Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six, Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

Surviving Megalopolis #1 is a worthwhile take on the superheroes-gone-bad motif.ðComic Book Resources A twisted love story gone wrong gets even more wrong as our small band of survivors are forced to ask for help from the only people more dangerous than the citys heroes . . . the supervillains. Dont miss this terrifying conclusion of the sequel to the incredible Kickstarter monster hit Leaving Megalopolis! Surviving Megalopolis is just plain good.ðInfinite Comix

The Kickstarter phenomenon returns! Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six, Exiles) return to the town whose citizens are hunted-not by villains, but by heroes! The survivors of Megalopolis reluctantly go back to the city-still under the control of formerly beloved superheroes turned brutal killers-on a rescue mission straight into the heart of madness. Get in on the ground floor of this critically acclaimed series and see what happens when the good guys go very, very bad. "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory weve all come to love from them, in creator-owned comics. The sooner we get to see that future, the better.� -Comicosity

Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six, Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

It's Morphin Time! Saban's Mighty Morphin Power Rangers make their BOOM! Studios comic debut in this kick-off #0 issue, which sets the stage for the rest of the series. After escaping Rita Repulsa's mind control, Tommy Oliver, the Green Ranger, joins up with the rest of the Power Rangers to combat her never-ending evil plans. Any semblance of a normal life is gone for Tommy now, but with his newfound family there lies hope for a brighter path. Includes the short story from the San Diego Comic-Con exclusive Mighty Morphin Power Rangers comics!

The Story of Hebrew explores the extraordinary hold that Hebrew has had on Jews and Christians, who have invested it with a symbolic power far beyond that of any other language in history. Preserved by the Jews across two millennia, Hebrew endured long after it ceased to be a mother tongue, resulting in one of the most intense textual cultures ever known. Hebrew was a bridge to Greek and Arab science, and it unlocked the biblical sources for Jerome and the Reformation. Kabbalists and humanists sought philosophical truth in it, and Colonial Americans used it to shape their own Israelite political identity. Today, it is the first language of millions of Israelis. A major work of scholarship, The Story of Hebrew is an unforgettable account of what one language has meant and continues to mean.

Somewhere in the Shadow Valley lies a secret that could forever change the frontier. Only a posse of gunmen with special abilities can defend that secret from a tribe of ghostly warriors, an advancing army led by a deranged colonel, and the perils of the valleys itself. Nominated for the Eisner award for Best Digital Comic in 2010, and for the Harvey Award for Best Online Comics Work in 2011, Dark Horse now collects the supernatural web comic into a 200+ page graphic novel.

Fan-favorite creators Gail Simone (Batgirl, Deadpool) and J. Calafiore (Secret Six,Exiles) return to the city whose citizens are hunted, not by villains, but by heroes! The survivors of Leaving Megalopolis reluctantly return to the doomed city still under the control of formerly beloved superheroes, now turned brutal killers on a rescue mission straight into the heart of madness! Get in on the ground floor of this critically acclaimed series, and see what happens when the good guys go very, very bad. Collects issues 1-6 of the nail-biting series. Praise for the first volume of Leaving Megalopolis: "If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory we've all come to love from them, in creator-owned comics." -Comicosity

A new YA fantasy graphic novel following the epic adventures of Adora, a brave young woman of color who lives in a fantastical world with underground pirates, ghosts, and a mysterious force called “The Distance.” The Distance threatens to destroy it all, and only Adora can stop it! From Marc Bernardin—the award-winning television writer/producer on Star Trek: Picard, Critical Role: The Legend of Vox Machina, Masters of the Universe: Revelations, Castle Rock, and Mata Hari’s Ariela Kristantina. Includes an introduction by Damon Lindelof (Lost, The Leftovers, HBO's The Watchmen)! "Marc Bernardin's gorgeous, powerful Adora and the Distance was his way of connecting with a child on the Autism spectrum." — Vanity Fair "A letter from a parent to a child with love so overflowing that it’s visible on every page.” — Kelly Sue DeConnick (Captain Marvel, Aquaman) “Gorgeously rendered and tenderly told, ADORA AND THE DISTANCE is the story of an extraordinary child—and the extraordinary people who love her. You cannot help but be moved.” —G. Willow Wilson (Co-creator, Ms. Marvel) “Adora and the Distance begins as a fantasy, all fun and brilliance, like a Game of Thrones for teenage girls, and then transmutes into something deeper and more moving, a reflection of an interior life that solves all the riddles it has propounded in a way that is both satisfying and heartbreaking. I'm so glad it exists.” — Neil Gaiman (The Sandman, Coraline, American Gods) "Bernardin and Kristantina have pulled off a true magic trick. Adora and the Distance lures you in with dazzling fantasy yet its true magic lies its passionate, heartfelt exploration of deeper truths about connection, understanding and forgiveness through love. One of the most daring and heartfelt books I've read this year." — Scott Snyder (Batman, Nocterra)

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.