arendt, the biography of the Indian historian Brijen Gupta, and the oral narratives of a Kuranko storyteller, Keti Ferenke Koroma. He offers reflections on childhood friends, imaginary friends, lifelong friendships, and friendships with animals. He ruminates particularly on the complications of friendship in the context of anthropological fieldwork, exploring the contradiction between the egalitarian spirit of friendship on the one hand and, on the other, the power imbalance between ethnographers and their interlocutors. Through these stories, Jackson explores the unpredictable interplay of mutability and mutuality in intimate human relationships, and the critical importance of choice in forming friendship--what it means to be loyal to friends through good times and bad, and even in the face of danger. Through a blend of memoir, theory, ethnography, and fiction, Jackson shows us how the elective affinities of friendship transcend culture, gender, and age, and offer us perennial means of taking stock of our lives and getting a measure of our own self-worth.

Fans of Les Robert's "Milan Jacovich" mystery series will enjoy this memoir in which Roberts tells how he discovered the heart and soul of a city while fictionalizing it for the series.

Those who leave their homelands, either under duress or by design, will see them in a different light than those who have stayed put. Michael Jackson argues that the perspective of the expatriate may be compared with what ethnographers call ‘stranger value’. In moving between detachment and deep immersion, this bifocal perspective implicates a bicultural one, which is why Jackson has recourse to Māori traditional knowledge, not in order to impose a Eurocentric interpretation on them, but to show how cross-cultural conversations and interactions can promote new forms of sociality and coexistence.

Popular culture is important in wartime. It asserts the values of patriotism, helps to create happy warriors, and expresses people's emotions. Here, Cleveland treats war as popular culture, using service songs, folklore, and popular music as a leitmotif to explore cultural relationships between military life and society. Drawing on 20th-century lyrics, occupational folklore, and rank-and-file parodies, protests, and sexual fantasies, he shows how crises of war are mediated by popular culture and how the soldier comes to terms with boredom, discomfort, and danger. Ranging from World War I to Vietnam and drawing on his own experience in World War II, Cleveland provides a unique treatment of military folklore and popular song in 20th-century warfare from the perspective of the ordinary soldier.