Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six, Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

The survivors of a mysterious event in the worlds greatest city wish they were only being chased by the walking dead! Instead, the worlds greatest heroes have turned into violent, rage-filled killers, and staying alive is nearly impossible. An illegal rescue attempt into the center of the quarantined city goes terribly wrong, and the rescuers attract the attention of the supers in the worst way imaginable. Also, the question is answeredwhere are all the supervillains?

It's Morphin Time! Saban's Mighty Morphin Power Rangers make their BOOM! Studios comic debut in this kick-off #0 issue, which sets the stage for the rest of the series. After escaping Rita Repulsa's mind control, Tommy Oliver, the Green Ranger, joins up with the rest of the Power Rangers to combat her never-ending evil plans. Any semblance of a normal life is gone for Tommy now, but with his newfound family there lies hope for a brighter path. Includes the short story from the San Diego Comic-Con exclusive Mighty Morphin Power Rangers comics!

Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six,Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six, Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

Somewhere in the Shadow Valley lies a secret that could forever change the frontier. Only a posse of gunmen with special abilities can defend that secret from a tribe of ghostly warriors, an advancing army led by a deranged colonel, and the perils of the valleys itself. Nominated for the Eisner award for Best Digital Comic in 2010, and for the Harvey Award for Best Online Comics Work in 2011, Dark Horse now collects the supernatural web comic into a 200+ page graphic novel.

WINNER OF THE 2022 PULITZER PRIZE "A compelling and important history that this nation desperately needs to hear." -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Chasing Me to My Grave presents the late artist Winfred Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert grew up in a family of Georgia field laborers, joined the Civil Rights Movement as a teenager, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. There he learned the leather tooling skills that became the bedrock of his autobiographical paintings. Years later, encouraged by his wife, Patsy, Rembert brought his past to vibrant life in scenes of joy and terror, from the promise of southern Black commerce to the brutality of chain gang labor. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American society. Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors' Pick * Carnegie Medal of Excellence Longlist

The Story of Hebrew explores the extraordinary hold that Hebrew has had on Jews and Christians, who have invested it with a symbolic power far beyond that of any other language in history. Preserved by the Jews across two millennia, Hebrew endured long after it ceased to be a mother tongue, resulting in one of the most intense textual cultures ever known. Hebrew was a bridge to Greek and Arab science, and it unlocked the biblical sources for Jerome and the Reformation. Kabbalists and humanists sought philosophical truth in it, and Colonial Americans used it to shape their own Israelite political identity. Today, it is the first language of millions of Israelis. A major work of scholarship, The Story of Hebrew is an unforgettable account of what one language has meant and continues to mean.

"Filled with fascinating details about the art world and colorful real-life characters, this novel may appeal to historical fiction fans who enjoyed Natasha Solomons's The House at Tyneford and Tatiana de Rosnay's Sarah's Key."--Library Journal An exquisite, haunting exploration of the complex mind of Marc Chagall through the eyes of his daughter -- great for fans of Mrs. Poe and The Paris Wife Beautiful Ida Chagall, the only daughter of Marc Chagall, is blossoming in the Paris art world beyond her father's controlling gaze. But her newfound independence is short-lived. In Nazi-occupied Paris, Chagall's status as a Jewish artist has made them all targets, yet his devotion to his art blinds him to their danger. When Ida falls in love and Chagall angrily paints an empty wedding chair (The Bridal Chair) in response, she faces an impossible choice: Does she fight to forge her own path outside her father's shadow, or abandon her ambitions to save Chagall from his enemies and himself? Brimming with historic personalities from Europe, America and Israel, The Bridal Chair is a stunning portrait of love, fortitude, and the sharp divide between art and real life. "Only Gloria Goldreich could write a novel so grounded in historical truths yet so exuberantly imaginative. The Bridal Chair is Goldreich at her best, with a mesmerizing plot, elegant images, and a remarkable heroine who...will remain with you long after the last page."--Francine Klagsburn, Jewish Week columnist and acclaimed author of Voices of Wisdom "In prose as painterly and evocative as Chagall's own dazzling brushstrokes, Gloria Goldreich finely evokes one of the most significant masters of modern art through the discerning eyes of his] loyally protective daughter."--Cynthia Ozick, award-winning author of Foreign Bodies

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.