American architect Lebbeus Woods (1940–2012) remains a quiet hero not only among his colleagues, but also for architectural students intrigued by the ideas and fluent beauty of his powerful graphic verve, as well as of his writing. His projects from the mid-1980s until the end of his life have been widely published. However, this AD, in collaboration with the Estate of Lebbeus Woods, explores the earlier period beginning in the late 1960s when Woodswas honing his draughtsmanship and theoretical positions while experimenting with a variety of themes and different modes of expression. When he burst onto the international architectural scene with a solo exhibition and accompanying catalogue (Lebbeus Woods: Origins) at the Architectural Association, London, in 1985, some wondered how anyone could emerge so fully formed, from nowhere. Working against the logic of ‘nowhere’, this issue charts his early trajectory through the largely unpublished drawings and texts, linking them with what came after. Aiming to generate new scholarship, its roster of international interdisciplinary critics and commentators offer a new understanding of Woods’s work and of his formative years, also shining a light on how we might think about the ‘early work’ of any architect’s career. Contributors: Joseph Becker, Aaron Betsky, Peter Cook, Mark Dorrian, Riet Eeckhout, Kevin Erickson, Joerg Gleiter, Sharon Irish, Eliyahu Keller, Lawrence Rinder, Ashley Simone, Ben Sweeting.

Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

The link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constructions, interventions and set pieces that range from musical performance to exhibition designs, glass works and digital 3D scanning. It lays out the wide spectrum and beauty of these sublime correspondences, with contributions from architects about their own artistic practices, and creative works viewed through the eyes of architectural commentators. An explosion of colour, form and creative tactics for making multifaceted work that above all is architectural, it offers a cornucopia of possibilities. Contributors: Peter Baldwin, Kathy Battista, Nic Clear, Mathew Emmett, Paul Finch, Paul Greenhalgh, Hamed Khosravi, Eva Menuhin, Felix Robbins, and Simon Withers. Featured architects and artists: a-project, Captivate, Brian Clarke, Andy Goldsworthy, Barbara Hepworth, Danny Lane, Ben Johnson, Brendan Neiland, Ian Ritchie, and Zoe Zenghelis.

The Posthuman is the new paradigm of architecture. Encompassing related topics such as the post-Anthropocene, more-than-human, non-human, trans-human, anti-human and meta-human, this AD presents a synthesis of the architectural Posthuman. Proliferating and diversifying, the Posthuman is now as planetary as it is everyday, and as disruptive, contested and contradictory as it is sublime. From the detail to the interplanetary, and from real and fictional designs and spaces to more proleptic universe-building futures, the issue describes and speculates on these spectacular and shocking new species. It envisions the Posthuman through the array of emerging technologies, and features original contributions from academics, professionals, design studios and related disciplines and domains. These new spaces include the full electromagnetic spectrum and present new entanglements of Posthuman theories and technologies. Contributors: Mario Carpo; Paul Dobraszczyk; Alberto Fernandez; Ariane Harrison; Sandra Häuplik-Meusburger and Olga Bannova; Steven Hutt; Xavier de Kestelier, Levent Ozruh and Jonathan Irwan; Sylvia Lavin; Jacopo Leveratto; Tyson Hosmer, Roberto Bottazzi and Mollie Claypool; Colbey Reid and Dennis Weiss; Andrew Witt; and Brent Sherwood. Featured designers and architects: Blue Origin, Christian Rex van Minnen, Harrison Atelier, and Hassell.

It is not without irony that in an age characterised by the dissolution of certainty – a consequence of digital dematerialisation and the catastrophic destabilisation of our social institutions and natural world – architecture, for so long the repository for our myths and the vessel for our intangible narratives and rituals, has been stripped bare. Increasingly preoccupied with the physical, material and measurable, architecture has forfeited its original purpose as a mediating link between the tacit and the tangible. Drawing on the current resurgence and our enduring cultural fascination with the ethereal and uncanny, this AD frames the spectral as a deconstructive gesture that undermines the fixedness and certainties of binary logics, a means to develop new practices and positions from which to address our contemporary uncertainties. Gathering a body of work that explores and speculates on architecture’s long romance with the incorporeal, the issue is intended as a catalyst through which latency, contingency and indeterminacy, inherent characteristics of the architectural condition, can once more be valued, cultivated and nurtured. Contributors: Kirsty Badenoch; Michael Chapman;Nat Chard;Oliver G Goche and Peter P Goché; Perry Kulper; Ifigeneia Liangi and Daniel Dream; Eva Menuhin; Mark Morris; Mike Phillips; Ian Ritchie; Chris Speed, and Cameron Stebbing Featured architects and designers: Captivate: Spatial Modelling Research Group, Daniel Libeskind, Night Kitchen Studio, Michael Sandle, and Ritchie Studio

Study of Woods' visionary architecture which is concerned with the cultural regeneration of society.

Lebbeus Woods is widely regarded as the most exciting and original architectural visionary today. His body of theoretical work and extraordinary drawings have served as inspiration for architects, artists, and legions of students. Radical Reconstruction, now available in paperback for the first time, contains projects that address the relationships between architecture and war, political revolution/reaction, and natural disasters. These projects define new approaches to the reconstruction of buildings and urban fabric damaged by unpredictable and largely uncontrollable forces of both human and natural origin.

Reflecting centuries of design from traditional crafts and textiles, 279 resplendent images will leave artists and designers breathless. A luminous color collection.

This new book illuminates the human and holistic approach to architecture by the Scandinavian office C.F. Møller Architects, in order to to inspire to a new approach in the industry. Consisting of a series of essays, the book explores the company?s most recent projects in relation to today?s biggest challenges and changes in architecture, urban planning and design.0How can architecture enable better socialising, living, working, learning and healing? This book will aim to answer those questions.0C.F. Møller Architects is one of Scandinavia?s leading architectural firms, with 90 years of award-winning work in the Nordic region and worldwide0Today C.F. Møller has app. 300 employees. Head office is in Aarhus, Denmark and branches in Copenhagen, Aalborg, Oslo, Stockholm and London.