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The original 1983 manuscript written by Eugene Alvarez, who is the primary author of this book, included the years 15621983. The current and revised manuscript was edited and updated by Leo J. Daugherty III, PhD, in cooperation with the primary author, and covers the years 1997 to 2015, including chapter 6, dealing with recruit training in the 1920s and 1930s, which was a part of his doctoral dissertation at the Ohio State University. Since this work was first completed, Parris Island has undergone numerous changes in buildings, the base layout, and recruit training. The training philosophy has been altered as society demands. Thus, past training situations and methods should be observed as recorded in the chronological approach of the text to present times.

For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study--the first to consider such a broad range of military comics. War and military life are examined through the inside jokes of the men and women who served. The author analyzes themes of culture, hierarchy, enemies and allies, geography, sexuality, combat, and civilian relations and describes how comics function within a community. A number of artists included were known for their work with Disney, Marvel Comics, the New Yorker and Madison Avenue but many lesser known artists are recognized.

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals