A tour diary of life on the road with one of Minnesota’s greatest bands—with nearly 100 never-before-seen photographs “Don’t bore us, get to the chorus” is Bill Sullivan’s motto, which will come as no surprise to anyone who opens Lemon Jail. A raucous tour diary of rock ’n’ roll in the 1980s, Sullivan’s book puts us in the van with the Replacements in the early years. Barreling down the highway to the next show through quiet nights and hightailing it out of scandalized college towns, Sullivan—the young and reckless roadie—is in the middle of the joy and chaos, trying to get the band on stage and the crowd off it and knowing when to jump in and cover Alice Cooper. Lemon Jail shows what it’s like to keep the band on the road and the wheels on the van—and when to just close your eyes and hit the gas. That first van, dubbed the Lemon Jail by Bill, takes the now legendary Replacements from a south Minneapolis basement to dive bars and iconic rock clubs to college parties and eventually an international stage. It’s not a straight shot or a smooth ride, and there’s never a dull moment, whether Bob Stinson is setting a record for the quickest ejection from CBGB in NYC or hiding White Castle sliders around a hotel room or whether Paul Westerberg is sneaking gear out of a hostile venue or saving Bill’s life at a brothel in New Jersey. With growing fame (and new vans) come tours with REM and X (what happens when the audience isn’t allowed to stand?), Tom Petty and the Heartbreakers and the Violent Femmes (against their will), and Saturday Night Live, where the band’s televised antics earn the edict You’ll never play on NBC again. Fast forward: You’ll never play Washington, D.C., again. Or Moorhead. Hiding in fans’ backyards while the police search the streets and pelted with canned goods at a Kent State food drive, the Replacements hit rough patches along with sweet spots, and Lemon Jail reveals the grit and glory both onstage and off, all told in the irrepressible, full-throttle style that makes Bill Sullivan an irresistible guide on this once-in-a-lifetime road trip with a band on the make.

Tourmaline Harris’s life hit pause at fifteen, when her mom went to prison because of Tourmaline’s unintentionally damning testimony. But at eighteen, her home life is stable, and she has a strong relationship with her father, the president of a local biker club known as the Wardens. Virginia Campbell’s life hit fast-forward at fifteen, when her mom “sold” her into the services of Hazard, a powerful attorney: a man for whom the law is merely a suggestion. When Hazard sets his sights on dismantling the Wardens, he sends in Virginia, who has every intention of selling out the club—and Tourmaline. But the two girls are stronger than the circumstances that brought them together, and their resilience defines the friendship at the heart of this powerful debut novel.

#1 New York Times bestselling author Chris Grabenstein is back with the third fantastically fun, puzzle-packed MR. LEMONCELLO adventure! On your marks. Get set. Lemon, cello, GO! Everyone’s favorite game maker, Mr. Lemoncello, is testing out his new FABULOUS FACT-FINDING FRENZY game! If Kyle can make it through the first round, he and the other lucky finalists will go on a great race—by bicycle, bookmobile, and even Mr. Lemoncello’s corporate banana jet!—to find fascinating facts about famous Americans. The first to bring their facts back to the library will win spectacular prizes! But when a few surprising “facts” surface about Mr. Lemoncello, it might be GO TO JAIL and LOSE A TURN all at once! Could Kyle’s hero be a fraud? It’s winner take all, so Kyle and the other kids will have to dig deep to find out the truth before the GAME is OVER for Mr. Lemoncello and his entire fantastic empire! Filled with brand-new puzzles and games (including a hidden bonus puzzle!), this fast-paced read will have gamers and readers alike racing to the finish line because, like Mr. Lemoncello’s commercials say, IS IT FUN? . . . HELLO! IT’S A LEMONCELLO! * “An ode to libraries and literature that is a worthy successor to the original madman puzzle-master himself, Willy Wonka.” —Booklist, Starred, on Escape from Mr. Lemoncello’s Library “Just as much of an adventure as the first.” —The Washington Post, on Mr. Lemoncello’s Library Olympics

In October 2009 Lemon Andersen's County of Kings, produced by Spike Lee and the Culture Project, premiered at the Public Theater garnering glowing reviews from such prestigious publications as the New York Times, New Yorker, Variety, Associated Press, and the Village Voice. Within just a few short weeks of its limited run, the compelling staged-memoir is now available in print. County of Kings is a jarring and poignant coming-of-age memoir told in a unique voice that seamlessly flows from compelling prose to hard-edged poetry without skipping a beat. The poetic and often times gritty narrative paints a vivid portrait of Lemon's difficult, yet at times humorous experiences growing up in New York City. Published independently by County of Kings Publishing, which also published Lemon's first book Ready Made Real, this memoir promises to be the Down These Mean Streets for the hip-hop generation. This is the kind of memoir that redefines the genre while telling a true tale of an all-American community from the 1980's to the present. - Publisher.

Mould's Medical Anecdotes: Omnibus Edition is a fabulous collection of anecdotes on the humorous, intriguing, unusual, mysterious, and historical aspects of medicine. It combines the hugely successful Mould's Medical Anecdotes and More Mould's Medical Anecdotes and includes a selection of more recently collected material. Dr. Mould searched newspapers, advertisements, case histories, monologues, and medical journals on both sides of the Atlantic for this treasure trove.

Despite being one of the most avowedly secular nations in the world, Japan may have more prison chaplains per inmate than any other country, the majority of whom are Buddhist priests. In this groundbreaking study of prison religion in East Asia, Adam Lyons introduces a form of chaplaincy rooted in the Buddhist concept of doctrinal admonition rather than Euro-American notions of spiritual care. Based on archival research, fieldwork inside prisons, and interviews with chaplains, Karma and Punishment reveals another dimension of Buddhist modernism that developed as Japan’s religious organizations carved out a niche as defenders of society by fighting crime. Between 1868 and 2020, generations of clergy have been appointed to bring religious instruction to bear on a range of offenders, from illegal Christian heretics to Marxist political dissidents, war criminals, and death row inmates. The case of the prison chaplaincy shows that despite constitutional commitments to freedom of religion and separation of religion from state, statism remains an enduring feature of mainstream Japanese religious life in the contemporary era.

"One of the unsung legends of crime fiction" (Chicago Tribune), Kent Anderson, returns after two decades with this dazzling novel about justice, character and fate, set against the backdrop of an American city at war with itself. Oakland, California, 1983: a city churning with violent crime and racial conflict. Officer Hanson, a Vietnam veteran, has abandoned academia for the life-and-death clarity of police work, a way to live with the demons that followed him home from the war. But Hanson knows that justice requires more than simply enforcing the penal code. He believes in becoming a part of the community he serves -- which is why, unlike most officers, he chooses to live in the same town where he works. This strategy serves him well . . . to a point. He forges a precarious friendship with Felix Maxwell, the drug king of East Oakland, based on their shared sense of fairness and honor. He falls in love with Libya the moment he sees her, a confident and outspoken black woman. He is befriended by Weegee, a streetwise eleven-year-old who is primed to become a dope dealer. Every day, every shift, tests a cop's boundaries between the man he wants to be and the officer of the law he's required to be. At last an off-duty shooting forces Hanson to finally face who he is, and which side of the law he belongs on.