Combines history, anthropology, natural science, and personal narrative to provide a portrait of the American Southwest, looking at the variety of people and experiences that populate the area, focusing on the struggle between different cultures for access to water, and examining many other aspects of the diverse region.

For his brilliant reportage ranging from the forested recesses of the Amazon to the manicured lawns of Westchester County, New York, Alex Shoumatoff has won acclaim as one of our most perceptive guides to the oddest corners of the earth. Now, with this book, he takes us on a kaleidoscopic journey into the most complex and myth-laden region of the American landscape and imagination. In this amazing narrative, Shoumatoff records his quest to capture the vast multiplicity of the American Southwest. Beginning with his first trip after college across the desert in a station wagon, some twenty-five years ago, he surveys the boundless variety of people and experiences constituting the place--the idea--that has become America's symbol and last redoubt of the "Other. From the Biosphere to the Mormons, from the deadly world of narcotraffickers to the secret lives of the covertly Jewish conversos, Shoumatoff explores the many alternative states of being who have staked their claim in the Southwest, making it a haven for every brand of refugee, fugitive, and utopian. And as he ventures across time and space, blending many genres--history, anthropology, natural science, to name only a few--he brings us a wealth of information on chile addiction, the diffusion of horses, the formation of the deserts and mountain ranges, the struggles of the Navajo to preserve their culture, and countless other aspects of this place we think we know. Full of profound sympathy and unique insights, Legends of the American Desert is a superbly rich epic of fact and reflection destined to take its place among such classics of regional portraiture as Ian Frazier's Great Plains. Alex Shoumatoff has created an exuberant celebration of a singularly American reality.

The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.

Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O'odham culture. Speaking to anthropologist Deborah Neff, who has known her for over twenty years, she tells of O'odham culture and society and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.

By analyzing ways in which indigenous cultures described the American Southwest, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. As he traces ideas about the desert, Teague shows how literature and art represent the Southwest as a place to be sustained rather than transformed. 14 illustrations.

Layering climate science, mythologies, nature writing, and personal experiences, this New York Times Notable Book presents a stunning reckoning with our current moment and with the literal and figurative end of time. Desert Notebooks examines how the unprecedented pace of destruction to our environment and an increasingly unstable geopolitical landscape have led us to the brink of a calamity greater than any humankind has confronted before. As inhabitants of the Anthropocene, what might some of our own histories tell us about how to confront apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act toward time—the pasts we have erased and paved over, this anxious present, the future we have no choice but to build? Ehrenreich draws on the stark grandeur of the desert to ask how we might reckon with the uncertainty that surrounds us and fight off the crises that have already begun. In the canyons and oases of the Mojave and in Las Vegas’s neon apocalypse, Ehrenreich finds beauty, and even hope, surging up in the most unlikely places, from the most barren rocks, and the apparent emptiness of the sky. Desert Notebooks is a vital and necessary chronicle of our past and our present—unflinching, urgent—yet timeless and profound.

There is a common but often unspoken arrogance on the part of outside observers that folk science and traditional knowledge—the type developed by Native communities and tribal groups—is inferior to the “formal science” practiced by Westerners. In this lucidly written and humanistic account of the O’odham tribes of Arizona and Northwest Mexico, ethnobiologist Amadeo M. Rea exposes the limitations of this assumption by exploring the rich ornithology that these tribes have generated about the birds that are native to their region. He shows how these peoples’ observational knowledge provides insights into the behaviors, mating habits, migratory patterns, and distribution of local bird species, and he uncovers the various ways that this knowledge is incorporated into the communities’ traditions and esoteric belief systems. Drawing on more than four decades of field and textual research along with hundreds of interviews with tribe members, Rea identifies how birds are incorporated, both symbolically and practically, into Piman legends, songs, art, religion, and ceremonies. Through highly detailed descriptions and accounts loaded with Native voice, this book is the definitive study of folk ornithology. It also provides valuable data for scholars of linguistics and North American Native studies, and it makes a significant contribution to our understanding of how humans make sense of their world. It will be of interest to historians of science, anthropologists, and scholars of indigenous cultures and folk taxonomy.

Naturalist Craig Childs's "utterly memorable and fantastic" study of the desert's dangerous beauty is based on years of adventures in the deserts of the American West (Washington Post). Like the highest mountain peaks, deserts are environments that can be inhospitable even to the most seasoned explorers. Craig Childs, who has spent years in the deserts of the American West as an adventurer, a river guide, and a field instructor in natural history, has developed a keen appreciation for these forbidding landscapes: their beauty, their wonder, and especially their paradoxes. His extraordinary treks through arid lands in search of water are an astonishing revelation of the natural world at its most extreme. "Utterly memorable and fantastic...Certainly no reader will ever see the desert in the same way again." —Suzannah Lessard, Washington Post

When a powerful desert spirit kidnaps her sister, Cece Rios must learn forbidden magic to get her back, in this own voices middle grade fantasy perfect for fans of The Storm Runner and Aru Shah and the End of Time. Living in the remote town of Tierra del Sol is dangerous, especially in the criatura months, when powerful spirits roam the desert and threaten humankind. But Cecelia Rios has always believed there was more to the criaturas, much to her family’s disapproval. After all, only brujas—humans who capture and control criaturas—consort with the spirits, and brujeria is a terrible crime. When her older sister, Juana, is kidnapped by El Sombrerón, a powerful dark criatura, Cece is determined to bring Juana back. To get into Devil’s Alley, though, she’ll have to become a bruja herself—while hiding her quest from her parents, her town, and the other brujas. Thankfully, the legendary criatura Coyote has a soft spot for humans and agrees to help her on her journey. With him at her side, Cece sets out to reunite her family—and maybe even change what it means to be a bruja along the way.

Desert cottontail // Sylvilagus audubonii - Simmons B. Buntin