Fred Klineis a well-known art historian, dealer, connoisseur, and explorer who has made a career of scouring antique stores, estate sales, and auctions looking for unusual—and often misidentified—works of art. Many of the gems he has found are now in major museum collections like the Frick, the Getty, and the Metropolitan Museum of Art. But this book is about the discovery of one piece in particular. . . About ten years ago, when Kline was routinely combing through a Christie's catalog, a beautiful little drawing caught his eye. Attributed to Carracci, it came with a very low estimate, but Kline's every instinct told him that the attribution was wrong. He placed a bid and the low asking price and bought the drawing outright. And that was the beginning of how Kline discovered Leonardo da Vinci's model drawing for the Infant Jesus and the Infant St. John. It is the first work by da Vinci to have surfaced in over a century. LEONARDO'S HOLY CHILD chronicles not only the story of this amazing discovery, from Kline's research all over the world to how exactly attributions work with regards to the old masters (most of their works are unsigned). Kline also sheds light on the idea of "connoisseurship," an often-overlooked facet of art history that's almost Holmesian in its intricacy and specificity.

Reprint of the original, first published in 1874.

This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.

This compelling novel takes the reader into the tumultuous period of the Renaissance and the origins of Leonardo da Vinci, the bastard child of a notary. Of da Vinci, the eminent art historian Kenneth Clark wrote, “no more complex and mysterious character ever existed than this Hamlet of art history.” Clark noted that one had to be “familiar with all of Leonardo’s writings in their chronological order (and) the state of learning in the Renaissance to judge Leonardo’s progress in relation to that of his contemporaries.”This compelling novel takes the reader into the tumultuous period of the Renaissance and the origins of Leonardo da Vinci, the bastard child of a notary. Of da Vinci, the eminent art historian Kenneth Clark wrote, “no more complex and mysterious character ever existed than this Hamlet of art history.” Clark noted that one had to be “familiar with all of Leonardo’s writings in their chronological order (and) the state of learning in the Renaissance to judge Leonardo’s progress in relation to that of his contemporaries.”