"At night, while the other villagers dreamed of catching fish, Lemuel dreamed of sailing over the horizon." Lemuel is a fisherman and a fool. When he sets out on a journey across the sea, he makes sure to tie a red scarf on the bow and a rope to the stern; with the scarf waving before him and the rope trailing behind, he'll always know he's going the right direction. Disoriented after a storm, Lemuel lands near a strange new village—except that it's strangely familiar, down to the woman who looks exactly like his own dear wife and even calls him by name. Later that night, a very confused Lemuel sets sail for home and away from the madness. With the red scarf before him and the rope trailing behind, he's confident he'll arrive at home again—and be safely back among the familiar. A great fan of Jewish folklore, especially the rich tradition of "fools," Myron Uhlberg also looked to his own family for inspiration when writing Lemuel the Fool. His maternal grandfather, John, was consumed by wanderlust and "the next great adventure." Young readers will enjoy the silly charm of Lemuel's journey, beautifully illustrated by Sonja Lamut.

Reprint of the original, first published in 1883.

Dude! Experience the journey of Nephi's family from an entirely new perspective from Lemuel, Nephi's older brother. Avoid the dreaded disease of "Lemuelitis" (a most yucky illness!), catch the vision of your eternal potential, and follow Nephi's example on your own personal journey in life. Humorously told and filled with illustrations, tips, and insights, this book is sure to entertain and edify teens in every situation.

"At night, while the other villagers dreamed of catching fish, Lemuel dreamed of sailing over the horizon." Lemuel is a fisherman and a fool. When he sets out on a journey across the sea, he makes sure to tie a red scarf on the bow and a rope to the stern; with the scarf waving before him and the rope trailing behind, he'll always know he's going the right direction. Disoriented after a storm, Lemuel lands near a strange new village—except that it's strangely familiar, down to the woman who looks exactly like his own dear wife and even calls him by name. Later that night, a very confused Lemuel sets sail for home and away from the madness. With the red scarf before him and the rope trailing behind, he's confident he'll arrive at home again—and be safely back among the familiar. A great fan of Jewish folklore, especially the rich tradition of "fools," Myron Uhlberg also looked to his own family for inspiration when writing Lemuel the Fool. His maternal grandfather, John, was consumed by wanderlust and "the next great adventure." Young readers will enjoy the silly charm of Lemuel's journey, beautifully illustrated by Sonja Lamut.

This accessible guide to Jewish children’s literature explores many of the enduring questions of the Jewish tradition: What is Jewish history? What are love, wisdom, humor, ritual, evil, and justice? Jewish children’s literature matters for all children, and with this practical guide parents and teachers will be empowered to choose and discuss books and stories with Jewish or non-Jewish children. Jewish children’s literature is often absent in school classrooms and when it is available, it presents a picture to children of Jews as victims. Enduring Questions provides teachers with guidance in the use of Jewish children’s literature in the preschool and elementary school classroom. Enduring Questions includes extensive bibliographies of Jewish children’s literature, digital resources for teachers, and suggestions for further reading. With summaries of suggested books and texts, honest recommendations from teachers who have used these texts in the classroom, and practical curricular connections, this comprehensive book is suited for those looking for an introduction to teaching Jewish children's literature and those familiar with it. The book provides a framework about the use of Jewish children’s literature as an opportunity for all children, both Jewish and non-Jewish, to be philosophers and engage in dialog and debate. The enduring questions thoughtfully explored through Jewish literature are important for all students growing up in a diverse multicultural world.

Satire, long the most neglected of literary genres, has begun to claim its share of critical attention. And no book in the satiric tradition has generated more controversy that Gulliver's Travels; since it was first published it has been the subject of an often passionate debate about its moral and esthetic value--a debate inseparable from the question of what Swift was really saying about us all, especially in Book IV. Despite the running controversy, this is the first extended study of the Travels to appear in over forty years. It places Swift's masterpiece in the perspective of its own age, but also in relation to ours. First it reviews the philosophical doubts of the Augustans about the nature of man--doubts now recognized as a major force behind Swift's satire. It examines Augustan satiric theory and its Continental background; and, coming to the Travels, treats them as one instance of a conventional form, the "satire on man." On the vexed problem of Book IV it argues that alternative views of Swift as a savage misanthrope and as a benign humanist are both inadequate, and that as in Swift's irony generally, what seem to be contradictory truths are simultaneously in force. The study is concerned throughout with the way values operate in a satiric context. What, for example are we to make of Gulliver's pious attachment to "truth"-telling? In this connection, a speculative theory is proposed which relates Swift's satiric intentions to the epistemology of John Locke. Finally, an epilogue looks ahead to some modern writers--Lewis Carroll, Joyce, Vladimir Nabokov--whose habits throw a retrospective light on Swift's. The study, broadly speaking, is not only about Gulliver's Travels but also about the psychology of the satirist and about the mind's response, whether the Augustans' or our own, at moments of intellectual crisis. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

"Igniting a Generation in the Life of the Spirit" Throughout Scripture, fire often symbolizes the presence, power, and work of God. And ultimately, God s fire is meant to explode within his people as a passion for him and his purposes. Ignite the hearts of the next generation with the Word of God when you give them this youth Bible that s packed with helpful information on living the Christian life in the fullness of the Spirit. Created by Life Publishers International. SPECIAL FEATURES Trusted NIV translation Concordance Themefinders track 12 important topics through the Scripture Book introductions with note-taking space Extensive bottom-of-page notes 45 in-text maps and charts Easy-to-use detailed cross-reference system More than 80 key issue articles Commentary from a Pentecostal perspective Subject index for topical studies Glossary of practical definitions of terms and concepts 7-point black letter type "

"Igniting a Generation in the Life of the Spirit" Throughout Scripture, fire often symbolizes the presence, power, and work of God. And ultimately, God s fire is meant to explode within his people as a passion for him and his purposes. Ignite the hearts of the next generation with the Word of God when you give them this youth Bible that s packed with helpful information on living the Christian life in the fullness of the Spirit. Created by Life Publishers International. SPECIAL FEATURES Trusted NIV translation Concordance Themefinders track 12 important topics through the Scripture Book introductions with note-taking space Extensive bottom-of-page notes 45 in-text maps and charts Easy-to-use detailed cross-reference system More than 80 key issue articles Commentary from a Pentecostal perspective Subject index for topical studies Glossary of practical definitions of terms and concepts 7-point black letter type "

The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image