The stories told by many generations of Charlotte's African American residents mingle strength and hardship, accomplishment and setback, joy and pain. Through slavery, through war, through Jim Crow segregation and into the 21st century Black residents from all walks of life have played essential roles in making Charlotte the city it is today. Everyone needs to know this history.About the AuthorPamela Grundy has lived in Charlotte for three decades, pursuing a range of writing, teaching, museum and education projects. Much of that work has depended on the generosity of the many Black Charlotteans who have shared their wisdom and experience with her, among them Vermelle Ely, James and Barbara Ferguson, James Peeler and Sarah Stevenson. Legacy began as a series of articles on Black history published in the Nerve in 2020 and 2021. Grundy's other works include Color & Character: West Charlotte High and the American Struggle over Educational Equality.The mural on Legacy's cover, which features early Black leaders Thad Tate, J.T. Williams and W.C. Smith, is by Abel Jackson, one of many Black History murals he has painted around town.This second edition adds new material to chapters 8 and 9; an afterword that describes some of the challenges of researching and writing Black history; and an index. I am also delighted to note that the success of the first edition has connected us with the dynamic staff at the Harvey B. Gantt Center for African American Art + Culture, who are using these stories to expand their efforts to preserve, present and celebrate Charlotte's Black history.

The stories told by many generations of Charlotte's African American residents mingle strength and hardship, accomplishment and setback, joy and pain. Through slavery, through war, through Jim Crow segregation and into the 21st century Black residents from all walks of life have played essential roles in making Charlotte the city it is today. Everyone needs to know this history.

Our Trespasses uncovers how race, geography, policy, and religion have created haunted landscapes in Charlotte, North Carolina, and throughout the United States. How do we value our lands, livelihoods, and communities? How does our theology inform our capacity--or lack thereof--for memory? What responsibilities do we bear toward those who have been harmed, not just by individuals but by our structures and collective ways of being in the world? Abram and Annie North, both born enslaved, purchased a home in the historically Black neighborhood of Brooklyn in the years following the Civil War. Today, the site of that home stands tucked beneath a corner of the First Baptist Church property on a site purchased under the favorable terms of Urban Renewal campaigns in the mid-1960s. How did FBC wind up in what used to be Brooklyn--a neighborhood that no longer exists? What happened to the Norths? How might we heal these hauntings? This is an American story with implications far beyond Brooklyn, Charlotte, or even the South. By carefully tracing the intertwined fortunes of First Baptist Church and the formerly enslaved North family, Jarrell opens our eyes to uncomfortable truths with which we all must reckon.

One of the largest and fastest-growing cities in the South, Charlotte, North Carolina, came of age in the New South decades of the late nineteenth and early twentieth centuries, transforming itself from a rural courthouse village to the trading and financial hub of America's premier textile manufacturing region. In this book, Thomas W. Hanchett traces the city's spatial evolution over the course of a century, exploring the interplay of national trends and local forces that shaped Charlotte and, by extension, other New South urban centers. Hanchett argues that racial and economic segregation are not age-old givens but products of a decades-long process. Well after the Civil War, Charlotte's whites and blacks, workers and business owners, lived in intermingled neighborhoods. The rise of large manufacturing enterprises in the 1880s and 1890s brought social and political upheaval, however, and the city began to sort out into a "checkerboard" of distinct neighborhoods segregated by both race and class. When urban renewal and other federal funds became available in the mid-twentieth century, local leaders used the money to complete the sorting-out process, creating a "sector" pattern in which wealthy whites increasingly lived on one side of town and blacks on the other. A new preface by the author confronts the contemporary implications of Charlotte's resegregation and prospects for its reversal.

The history of Charlotte is inseparable from the history of its neighborhoods. From the city's founding until the late 1890s, the four wards created by the crossing of Trade and Tryon Streets defined the residential fabric of Charlotte. As the twentieth century approached, the Southern textile boom fueled labor and housing demands that were met by the earliest suburbs that rose out of the farms and pastures surrounding the small town. Dilworth was the first of these suburbs, connected to the town center by the city's maiden electric streetcar line. More new communities quickly followed. Some, such as Myers Park and Elizabeth, have remained strong throughout their history. North Charlotte, Belmont, and others have changed under economic and social challenges. Still others, such as Brooklyn, are gone; they survive only in the memories and photographs of the families that called them home.

This classic work helps recover the central role of black women in the political history of the Jim Crow era. Glenda Elizabeth Gilmore explores the pivotal and interconnected roles played by gender and race in North Carolina politics from the period immediately preceding the disfranchisement of black men in 1900 to the time black and white women gained the vote in 1920. Gilmore argues that while the ideology of white supremacy reordered Jim Crow society, a generation of educated black women nevertheless crafted an enduring tradition of political activism. In effect, these women served as diplomats to the white community after the disfranchisement of their husbands, brothers, and fathers. Gilmore also reveals how black women's feminism created opportunities to forge political ties with white women, helping to create a foundation for the emergence of southern progressivism. In addition, Gender and Jim Crow illuminates the manipulation of concepts of gender by white supremacists and shows how this rhetoric changed once women, black and white, gained the vote.

From the seventeenth through the nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. Ritchie and Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change.

Inspired by the 2010 "Spirit of Mecklenburg"--a bronze statue of Captain James Jack, "the South's Paul Revere," in downtown Charlotte, North Carolina--this history details the lives of 12 Charlotteans who made important contributions to the Queen City, from the early Colonial period to the 20th century. Subjects include Catawba Indian chief King Haigler, Founding Father Thomas Polk, freed slave Ishmael Titus, African American celebrity barber Thad Tate and North Carolina's first woman physician, Annie Alexander.

The Lone Star state surrenders to a lone woman -- The voice of the people is the voice of God -- The steady step and majectic [i.e. majestic] swing of the hosts of reform -- The blood of the might [sic] dead has stained me! -- Who brought this new idea into Texas, anyhow? -- From a regional to a national reform.

Bittersweet Legacy is the dramatic story of the relationship between two generations of black and white southerners in Charlotte, North Carolina, from 1850 to 1910. Janette Greenwood describes the interactions between black and white business and p