In this wry fiction debut, Elaine Meryl Brown plunges lucky readers into a gripping narrative of small-town hijinks and big-time hearts. Rule Number One: Never marry an Outsider. If you do, the boll weevil will bite you back. Rule Number Two: If you can’t be honest, you might as well be dead. Nestled in the foothills of Virginia’s Blue Ridge mountains, Lemon City has ten rules, all designed in the best interests of its tight-knit black community. Granddaddy Dunlap knows all too well what can happen to folks who venture beyond Lemon City’s protective borders. He once had to venture outside town to identify his best friend’s body. So when his firebrand granddaughter Faye, returns from college married to an Outsider, he must act fast to keep her in Lemon City’s safe embrace. It proves to be a challenge–and not just because the patriarch is distracted by the tensions arising from the heated tomato-growing contest for the annual county fair. Faye’s new husband, Harry, is a slick talker with a roving eye. Faye sees him as her ticket to New York City, where she hopes to fulfill big business dreams, but even the best-laid plans can be thwarted, as Faye discovers that marriage itself isn’t much of a honeymoon. No matter. She packs her bags, fully prepared to head north with or without her husband, when Harry turns up dead. Now the Dunlap family is trying to figure out–before the Thanksgiving turkey gets cold–who did the deed.

Icons of Mexican cultural identity and America's melting pot ideal, taco trucks have transformed cityscapes from coast to coast. The taco truck radiates Mexican culture within non-Mexican spaces with a presence—sometimes desired, sometimes resented—that turns a public street corner into a bustling business. Drawing on interviews with taco truck workers and his own skills as a geographer, Robert Lemon illuminates new truths about foodways, community, and the unexpected places where ethnicity, class, and culture meet. Lemon focuses on the San Francisco Bay Area, Sacramento, and Columbus, Ohio, to show how the arrival of taco trucks challenge preconceived ideas of urban planning even as cities use them to reinvent whole neighborhoods. As Lemon charts the relationships between food practices and city spaces, he uncovers the many ways residents and politicians alike contest, celebrate, and influence not only where your favorite truck parks, but what's on the menu.

A unique panoramic survey of ethnic groups throughout the United States that explores the diverse communities in every region, state, and big city. Race, ethnicity, and immigrants' lives and identity: these are all key topics that Americans need to study in order to fully understand U.S. culture, society, politics, economics, and history. Learning about "place" through our own historical and contemporary neighborhoods is an ideal way to better grasp the important role of race and ethnicity in the United States. This reference work comprehensively covers both historical and contemporary ethnic and immigrant neighborhoods through A–Z entries that explore the places and people in every major U.S. region and neighborhood. America's Changing Neighborhoods: An Exploration of Diversity uniquely combines the history of ethnic groups with the history of communities, offering an interdisciplinary examination of the nation's makeup. It gives readers perspective and insight into ethnicity and race based on the geography of enclaves across the nation, in regions and in specific cities or localized areas within a city. Among the entries are nearly 200 "neighborhood biographies" that provide histories of local communities and their ethnic groups. Images, sidebars, cross-references at the end of each entry, and cross-indexing of entries serve readers conducting preliminary as well as in-depth research. The book's state-by-state entries also offer population data, and an appendix of ancestry statistics from the U.S. Census Bureau details ethnic and racial diversity.

This study focuses on street art and large-scale murals in metropolitan Miami/Dade County, while also foregrounding the diasporic and aesthetic interventions made by migrant and second-generation artists whose families hail from the Caribbean and Latin America. Jana Evans Braziel argues that Caribbean and Latinx street artists define and visually mark the city of Miami as a diasporic, transnational urban space. These artists also help define Miami as a cosmopolitan city, yet one that is also a distinctly Caribbean and Latinx urban space, and simultaneously resist but also (at times reluctantly) participate in the forces of gentrification and urban re/development, particularly through the myriad and complex ways in which street art contributes to city branding and art tourism. The book will be of interest to scholars working in art history, urban studies, American studies, and Latin American/Caribbean studies.