Leisha knows something’s wrong. Her beloved vocal coach at boarding school would never have resigned and disappeared like this in the midst of preparing her prize students for a major vocal competition. Leisha’s determined to find her, make sure she’s okay. Cody, a sensitive cellist, insists on helping her. Sparks fly, clues multiply, and romance blossoms, despite the disapproval of their families. Leisha’s desire to be with Cody and pursue music rather than medicine puts her on a direct collision course with her African-American grandfather, the only parent she’s ever had. But an even more immediate threat looms—because as Leisha draws closer to the truth about her teacher’s disappearance, she puts her own life in grave danger.

The definitive historic account of The Ventures, the world's number one instrumental group that had a worldwide smash hit in 1960 with "Walk-Don't Run." Their second biggest hit came nine years later with "Hawaii Five-0" but they didn't quit there, continuing non-stop on a fifty-year career of recording and touring towards America's Rock & Roll Hall of Fame. Co-authored by Josie Wilson, mother of founding member Don Wilson, the heavily illustrated book contains data for over 50 of the band's sixties recording sessions. Angel Editing comments; "The manuscript is extremely well written. You can see that a lot of time has been taken to convey the facts accurately and chronologically. What also comes across very well is the human and emotional side of the manuscript. This biography is a definite must for Ventures fans all over the world."

Seventeen-year-old Sam, the daughter of a New England heiress, has tried hard to fulfill her father’s dying wish: “Take care of your mother for me.” Not an easy job. When her impulsive, romance-writing mom announces her engagement to a man whose last heiress wife died under suspicious circumstances, Sam tries to dissuade her mother. But her mom is convinced she’ll finally have the “Happily Ever After” she writes about. And then Sam’s life implodes. Her mom’s fiancé turns up dead, and a mountain of circumstantial evidence points to Sam as the killer. On trial for murder, she fights to prove her innocence with the help of her boyfriend’s dad, an ex-homicide cop. Just when things are looking especially bleak, Sam uncovers evidence she never expected to find. She faces a tough decision: At what point does the price of loyalty become too high?

After being publicly humiliated in the worst possible way, New York socialite and Magnolia Hotel heiress, Madison Clark, pours out her woes to a psychic. She’s given a “to-go” bag of calming tea that promises rest and relaxation, but instead Madison wakes up in an unfamiliar crappy apartment with a wallet full of maxed-out credit cards and a bank account with a zero balance. Convinced she’s the victim of identity theft, Madison returns to the psychic’s shop, only to learn the universe – and that freaking cosmic tea – is responsible for the change. She is now living the (poor) life, and the only way to get her (rich) life back is by righting some wrongs, starting with a reconciliation with her estranged father, who is inconveniently about to get married in Montana. Cue up the good times, because even though she’s got nothing to wear and a pathetically small amount of bills in her wallet, she has to be at the wedding because there’s no time to waste. But things get even more upside-down when she lands in Montana and is picked up from the airport by the annoyingly attractive Jax, who seems to loathe her at first sight. He’s expecting the party girl he’s seen all over social media, and is taken aback when Madison bounces out of the airport sporting neon overalls and fishing boots. In addition to the many roadblocks of her new life, Madison suddenly finds herself outrunning cows, and competing in beer-chugging competitions while attempting parental bonding. The more time she spends in Montana, and the more time she spends with Jax, the more she questions her “good life”. Just when things are starting to become clear someone shows up unexpectedly, and all bets are off.

When ballerina Lydia Miseau dies onstage in the final dress rehearsal of Romeo and Juliet, homicide detective Caitlin O’Connor is faced with the most complicated case of her career. She strongly suspects that someone murdered the ballerina, and her investigation uncovers several people close to the star who had reasons to kill her. But the autopsy reveals no apparent cause of death. If Lydia Miseau was murdered, who did it, and how? Meantime, there’s Caitlin’s hot mess of a personal life. She has a bad habit of getting involved with married men. She knows it’s wrong, so why does she keep entangling herself in unhealthy relationships? She’s finally decided to go into therapy to find out.

The Malice Domestic anthology series returns with a new take on mysteries in the Agatha Christie tradition—original tales with a theatrical bent! Included are: Preface, by Ellen Hart The Rock Star, by Frances Aylor Perfectly Awry, by Anne Louise Bannon The Ghost in Balcony B, by Michele Bazan Reed Drama-Rama Flip Flop, by Cindy Brown It’s Not O.K. Corral, by M. E. Browning Mary-Alice Imagines Her Life as a Movie, by Karen Cantwell The Ghost of Hamnet, by R. M. Chastleton When the Wind is Southerly, by Leone Ciporin Raising Cain, by Carla Coupe Death of Another Hero, by Susan Daly The Stars Are Fire, by Phillip DePoy Death Plays the Palace, by Margaret Dumas The Homicidal Understudy, by Elizabeth Elwood No Final Act, by Daryl Wood Gerber Deus Ex Machina, by B. J. Graf The Nine Deaths in Hamlet?, by A. P. Jamison Heat Wave, by Maureen Jennings Thus With a Kiss, by Margaret Lucke Such Tricks As These, by Jaquelyn Lyman-Thomas Final Curtain, by Sharon Lynn The Mask, by Cheryl Marceau The Ultimate Tie-Breaker, by Deborah Maxey True Crime, by Adam Meyer A Star Goes Dark, by Raquel V. Reyes Not Your Lolita, by Merrilee Robson A Death in Shubert Alley, by Lee Sauer Dance on Fire, by Shawn Reilly Simmons Missed Cue, by Lynn Slaughter You Know How Actresses Are, by C. M. Surrisi Five Words, by Elaine Togneri Ask Fred the Usher, by Arthur Vidro Death Takes a Bow, by Mo Walsh Deal With the Devil, by James Lincoln Warren Method for Murder, by Carol L. Wright

This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves

Kristen Apt has been running from the same dream for nearly a year. She's never been caught, but feels she's never escaped either. Elsidi Llodan has been chasing the same dream for exactly as long, and he's fallen in love with the one he pursues, a woman with the silver eyes of a mirror. The dream is only the opening scene of an adventure that Kristen doesn't want, but participates in unwillingly. She's been promised control over her strange abilities, something she's craved since they'd come upon her. She doubts the promise will be kept, especially by Elsidi. An impersonal enemy asserts his power and becomes something very personal to Kristen. Guided by prophecy written by a man from her own era, and armed with nothing more than her erratic talents and the sheer stubbornness that's saved her life in the past, she and her new friends accept the responsibility of being the first to confront the twisted Staff Weilder. Kristen struggles with more power than she'd ever wanted, and Elsidi, who offers something she believes she'll never have, or even deserves. She won't love. She doesn't know if she'll even survive her own inner talents.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.