If you've got an envelope handy, or a paper cup, or a cereal box, you're ready to lead kids to literature through puppetry - Caroline Feller Bauer style. The Bauer style, celebrated throughout the world, means maximum fun for kids with minimum training, preparation, and costs. Bauer's charmingly chatty lessons set your stage up in a wink. She then introduces literature selections to perform - and here draws upon her experience in choosing readings that work. More than thirty selections are presented along with scores of recommended books and a selection on puppetry resources.

A Show of Hands: Using Puppets with Young Children.

A brightly colored finger puppet attached to each book peeks out from every spread. Sure to make a little one smile.

A new, interactive approach to storytime, The Whole Book Approach was developed in conjunction with the Eric Carle Museum of Picture Book Art and expert author Megan Dowd Lambert's graduate work in children's literature at Simmons College, offering a practical guide for reshaping storytime and getting kids to think with their eyes. Traditional storytime often offers a passive experience for kids, but the Whole Book approach asks the youngest of readers to ponder all aspects of a picture book and to use their critical thinking skills. Using classic examples, Megan asks kids to think about why the trim size of Ludwig Bemelman's Madeline is so generous, or why the typeset in David Wiesner's Caldecott winner,The Three Pigs, appears to twist around the page, or why books like Chris Van Allsburg's The Polar Express and Eric Carle's The Very Hungry Caterpillar are printed landscape instead of portrait. The dynamic discussions that result from this shared reading style range from the profound to the hilarious and will inspire adults to make children's responses to text, art, and design an essential part of storytime.

Sid tries so hard to be scary, but really he's not! In this new interactive series, award-winning creator Sam Lloyd bring a delightful monster world to life with a hand puppet format that can be used to act out the story. Sid hides behind trees and jumps out to scare the other creatures in the forest-roar! As the story unfolds kids are invited to give Sid a fright themselves, and see what happens to the not so scary monster!

In this latest revision of Storytelling With Puppets, Connie Champlin has polished themes and fine-tuned sections to meet today's ever-changing programming environment, paying special attention to literature-based instruction and multicultural themes.

Dingo is on the prowl. He can see Emu, Swan, and Turtle. He can hear Crocodile, Frog, and Kookaburra. But where is Galah? Sally Morgan brings the Australian landscape alive in this colorful exploration of animals and animal sounds. Children will have fun with the search-and-find element. Galah is hiding on every page!

What makes the great white shark (one of) the greatest fish in the sea? FIN-d out in this hilarious fish-out-of-water story that's perfect for Shark Week and all year-round! "Don't miss this one." -School Library Journal, Starred Review Hi! I am Great White Shark, and if you get this book, you'll read all about ME--the greatest shark in the sea! Not so fast! Greenland Shark here, and as the oldest shark in this book, that makes me the greatest. Did someone say fast? I'm Mako Shark, and I'm the fastest shark in this book! Eat my bubbles! Wow, I'm Hammerhead Shark. You don't need my special eyes to see that there are lots of great sharks in this book. Sink your teeth into it now! New York Times bestselling author Joan Holub makes a splash with bestselling illustrator Laurie Keller to deliver an entertaining undersea story filled with the greatest shark facts in the ocean!

Puppetry is an exciting, flexible, malleable art form that can engage the creative forces of children or adults. Puppets can not only tell a story, they can be used to enhance the curriculum, present an idea or a concept in a compelling way, or teach any number of necessary skills. Children and adults presenting a puppet play are given a sense of their own inventive power. This reference work offers an A to Z view of working with puppets. It covers everything from the basic strategies of advertising and marketing puppet productions, to assembling the puppets out of household materials such as paper bags, cereal boxes, or gloves, to the more elaborate sculpting of armatures. Stages, curtains and props are also discussed along with the history of puppetry. Numerous illustrations give a visual of many of the finished products. This work concludes with an annotated bibliography and index.