'This solitude, the romance and wild loveliness of everything here . . . all make beloved Scotland the proudest, finest country in the world.' Queen Victoria (1819-1901) wrote a diary nearly every day of her life. Originally intended for private circulation, later expanded to appeal to a wider public, these published diary entries cover not only the family holidays at Balmoral Castle in the Scottish Highlands which the Queen and Prince Albert enjoyed up until his death in 1861, but also the Queen's journeys - as sovereign and as "Royal Tourist" - around Scotland, Ireland, and other regions within the British Isles. The books offer intimate views of the most important woman of her time as she shares her love of her family and of the Highlands, and demonstrates her intense interest in all corners of her realm and in the lives of individuals from all classes of society. Queen Victoria's writings about her life and travels in Scotland and the British Isles are fascinating and entertaining to read. Extremely popular when they first appeared, they shaped Victoria's image in the nineteenth century, and their impact on public perceptions of the monarchy continues to this day. This volume includes complete and authoritative texts of the two journals; an introduction and explanatory endnotes providing historical and cultural contexts and new information about the Queen's work as author and editor; maps of the Queen's travels; a Cast of Characters briefly identifying many of the individuals the Queen meets or mentions; a Glossary of unfamiliar terms; and Suggestions for Further Reading. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The books offer intimate views of the most important woman of her times as she shares her love of her family and of the Highlands and demonstrates her intense interest in all corners of her realm and in the lives of individuals from all classes of society.

Scotland, Britain, Empire takes on a cliché that permeates writing from and about the literature of the Scottish Highlands. Popular and influential in its time, this literature fell into disrepute for circulating a distorted and deforming myth that aided in Scotland's marginalization by consigning Scottish culture into the past while drawing a mist over harsher realities. Kenneth McNeil invokes recent work in postcolonial studies to show how British writers of the Romantic period were actually shaping a more complex national and imperial consciousness. He discusses canonical works--the works of James Macpherson and Sir Walter Scott--and noncanonical and nonliterary works--particularly in the fields of historiography, anthropology, and sociology. This book calls for a rethinking of the "romanticization" of the Highlands and shows that Scottish writing on the Highlands reflects the unique circumstances of a culture simultaneously feeling the weight of imperial "anglobalization" while playing a vital role in its inception. While writers from both sides of the Highland line looked to the traditions, language, and landscape of the Highlands to define their national character, the Highlands were deemed the space of the primitive--like other spaces around the globe brought under imperial sway. But this concern with the value and fate of indigenousness was in fact a turn to the modern.