This book is designed to simplify learning guitar for music therapists and educators, particularly elementary school music teachers. The methods utilized in the book can also be used by anyone wishing to learn to play the guitar. There are simple step-by-step methods to learn how to play the guitar while learning how to read music. These steps are accompanied by videos for each lesson that allows the student to see and hear the lesson being learned. This is a revolutionary concept in music education. The book has been reviewed by several professors of music and music therapy and has received great acclaim.

This book is designed to simplify learning guitar for music therapists and educators, particularly elementary school music teachers. The methods utilized in the book can also be used by anyone wishing to learn to play the guitar. There are simple step-by-step methods to learn how to play the guitar while learning how to read music. These steps are accompanied by videos for each lesson that allows the student to see and hear the lesson being learned. This is a revolutionary concept in music education. The book has been reviewed by several professors of music and music therapy and has received great acclaim.

Therapeutic Guitar is an innovative guitar method that was designed and extensively field tested for students with unique learning and lifestyle needs. Others who might benefit from this book include music therapists, child life specialists, special education teachers, music teachers, camp counselors, and anyone working with people who have medical, emotional, and behavioral disorders. The songs and the therapeutic activities accompanying them make this method a unique experience. While learning chords, strumming, and tunes is fun, being able to meaningfully interact with these songs adds a deeper dimension. This book will impart students with a sense of accomplishment, self-esteem, and self-worth, all while highlighting the therapeutic benefits of guitar playing. A CD is included to demonstrate all the examples in the book.

A comprehensive examination of the guitar's prominent place within the field of music therapy. Music therapy students with little or no guitar-playing experience, as well as practicing professional therapists, may find it to be a practical and valuable resource. Part one of the book introduces the reader to historical and important functional information about the instrument, and describes how to play the guitar with proficiency and versatility. Parts two and three address clinical uses of guitar-playing by therapists and clients. In addition to reviewing guitar references within the music therapy literature, creative and innovative techniques are provided which will allow clinicians to take advantage of the instrument's wide range of adaptability. Examples are given that demonstrate ways in which therapists can use guitar to accompany songs and improvisations, as well as to make guitar-playing accessible to clients of varying physical and cognitive abilities. Clinical uses of traditional guitar playing, alternate tunings, and adaptive devices and accessories are discussed.

A collection of tunes representing a diversity of ideas, experiences, and geographic locations, this songbook provides a resource for use in clinical, educational, recreational, and religious settings. Designed to allow even a beginning guitarist to lead singing, the songs are written in standard notation with rhythm chord symbols and diagrams. Lyrics are given for all of the songs, with creative adaptations included with some melodies. Sample guitar accompaniment patterns are given in notation and tablature.

Music is everywhere in our lives and all analysts are witness to musical symbols arising from their patient's psyche. However, there is a common resistance to working directly with musical content. Combining a wide range of clinical vignettes with analytic theory, Kroeker takes an in-depth look at the psychoanalytic process through the lens of musical expression and puts forward an approach to working with musical symbols within analysis, which he calls Archetypal Music Psychotherapy (AMP). Kroeker argues that we have lost our connection to the simple, vital immediacy that musical expression offers. By distilling music into its basic archetypal elements, he illustrates how to rediscover our place in this confrontation with deep psyche and highlights the role of the enigmatic, musical psyche for guiding us through our life. Innovative and interdisciplinary, Kroeker’s model for working analytically with musical symbols enables readers to harness the impact of meaningful sound, allowing them to view these experiences through the clarifying lens of depth psychology and the wider work of contemporary psychoanalytic theory. Jungian Music Psychotherapy is a groundbreaking introduction to the ideas of Archetypal Music Psychotherapy that interweaves theory with clinical examples. It is essential reading for Jungian analysts, psychotherapists, psychoanalysts, music therapists, academics and students of Jungian and post-Jungian studies, music studies, consciousness studies, and those interested in the creative arts.

Free Play is about the inner sources of spontaneous creation. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms. An international bestseller and beloved classic, Free Play is an inspiring and provocative book, directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured, and how finally it can be liberated—how we can be liberated—to speak or sing, write or paint, dance or play, with our own authentic voice. Stephen Nachmanovitch, a pioneer in free improvisation, integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity, drawing on unusual quotes, amusing and illuminating anecdotes, and original metaphors. The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. Free Play brings us into direct, active contact with boundless creative energies that we may not even know we had.

Written by a senior clinician and educator in order to meet the needs of prospective and current educators, clinical supervisors and students of music therapy, this book provides an overview and detailed commentary about all aspects of professional and advanced education and training in music therapy. Major topics include: (1) historical perspective and review of academic standards defined by both the National Association of Schools of Music (NASM) and the American Music Therapy Association (AMTA), faculty qualifications, levels of practice suggested by levels of educational programming, post-graduate training and distance learning. (2) incorporating, contextualizing and extending music and clinical foundations into music therapy coursework while teaching music therapy foundations at successive levels of depth. (3) detailed suggestions for training the student in practice competencies- both practicum and internship. (4) historical commentary on how competencies for advanced practice were composed and how revised standards will play a part in the development of masters and doctoral programs in the United States. (5) analysis of the coursework in 32 graduate programs across the United States in order to suggest the current use of coursework in meeting advanced competency areas. (6) reflection on relevant learning theory, learning styles, student development phases, and application to music therapy pedagogy and evaluation. (7) information related to admissions, advisement, retention, teaching and evaluation techniques in music therapy programs. (8) review of music therapy programs in 30 countries which concludes with a discussion of common themes and issues in the development of international education and training. As we consider the ongoing challenges in the United States and throughout the world to develop curriculum that is appropriate to various degree levels and changing professional entry standards, this book will prove an important resource. With a foreword by Dr. Suzanne Hanser and appendices which include a listing and analysis of sixty years of books published in music therapy, this book is an invaluable addition to the music therapy literature.

A collection of 42 musical activities designed for classroom teachers, music teachers and music therapists to use in their work with children of various ages, abilities, and needs at the primary level. With over 100 variations, involving singing, moving and playing instruments, these developmentally sequenced activities have been carefully crafted to help children develop: perceptual motor abilities, attentional skills, behavioral limits, speech and language skills, and relational concepts. The music is superb, the piano accompaniments are easy, the activities are great fun for the children, and each one comes with complete instructions on how to engage children at various levels of difficulty. Inasmuch as this a reprinting of their highly acclaimed original work of the same title, the effectiveness of these activities has already been demonstrated in various settings.