Presents diagrams of inventions from the drawings in Leonardo da Vinci's original notebooks, categorizing them into flying, war, and hydraulic machines and detailing how each invention would work.

Leonardo nasconde un segreto? In realtà ne nasconde molti, basta cercare nelle pagine dei suoi codici, nelle migliaia di disegni di macchine o di parti di esse che quei codici contengono. Misteri e segreti che in questo libro vengono alla luce nella loro realtà progettuale. Dalle descrizioni e dai disegni dello scienziato, attraverso la rielaborazione digitale riemergono nella loro compiutezza e funzionalità imbarcazioni corazzate, argani e macchinari destinati al volo, alla guerra, al lavoro, alle imprese idrauliche. Un'operazione di ricostruzione virtuale che ha richiesto anni di studi e di applicazione e ha ottenuto il risultato di rendere accessibili le invenzioni nascoste tra le pagine dei codici leonardeschi.

This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.

Painter, architect, scientist, inventor—Leonardo da Vinci ranks as history's consummate innovator. Consumed with a boundless desire for knowledge, he investigated technical challenges that were hundreds of years ahead of his time. The power of flight was a particular source of fascination for him, and his close studies of bird anatomy and movement informed his development of the ornithopter — a winged, human-powered aircraft. With Leonardo's da Vinci's Flying Machine, you can create a fully working model of the inventor's amazing creation. This self-contained model kit features a 48-page book with details from Leonardo's notebooks plus full-color, easily joined components. Once assembled, the wings flap by turning a crank. Like the prototype, your model won't actually fly, but you'll have an amazing replica of one of the Renaissance genius's most famous futuristic inventions.

This fascinating book will be of as much interest to engineers as to art historians, examining as it does the evolution of machine design methodology from the Renaissance to the Age of Machines in the 19th century. It provides detailed analysis, comparing design concepts of engineers of the 15th century Renaissance and the 19th century age of machines from a workshop tradition to the rational scientific discipline used today.

"The book focuses on the role of Leonardo da Vinci projects and inventions, specifically the interdisciplinarity of his studies that represents perhaps the first example of the paradigm of complex systems engineering. The projects are characterized within a modern conception of his thinking, looking at the main motivations behind his machines. The book also proposes a set of experimental realizations of the models made mainly in wood, using the actual concept of automatic control and microcontroller technology emphasizing that the Leonardo machines can be seen in agreement with modern current technology. The remote control of each machine is considered and the behavior of each monitored. Machines are revisited based on the transmission principle that adopts microcontrollers and bluetooth devices, studying the equipment behind the actuation of the systems. Thus, the paradigm of each machine is maintained unaltered while the latest technologies show the relevance of such inventions in the modern era. The study also stimulated more applications and future projects that can start from the original Leonardo projects and then proceed to the next centuries, providing readers simple and efficient ideas to innovate his projects using modern low-cost microcontrollers"--

Thriller set against the backdrop of Renaissance Italy. background of Renaissance Italy. However, the Leonardo of the title is in fact Leonardo da Vinci. This is a totally fictional adventure, but it COULD have happened. Florence. But although he yearns to be a great artist himself, he's rather disillusioned with his apprenticeship, which has made him more of an errand boy than an art student. Then, when an impromptu street football match ends in an arm injury for his friend Sandro (whom history will know as Botticelli), Leonardo leaps at the opportunity to help out the unfortunate painter who has been commissioned to paint a portrait for the rich Medici family. Little does our young hero know that soon he will be dragged into murder and intrigue, and will be fleeing for his life

Examines the drawings and thoughts of Renaissance painter and inventor Leonardo da Vinci about the sky and earth, water, the human body, flying, the automobile, lifting and pushing, painting and sculpting, and war.

An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration. Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, and the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.

Illustrated catalogue published in conjunction with the exhibition "Leonardo's Library: The World of a Renaissance Reader," Stanford University Libraries, Green Library, May 2 - October 13, 2019.