Berry's themes are reflections of his life: friends, family, the farm, the nature around us as well as within. He speaks strongly for himself and sometimes for the lost heart of the country. As he has borne witness to the world for eight decades, what he offers us now in this new collection of poems is of incomparable value.

From the hilarious post-PMS future in "Even the Queen" to love and quantum physics exposed in "At the Rialto" or the eerie experience of "Death on the Nile", author Connie Willis--winner of a record six Nebula and six Hugo Awards--weaves her magic in five of her best short stories.

This book, first published in 1932, demonstrates how the control of certain ‘-isms’ has for long moulded the interpretation of Indian belief and ritual by Western writers particularly. In every chapter there is some new coordination, often iconoclastic of then-accepted theory, whilst the new wealth of customs carefully recorded is astonishing. Long disputed problems such as that of the Maratha ‘devak’, or that of the ceremonial sowing of seedlings known to Western scholars as the ‘gardens of Adonis’, have at last been settled through careful research.

In this nonlinear, loosely chronological memoir, Laurie Easter deftly navigates the rugged terrain of living off the grid in rural southern Oregon, along with the many hazards of the human heart. In quiet, searching, and sometimes experimental essays, she bravely explores the liminal spaces between guilt and forgiveness, life and death, grief and love, human society and the natural world. Whether recounting the home birth of her second child, encounters with cougars, the fraught dynamics of mother-daughter relationships, the destructive power of wildfires, or the community bonds challenged by a tragic suicide, Easter's writing is firmly grounded in place. She takes readers deep into the heart of a still-wild Oregon, perilous yet rich with natural beauty. Written from one woman's perspective as a mother, wife, and friend, All the Leavings is ultimately a book about love--for the child who faces a health crisis, for the friend dying of AIDS, for the one entangled by addiction who then disappears. Long after the final page is turned, it will resonate with readers interested in essays, memoir, alternative lifestyles, and the literature of the West.

Handsome Jack is a logger, nomad, and born dreamer. His young wife, Simone, has too many kids and never enough money to support or protect them. The family keeps on the move, shedding a grand total of twenty-seven homes. Their first child, Randy, is sensitive and brilliant and bold, protector of his younger siblings, the fearless star of their childhood adventures and misadventures—until something snaps inside him. The second child who comes a year after him, our narrator Barbara, is the lucky one, who can dream of getting out. Every time the family relocates, she feels “the hope in leaving and doing better next time.” Poverty, mental illness, sexual abuse, and injustice pursue them wherever they go. They live small-town life hard and suffer, most of all Randy. The great surprise of The Hope in Leaving isn’t that these characters descend increasingly into isolation and strife, but that despite this they remain a family, that there is always the spark of wit in their banter, and a kind of closeness no matter what happens, even a sense of normalcy. Gradually, the reader comes to understand why The Hope in Leaving is a book that had to be written. In it, Williams proves beyond doubt that there is one thing that can survive the worst of life and even death itself: love without judgment.