The long nineteenth century, arguably the most significant period in Irish history, is marked by a series of events that changed the political landscape of the nation forever and gave rise to art and ideas of international importance. At one end of this tumultuous period, we have Grattan’s Parliament, the United Irishmen, the Rebellion of 1798 led by Wolfe Tone, and the Union of 1801, and at the other, the fall of Parnell, the Easter Rising, Civil War and partition. Between times there are the great hinge events of Catholic Emancipation, the Famine, and the Land War. From Wolfe Tone to Maud Gonne, Ireland went through a period of enormous upheaval that carved out the culture and politics of the modern nation. Irish Studies has not yet fully engaged with the range and richness of this material, nor have critics in the various Anglophone literary fields grasped the extent to which Irish and Scottish events and authors contributed decisively to the development of their own areas. Bringing together an international line-up of established and emerging scholars, Romantic Ireland: From Tone to Gonne takes Irish Studies in new directions, in particular in terms of a cross-cultural comparison with Scotland and the distinct phenomenon of Unionism, thus breaking out of the double binds of Anglo-Irish approaches. The Irish-Scottish interface throws up fascinating insights that enhance our awareness of the interaction between colonialism, nationalism and culture. All of the major figures of the period are represented here, from Edgeworth and Moore to Yeats and Synge, but there are other, often less noticed but hugely significant writers, such as Charles Robert Maturin, Dion Boucicault and May Laffan. There are non-Irish commentators on Ireland like Cobbett and Engels, as well as a series of key Scottish figures – including Burns and Scott – in addition to lesser-known or lesser-noticed Scottish writers with strong Irish interests such as R. M. Ballantyne and Robert Tannahill – whose work opens up new and promising avenues into Irish writing.

Irish Anglican clergymen played an important role in the creation of a nineteenth-century "Greater Ireland," a term denoting a diasporic movement in which the Irish transformed into a global people, actively participating in British imperial expansion and colonial nation building. These essays address the formative influences and circumstances that informed the mental world and disposition of Irish Anglicans, particularly clergy who were graduates of Trinity College Dublin (TCD), an institution pivotal in the formation of attitudes among the Irish Anglican elite. TCD was the gathering point for Anglicans of different backgrounds, and as such acted as a great leveler and formative center where laity and aspirant clergy were educated together under a common curriculum. In common with the Irish as a whole, TCD graduate clergy exerted an influence on colonial life in the religious, cultural, intellectual, and political spheres out of all proportion to their numbers. Faced with its dismantling in the old world, adherents of the Church of Ireland availed of opportunities for its reconstruction in the new and in the process bequeathed an important legacy in the colonial church.

A 1916 three-volume catalogue of over 8,000 books and pamphlets from or about Ireland, printed between 1600 and 1900.