The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words. Over and over again he declares to them that there is no death, only God's eternal laughter. The more Lazarus laughs, the younger and stronger he becomes. The more he laughs, the older and weaker his wife Miriam (who trusts him but does not understand his laughter) becomes. The subsequent scenes portray a series of tests (perhaps similar to those trials of Job) by the Jews, Romans and Greeks to try the faith of Lazarus. Consequently, members of his family are taken from him, but Lazarus continues always to laugh, even as Miriam is poisoned by the Roman Emperor Tiberius and continuing on to the very end, when Tiberius burns him at the stake. --Wikipedia.com.

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This study attempts to trace Eugene O'Neill's theatrical contour from its origin to its end, by discussing each of his works in the approximate chronological order of composition. The book is thus a form of biography, although it pays no heed to those events of O'Neill's life that did not have direct bearing on his professional career. By virtue of O'Neill's central position in the drama of the modern world, this study also has become, within the limits its subject sets for it, a form of theatrical history. An appendix contains a complete factual record of important productions of O'Neill's plays. ISBN 0-19-504548-3 (pbk.): $12.95.

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