In addition to providing the essential facts concerning each of Lee Krasner's artistic works, the author has written interpretive essays analyzing major groups of works and their relationship to Krasner's life and oeuvre.

A richly illustrated monograph on the life and work of Lee Krasner, one of the twentieth century’s most inspiring women artists and a pioneer of abstract expressionism. In 1984, Lee Krasner (1908–1984) became one of the few women artists to have been given a retrospective at the Museum of Modern Art, New York. She quipped about her belated recognition: “I was a woman, Jewish, a widow, a damn good painter, thank you, and a little too independent.” One of the original pioneers of abstract expressionism, Krasner has for too long been eclipsed by her husband, Jackson Pollock. In fact, his death in 1956 marked her renaissance as an artist. Coinciding with a major exhibition at Barbican Art Gallery, Lee Krasner features an outstanding selection of her most important paintings, collages, and works on paper, contextualized by photography from the postwar period, an illustrated chronology, and an unpublished interview with her biographer Gail Levin. This richly illustrated monograph is a comprehensive survey of the work of one of the twentieth century’s most dynamic artists.

For more than a decade, Jackson Pollock and Lee Krasner devoted their lives to each other, serving in turn as muse, critic, companion, lover, friend and alter ego. Their romance was stormy - their raucous arguments are the stuff of legend - but their talents were prodigious. This book is packed with examples of the contributions both artists made to the world of modern art. Readers will learn how Pollock and Krasners artistry evolved and how they influenced each others success. Recent developments, such as a revealing biopic and the art worlds elevation of Pollock to the status of being the most expensive artist in the world, bring their portrait fully up-to-date. While the author acknowledges historys sensationalisation of their lives, it is the paintings themselves - revolutionary, innovative and daring - that tell the most compelling story.

The first full length account of Lee Krasner's colourful lifeIn Gail Levin's riveting biography, Lee Krasner emerges as a significant artist who richly deserves her place in the 20th century's cultural lexicon. Drawing on new sources and numerous personal interviews - including with Krasner herself - Levin has created a dynamic and moving portrait of a brilliant woman, and in so doing recovers Krasner's voice and allows us to understand how her life intersected with and informed her art.The first full length account of Lee Krasner's colourful lifeIn Gail Levin's riveting biography, Lee Krasner emerges as a significant artist who richly deserves her place in the 20th century's cultural lexicon. Drawing on new sources and numerous personal interviews - including with Krasner herself - Levin has created a dynamic and moving portrait of a brilliant woman, and in so doing recovers Krasner's voice and allows us to understand how her life intersected with and informed her art.

Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.

This is a complete reappraisal of Lee Krasner (1908-1984), who, along with her husband, Jackson Pollock, was among the artists who launched the New York School of painting after World War II. One of the few critically recognized female Abstract Expressionists of her generation, she has emerged as an essential figure in postwar American art. This lavishly illustrated book, the companion to a major traveling exhibition, takes a fresh look at Krasner and highlights the striking originality and complexity of her work. Krasner saw her art as an open-ended exploration and a dialogue with a wide range of artistic, literary, and cultural voices. Complete with never-before-published excerpts from the diary of writer B. H. Friedman, a longtime associate of Krasner's who provides priceless insights into this pivotal period of American history, this book is essential for any art library. This book and the exhibition it accompanies were developed by Independent Curators International (ICI), a non-profit organization, that creates innovative, provocative traveling exhibitions of contemporary art that have been presented in museums and university galleries worldwide

* Lee Krasner is one of the major women artists of the 20th century* This memoir is full of firsthand material based on interviews with Krasner and with her friends, fellow artists, gallerists, and curators* Often seen in her role as Pollock's companion and then widow, Krasner made important contributions to the development of American Abstract Expressionism Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) - the subject of this very personal memoir inspired by Ruth Appelhof's 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock's widow, she is regarded more by 'art-world insiders' as the producer of a major body of work that influenced the evolution of contemporary art - in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner's contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition, Appelhof explores Lee Krasner's relationships with others - friends, art-world luminaries, artists, and other 'summer sitters' allowed into her private sanctuary - through interviews. Those recollections will offer a window into the artist's intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades. Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.

Art historian Wagner looks at the imagery and careers of three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women--the main element linking the three--is as much the index of difference among their art and experience as it is a passkey to what they share.--From publisher description.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

How many times have you seen a woman artist solely referred to as the wife, girlfriend, muse, or ‘mistress’ of a man in the public eye? Throughout history, the achievements of women working across artistic disciplines – from visual artists to writers to filmmakers – have been largely undervalued, with the title of ‘genius’ reserved mainly for men. More than a Muse unpacks the complex romantic relationships that left women overshadowed, anonymous or underestimated in their work. Katie McCabe shines a light on the stories of talents like photographer Dora Maar, pioneering film editor and Hitchcock-collaborator Alma Reville, jazz pianist Lil Hardin Armstrong and many more. Exploring a broad scope of art movements and moments from Surrealism to early British silent film, Katie reexamines the contributions of women that have too often been ignored. More than a Muse views our history through the lens of artistic partnership, and positions women solidly in the foreground.