This “brutal and unflinching” novel of fleeting love in Sin City inspired the film starring Nicholas Cage and Elizabeth Shue (Jay McInerney, author of Bright Lights, Big City). John O’Brien’s debut novel, Leaving Las Vegas, is an emotionally wrenching story of a woman who embraces life and a man who rejects it; a powerful tale of hard luck, hard drinking, and a relationship of tenderness and destruction. An avowed alcoholic, Ben drinks away his family, friends, and, finally, his job. With deliberate resolve, he burns the remnants of his life and heads for Las Vegas to end it all in the last great binge of his hopeless life. On the Strip, he picks up Sera, a prostitute, in what might have become another excess in his self-destructive jag. Instead, their chance meeting becomes a respite on the road to oblivion as they form a bond that is as mysterious as it is immutable.

This is a reissue of the novel inspired by Hunter S. Thompson's ether-fuelled, savage journey to the heart of the American Dream: We were somewhere around Barstow on the edge of the desert when the drugs began to take hold... And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.

Join Ed Deline, president of operations for the Montecito Resort & Casino, and his protégé, Danny McCoy, a former U.S. Marine and Las Vegas native, as they deal with card-counting cheaters, costly streaks of random luck, and rival casinos stealing their big-money players in the town deservedly known as Sin City.... Making sure a multimillion-dollar operation like the Montecito runs smoothly is a challenge on a good day. When the casino is overrun by a Western trade show called Stampede!, that job gets even tougher. Complicating matters is an imminent visit by a German business magnate, who will be making a televised speech from the Montecito that could have far-reaching political and economic ramifications. So while Mike Cannon is tapped to investigate the theft of some very...precious...merchandise from the Stampede! floor, Ed and Danny have their hands full coordinating safety measures with the German's private security force and the Secret Service. And when Danny uncovers the blueprint for what appears to be an assassination plan, the Montecito team must race to prevent a lethal incident of international proportions.

A “fun and colorful” biography of the accordion-toting comedy legend—with rare photos, lyrics, lists, tweets, and more from Al himself (Publishers Weekly). The undisputed king of pop-culture parody, “Weird Al” Yankovic has sold more comedy recordings than any other artist in history, receiving three Grammy Awards (and fourteen nominations) in the process. This is a comprehensive illustrated tribute to this icon of the American humor landscape, the man behind such classics as “Eat It,” “Amish Paradise,” and “White & Nerdy.” Covering more than three decades of hilarious songs, videos, and concert performances, and his life story in words and pictures—and featuring an introduction, lists, tweets, and photo captions from Yankovic himself—Weird Al: The Book is the ultimate companion piece to an extraordinary career. “Part biography and part pop culture museum . . . a treat.” —Huffington Post

This is a book of jazzy, edgy, adventuresome poems from the author of Earthquake Weather and Like Cities, Like Storms. Ever aware, ever vivid, ever focused, Kleinzahler's are some of the finest lyrics being produced in American poetry today. "Pieces of ordinary talk are Kleinzahler's strong suit," as Helen Vendler observed in Parnassus, "because they occur in his glancing, alert rhythms. . . . [His] jaunty skips and riffs solace the ear." Red Sauce, Whiskey and Snow presents an experimental poetry of exceptional wit and control.

1996 Academy Award in Literature from the American Academy of Arts and Letters. In Green Sees Things in Waves, a powerful and inventive collection, August Kleinzahler succeeds in creating a new idiom for American lyric poetry that captures the velocity and swerves of contemporary life in the city. He pushes the language very hard to get there, and the results are breathtaking: an angular, propulsive poetry that transforms character, voice, and setting into buzzing, luminous events.

Being gay in Las Vegas until the 1990s was a felony with a hefty fine and long prison sentence. The Las Vegas LGBTQ community did not organize to fight for its rights until the late 1970s and by the early 1980s had made headway, before AIDS stopped their momentum. While AIDS was devastating, it taught compassion, self-reliance, and political savvy. By 2017, Las Vegas was a city among the most welcoming of the nation's queer community.

Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.

Blackmail. Bombs. Hit teams and executions. Skimming of casino profits. Illegal sports gaming. These tactics were "business as usual" for members of the mafia in the United States in the 1970s. But a team of F.B.I. agents and Kansas City Police Department detectives decided, in those corrupt days, to take advantage of new court-ordered wiretap privileges to curtail some of the graft in that city. The result of those efforts was the end of the mob's domination of Las Vegas casino operations, the imprisonment of key players and the decimation of the mafia's influence in Kansas City, Chicago, Milwaukee and Las Vegas. An ex-cop from Kansas City was part of the team that tackled the mafia corruption. He compiled this account of the surveillance efforts by including verbatim wiretap transcripts that tell the story of those days in the words of the mob's key operatives themselves. Leaving Vegas takes you behind the scenes, detailing the drama from the point of view of the surveillance teams listening in on the conversations, as well as providing the flavor of the relationships between the mobsters. Prison sentences and an end to the bulk of the mob violence in Kansas City wrote a "happy" ending to this story. Jenkins provides plenty of context to this milestone investigation, as well as photos of the key players and surveillance locations.

As a riot rages outside a bar, patrons barricaded inside face their own battle in a “brilliant and twisted” novel by the author of Leaving Las Vegas (The Kansas City Star). Completed posthumously, The Assault on Tony’s is an unapologetic, unsentimental, and at times exuberant examination of the joys and sorrows of intoxication, written with the same unflinching eye and grim wit that made John O’Brien’s Leaving Las Vegas an instant classic. Barricaded in a bar called Tony’s while a race riot rages outside, five affluent white men—all strangers—are united by their desire to drink to the end, no matter what. Social alliances are forged and challenged as each member of this macabre party ignores his fears in favor of keeping his tumbler full to the brim. As time goes on and the liquor supply starts to dwindle, the novel reaches a gritty intensity that explores the highs and lows of the human spirit.